Bruce MacVittie Movies

Todd Robinson's Lonely Hearts features John Travolta and James Gandolfini as Elmer C. Robinson and Charles Hildebrandt, a pair of homicide detectives who are on the trail of lovers on a crime spree. The evil duo of Ray Fernandez (Jared Leto) and Martha Beck (Salma Hayek) take advantage of elderly widows, stealing as much money as they can after gaining the victim's confidence, and then murdering their mark. Robinson becomes drawn into the case too deeply in order to help him confront his feelings, as his wife has recently killed herself. The story is based on the real life "Lonely Hearts" killers of the late '40s, the infamous couple whom the director's grandfather played a large part in bringing to justice. ~ Perry Seibert, All Movie Guide

Frank (Adam Trese of Laws of Gravity) is in trouble. His dot-com start-up collapses before it goes online, essentially bankrupting him and his partner, Josh (Andrew McCarthy). Frank is forced to leave his fancy Manhattan apartment and move back in with his parents (Robert Vaughn and Hayley Mills), and he can't even bring himself to tell them he's failed. His kooky friend Sal (John Turturro) warns Frank that his priorities are wrong, and sends him to Gina (Aida Turturro), a cheerful psychic. Then Frank comes up with a new idea tailor-made for the dot-com bust, but the first potential investor he meets with, Abrams (Mark Margolis), seems more interested in Frank's diet than his idea, and the second guy (Michael Badalucco) he meets with threatens to steal the idea, causing Frank to collapse in a sweaty panic. Then Abrams calls again. While Frank's project is too small for him to handle, he knows a couple of guys. Soon Frank and Josh are working again, with a new office and a new CFO, Peter (Bruce MacVittie). Things are going swimmingly, until Frank takes a closer look at the books, and begins to suspect that his investors are using the company to launder money. 2BPerfectlyHonest marks the feature debut of writer/director Randel Cole. The movie had its world premiere at the 2004 Tribeca Film Festival. ~ Josh Ralske, All Movie Guide

A drug dealer is murdered, and it appears that the killer is the father of a teenager who died from an overdose. But both the detectives and lawyers are stopped in their prosecutorial tracks by the accused man's parish priest Father Hogan (Denis O'Hare), who insists that he, himself, is the guilty party. The question: Should this confession be accepted at face value, or should the investigation proceed until all the facts are on the table? ~ Hal Erickson, All Movie Guide

A wealthy patroness of the arts is found murdered in her apartment, her hands severed from her body. The subsequent investigation turns up evidence that the motive for the murder may have been a painting, which bears a startling resemblance to the scene of the crime. Chief among the suspects is the victim's newest protégé -- who has a history of violence. ~ Hal Erickson, All Movie Guide

Bette Gordon, who made her directorial debut in 1983 with Variety, returned 15 years later with this adaptation of Scott Bradfield's novel The History of Luminous Motion about an alcoholic mother. "Only two things mattered to me -- being with my mom and being in motion," says ten-year-old Phillip (Eric Lloyd), who teaches himself physics and biology as he's driven about by his mother Margaret (Deborah Kara Unger). After a car crash, they settle down with Hackensack hardware store owner Pedro (Terry Kinney). Phillip receives letters and phone calls from his dad (Jamey Sheridan). Eventually, mother and son leave Pedro to live on Staten Island -- where the boy meets some strange teens (James Berland, Paz De La Huerta), Pedro appears as a ghostly figure, and Phillip's father turns up. Shown at the 1998 Locarno Film Festival. ~ Bhob Stewart, All Movie Guide

Alan Madison made his directorial debut with this shrink-wrapped souffle of comedic conflicts in the life of lame NYC psychologist Jeff Stewart (Tony Goldwyn), who is burdened with an unloving wife (Edie Falco) and regarded with contempt by his own patients. In addition to criminals sent to him by the state, his clients include a variety of Harlem residents -- a sex offender (Bruce MacVittie); Mrs. K, a religious fanatic (Tammy Grimes); oversexed hand model Ericca Ricce (Debi Mazar); and Daryl (Giancarlo Espositio), whose lover is dying of AIDS. Others in Stewart's building include British ambulance-chaser McMurtry (Roger Rees), a Holocaust survivor (Mark Margolis) preoccupied with his chessboard, and a fortune-teller in drag (Charles Busch). As his life unravels, speculation surfaces suggesting Stewart himself should be in therapy. Shown at the 1997 Vancouver Film Festival. ~ Bhob Stewart, All Movie Guide

A bail bondsman is murdered, and the detectives subsequently haul in a likely perpetrator. Then, an offhand comment made by the suspect leads to irrefutable evidence that a disreputable attorney has been fixing cases for a price. Even more disturbing is the possibility that the attorney's accomplice is a "mole" working within the New York City legal system -- and maybe in the offices of the DA himself. ~ Hal Erickson, All Movie Guide

The birth of the gay rights movement gets a fictionalized treatment in this drama based loosely on the acclaimed documentary of the same name by Martin Duberman. In 1969, Matty Dean (Fred Weller) arrives in New York City's Greenwich Village hoping that life there will provide the sexual liberation forbidden to him by his small town upbringing. Matty falls in love with LaMiranda (Guillermo Diaz), a cross-dresser who introduces him to the regulars at the infamous Stonewall Inn, a popular gay bar. He is shocked, however, to learn that the NYPD regularly raids the Stonewall, harassing the clientele and closeted owner Vinnie (Bruce MacVitte). After one such incident, Matty ends up in jail, where he's attracted to Ethan (Brendan Corbalis), a gay activist preaching a moderate policy of conformity and peaceful protest. The latter is not possible, however, when police storm the Stonewall yet again and, led by Vinnie's lover Bustonia (Duane Boutte), enraged drag queens fight back in a riot of historical significance. ~ Karl Williams, All Movie Guide

Ten-year-old Wendy Sylvester (Stephi Lineburg) disappears from a foster home. The subsequent investigation reveals that Wendy had been subjected to neglect and abuse by her foster mother. The girl turns up in a specially designed "hiding place" within the home of her compassionate former teacher Arnette Fenady (Lisa Eichhorn), who insists that she is acting in the child's best interest -- but who is obviously an extremely disturbed woman despite her noble intentions. ~ Hal Erickson, All Movie Guide

In this made-for-cable-TV crime drama, New York detective Devlin must prove that he is innocent of killing his brother-in-law, a mayoral candidate. It is not easy for the unhappily married, alcoholic gumshoe because he suspects that the man trying to frame him is his arch nemesis, his corrupt father-in-law, a powerful local politician. Now while trying to save his neck and solve the murder, Devlin finds himself pursued by both his fellow cops and the mob. ~ Sandra Brennan, All Movie Guide

Val Kilmer delivers what was considered one of 1991's best performances as Jim Morrison in Oliver Stone's hallucinatory bio-pic of the seminal 1960s rock group The Doors. Stone cuts a jagged swath through Morrison's life, starting with a childhood memory where Morrison sees an elderly Indian dying by the roadside. It picks up with Morrison's arrival in California and his assimilation into the Venice Beach culture, followed by his film school days at UCLA; his introduction to his girlfriend Pamela Courson (Meg Ryan); his first encounters with Ray Manzarek (Kyle MacLachlan); and the origin of The Doors -- made up of Manzarek, Robby Kreiger (Frank Whaley), and John Densmore (Kevin Dillon). As the fame of The Doors grows, Morrison's obsession with death increases. The band grows weary of Morrison's missed recording sessions and no-shows at concerts. Morrison, meanwhile, sinks deeper into a drug-induced haze, having mystical sexual encounters with Patricia Kennealy (Kathleen Quinlan), an older rock journalist involved with sadomasochism and witchcraft. ~ Paul Brenner, All Movie Guide

Goldie Hawn delivers a surprisingly understated performance (allowing the audience to shift their laughter from the usually comic Hawn to the unbelievable storyline) in the unsuccessful thriller Deceived. Hawn plays Adrienne Saunders, a successful art restorer who is married to Jack (John Heard), a devoted husband who is also an expert in the antiques business. Married for six years and parents of a charming 5-year-old daughter Mary (Ashley Peldon), the Saunders appear to have everything going for them. But after a series of odd occurrences that even an idiot would notice, Adrienne finally comes the conclusion that her husband is not the man she thought he was when she married him. After Jack tells Mary that he was in Boston but Adrienne's friend tells her she saw him in New York, the mysterious clues begin piling up and are too numerous to ignore: there's a call from a department store concerning some sexy lingerie that Jack purchased; a friend is found murdered after checking on the authenticity of an Egyptian necklace; and there are indications that Jack was involved with a scheme to steal artifacts from a museum. Adrienne is finally convinced that something is fishy about her husband when he mysteriously dies is an auto wreck, and she discovers that Jack has been using the name of a man who had died 16 years earlier. Adrienne proceeds to polish her magnifying glass and conducts some detective work on her own to find out who her husband really was. This is when the danger really begins. ~ Paul Brenner, All Movie Guide

Night Visions is a serial-killer-at-large TV movie starring James Remar and Loryn Locklin. Remar portrays the tough LA cop on the case. Ms. Locklin is a psychic, engaged by the police in a desperate effort to ferret out the killer. Unfortunately the psychic borders on the psychotic; her visions seem tinged by her own miserable past experience--and by the fact that she has multiple personalities. This reasonably original premise rapidly dwindles down to predictability; its happy ending was dictated by the fact that the film was the pilot for an unsold series. Night Visions was directed by Wes Craven, who was required by network edicts to tone down the gleeful gore which permeated his Nightmare on Elm Street films. ~ Hal Erickson, All Movie Guide