Barry Mackay Movies

Based on a story by prolific if uninspired sci-fi writer Charles Eric Maine, The Atomic Man stars Peter Arne in the title role. Fished out of the Thames with a bullet in his back, Arne is discovered to be highly radioactive. He turns out to be a missing atomic scientist, whose exposure to radioactive substances, coupled with his brush with death, has endowed him with remarkable prognostic powers (the script explains that he's living 7 1/2 seconds into the future!) With the help of snoopy reporter Gene Nelson, Arne exposes a plot hatched by evil tungsten magnate Vic Perry. Atomic Man was released in Great Britain as Timeslip. ~ Hal Erickson, Rovi

Grand National Night began life as a stage play, which was promptly adapted as a popular British radio serial. The film combines the best elements of both previous incarnations. Racehorse owner Gerald Coates (Nigel Patrick) accidentally kills his spiteful wife Babs (Moira Lister) during a quarrel. Terror-stricken, Coates stashes the body in the boot (or trunk) of a stranger's car. Methodical police inspector Ayling (Michael Hordern) suspects there's more to this than meets the eye. The script carefully builds up sympathy for the frenzied Coates, then manages to find a way to wrap up the story to everyone's satisfaction (Here's a clue, provided by Leonard Maltin: while watching the film, examine the character names). ~ Hal Erickson, Rovi

John Hayter is Samuel Pickwick is this delightful filmization of Dickens' seriocomic novel. Mr. Pickwick is chairman of the Pickwick club, a scholarly league operating in mid-19th century London. The club's avowed purpose is to scrupulously study everyday life in England-not to improve or remonstrate, but simply examine, as a scientist would examine life under the microscope. The episodic storyline transports the Pickwicks all over town, from the fashionable digs of ever-in-debt roue Mr. Jingle (Nigel Patrick) to debtor's prison. The Candide-like Mr. Pickwick survives his many experiences (including a duel and breach of promise suit) with the invulnerability of innocence. The Pickwick Papers was produced, directed and adapted by Noel Langley, a brilliant, hard-drinking wit who once upon a time had labored on the screenplay of Hollywood's The Wizard of Oz. ~ Hal Erickson, Rovi

For a generation of radio fans, Lionel Barrymore was the definitive Ebeneezer Scrooge. Alas, Barrymore was crippled by arthritis by the time MGM got around to filming Charles Dickens' A Christmas Carol in 1938, so the Scrooge role went to contract player Reginald Owen - who, though hardly in the Barrymore league, does a splendid job. Hugo Butler's screenplay must make some adjustments from the source material. The Ghost of Christmas Past, for example, is played not by a robust middle-aged man but by a beautiful young woman (Ann Rutherford). Impeccably cast, the film includes such reliable character players as Leo G. Carroll (Marley's Ghost), Barry McKay (Scrooge's nephew Fred) and Gene and Kathleen Lockhart (Bob and Mrs. Cratchit). The Lockhart's teenaged daughter June makes her screen debut as one of the Cratchit children, while Terry Kilburn is a fine, non-sentimental Tiny Tim. Commenably short for a major production (69 minutes), MGM's Christmas Carol is one of the best adaptations of the oft-filmed Dickens Yuletide classic, and definitely on equal footing with the more famous 1951 Alastair Sim version. ~ Hal Erickson, Rovi

In this musical, a plucky London newspaper journalist boards a transatlantic ocean liner in hopes of interviewing a prominent Hollywood starlet. She is followed by a Scotland Yard inspector who is looking for the jewel thief he knows is on board. Unfortunately, the inspector doesn't know the actual identity of the thief and his prime suspect becomes the hapless reporter who also finds herself pursued by a determined gangster who has made the same assumption. Before the boat docks in New York, the reporter is kidnapped and forced to work for the gangster's boss. Fortunately, the inspector finally discovers the thief's true identity and brings her to justice. The plot is based on a Dwight Taylor story. ~ Sandra Brennan, Rovi

The building of the great Canadian-Pacific Railroad that stretched from Montreal to Vancouver is chronicled in this realistic drama. Amidst the country's wild grandeur, two gambling vagabonds find themselves in a railroad boomtown where they hope to win a lot of the workers' money. While there, one of the gamblers falls in love with the daughter of the construction leader. He decides to abandon gambling in favor of good old- fashioned hard labor on the line. Meanwhile, the other gambler is robbed by a greedy bar maid and ends up giving up his life so that the railroad can continue. ~ Sandra Brennan, Rovi

In this British comedy, the owner of a country pub finds her wedding night ruined when a man comes up and offers her husband a shilling. He accepts it, but discovers that it is really the Queen's bounty for enlistment and that the kindly man is the local recruiting officer. The bride decides she must be with her man and ends up impersonating one to be with him. Eventually she saves him from the French. ~ Sandra Brennan, Rovi

This war movie is set on the high-seas during WWI. It chronicles the exploits of a brave English sailor who is captured by a German cruiser. The courageous sailor, the bastard of a RN officer, soon escapes from the German ship. He also steals a rifle. He hides on the shore and begins taking pot-shots at the Germans. Due to his marksmanship, the ship's journey is delayed. While the Germans are hunting for him, the British ships sneak up and sink the enemy boat. Unfortunately the brave sailor is killed. He becomes a hero and the British erect a cross on the highest point on the island to commemorate the young hero. The commander of the British ship is disturbed to discover that the dead hero was the son he denied having. This drama is considered to be a landmark British film; it is the first to utilize the actual Royal Navy and it's ships. ~ Sandra Brennan, Rovi

In this drama, a young man defends himself after he is attacked by a mugger. He shoots the thief, and believes that he has killed him. Though his parents talk him into keeping mum about it all, the man is consumed with guilt until he discovers that the crook only feigned death to escape a murder rap. ~ Sandra Brennan, Rovi

Producer and director (Alexander Korda) followed up The Private Life of Henry VIII (one of the first internationally successful British films) with this historical comedy. After years in exile, the great lover Don Juan (Douglas Fairbanks) returns to Seville, the city of his salad days. However, Don Juan is now married and middle-aged, and his days as a spoiler of women seem to be behind him. When he learns that a young man in town (Barry McKay) has been posing as him and making time with the local ladies, Don decides to prove who the great lover truly is and attempts the seduction of Antonia (Merle Oberon), a beautiful dancer. However, Don's doctor informs him that girl-hunting will tax his fragile health, and his wife Dolores (Benita Hume) will no longer turn a blind eye to his infidelity. When the impostor is killed by a jealous husband, Don is relieved, as his "death" allows him to retire from his career as a rake with his reputation intact. But when the old itch returns, Don makes the sad discovery that if he can't convince women he's Don Juan, they simply aren't interested in him. The Private Life of Don Juan provided one of the few speaking roles for silent screen swashbuckler Douglas Fairbanks, and proved to be his last picture. ~ Mark Deming, Rovi