Norman MacOwan Movies

In this 1959 comedy, Robert MacPherson (Robert Morley) inherits his family's textile business in Edinburgh, Scotland, then hires American efficiency expert Angela Barrows (Constance Cummings) to bring the business into the modern age. The House of MacPherson has long been known as a manufacturer of fine Scottish tweed, and the company's mild-mannered head clerk, Mr. Martin (Peter Sellers), worries that the no-nonsense Barrows will ruin everything with her new-fangled ideas and eventually replace him and his co-workers with automatons. So after she installs the latest labor-saving devices, including intercoms and noisy adding machines, he sabotages them in a gradually unfolding scheme to persuade MacPherson that the old Scottish ways are still the best, that true craftsmanship requires a human touch. By this time, however, MacPherson has taken a fancy to Barrows romantically, and she can do no wrong. Then, horror of horrors, Barrows proposes that the company make synthetic tweed -- mass-produced synthetic tweed -- in an all-out effort to Americanize the Scottish firm. That's the last straw for Martin, and he thinks there is only one option left for him: to murder Barrows. Of course, meek Mr. Martin isn't exactly a natural-born killer, and he botches one attempt after another in a sequence of scenes that keep the action moving briskly along. But Martin has pluck and plenty of persistence, and he eventually hatches another plot to undo the meddlesome Barrows. The film, loosely based on a James Thurber story entitled The Catbird Seat, was directed by Charles Crichton, the same man who directed the highly successful Lavender Hill Mob. ~ Mike Cummings, All Movie Guide

In this crime drama, two crooked brothers, an embezzler and a gambler, find themselves in deep trouble when the embezzler steals from a steel mill so he can buy his lover fancy clothes. During the theft, he kills a night guard. This spawns an investigation by the slain watchman's son who locates a sightless witness. The son then convinces the killer that the witness saw him and this causes him to confess. ~ Sandra Brennan, All Movie Guide

Under the stress of wartime privations, a young Austrian boy is beaten by his Father, who threatens to sell his dog, a St. Bernard, to the butcher to help pay for food for the family. A kindly veterinarian and spinster finally take a hand in rectifying the situation. ~ Tana Hobart, All Movie Guide

X the Unknown is a well-crafted imitation of the Quatermass British sci-fi pictures of the 1950s. A group of soldiers on maneuvers in Scotland stumble across a gravel pit which emanates an unusual amount of radiation. Several deaths occur before the radioactive material is mysteriously stolen. Researcher Dr. Adam Royston (Dean Jagger) speculates that the thief is some sort of inhuman monstrosity dwelling at the Earth's core. He points out that past radioactive disturbances have been occurring at 50-year intervals, each followed by sudden deaths and the disappearance of the material. Royston suggests that the unknown monster has been resuscitated by humankind's recent atomic experiments. Sure enough, the monster manifests itself as a huge slab of glowing radioactive mud (laugh now if you must -- you won't laugh when you see it). X the Unknown works well within its limited budget; unfortunately, many TV prints have been truncated, robbing some of the best horrific moments of their full impact. ~ Hal Erickson, All Movie Guide

Footsteps in the Fog is a cat-and-mouse Victorian melodrama in the grand tradition. Jean Simmons plays scheming servant girl Lily Watkins, who was hired by sinister nobleman Stephen Lowry (Stewart Granger) and his ailing wife. The wife dies of "natural causes," but Lily knows better, and uses this knowledge to her advantage. In exchange for her silence, she forces Lowry to cater to her every whim. He is forced to go along lest he face the gallows, but in a switch reminiscent of the "lost" ending of 1987's Fatal Attraction, he sees to it that Lily herself is carted away by the constabulary. Filmed in appropriately dank Technicolor, Footsteps in the Fog is an unusual foray into Gaslight territory for director Arthur Lubin, normally a comedy specialist. ~ Hal Erickson, All Movie Guide

Most of this hectic British comedy takes place in an ancient Scottish castle. The British National Coal Board, following a real-life policy established in the 1940s, wants to annex the castle as a group home for the local miners and their families. Wealthy, much-married American Mrs. Clodfelter Dunne (Barbara Kelly) wants to claim the castle--and its owner, the Earl of Locharne (David Tomlinson)--for herself. Meanwhile, eccentric boarder Miss Nicholson (Margaret Rutherford) is possessed with the notion that the Earl is actually the rightful King of Scotland. The film's deus-ex-machina is a beautiful ghost, played by Patricia Dainton. With all this going on, it is easy to ignore the antiseptic romantic subplot involving Tomlinson and Helen Cherry. Castles in the Air was based on the popular stage play by Alan Melville. ~ Hal Erickson, All Movie Guide

In this drama, bank robbers are exiled to an island off the English coast. They are caught in raging seas and would have died had not the two lighthouse keepers come to their aid. The crooks then try to persuade the keepers into letting them escape. It almost works. ~ Sandra Brennan, All Movie Guide