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James Barton Movies

One of the "grand old men" of vaudeville and burlesque, James Barton was the type of performer who could split your sides with a well-timed punchline, then seconds later break your heart with a plaintive rendition of "You Made Me Love You." An attempt to make Barton a middle-aged film favorite a la Will Rogers in the 1935 feature Captain Hurricane didn't take, so he settled for secondary character roles during the balance of his film career. James Barton's most memorable screen assignments included bogus Indian hunter Kit Carson in The Time of Your Life (1947) and the flustered father of June Haver and Gloria DeHaven in The Daughter of Rosie O'Grady (1950). ~ Hal Erickson, Rovi
1961  
NR  
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The final film of stars Clark Gable and Marilyn Monroe is an elegy for the death of the Old West from writer Arthur Miller and director John Huston. Gable stars as Gay Langland, an aging hand traveling the byways and working at rodeos with his two comrades, Guido (Eli Wallach) and young Perce Howland (Montgomery Clift). The three men come up with a plan to corral some misfit mustangs and sell them for dog food, but Gay's new girlfriend Roslyn Taber (Marilyn Monroe), a high-minded ex-stripper who has just divorced her husband Ray (Kevin McCarthy) in Reno, is appalled by the plan. Although both Guido and Perce are also in love with Roslyn, she stands by Gay, sure that in the end he will do the right thing, even as he and his pals begin their planned roundup. ~ Karl Williams, Rovi

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Starring:
Clark GableMarilyn Monroe, (more)
 
1957  
 
Fred MacMurray plays the head of an outlaw band trying to escape across the Mexican border. The gang is able to elude the law and to navigate the rough terrain, but the flight comes to a halt in an all-but-deserted desert town. Here MacMurray and company are forced to stave off an Indian attack, during which several of the bandits prove to be less venal than they seem. The buildup to the attack seems to take forever, indicating that the producers may have had High Noon and Gunfight at the OK Corrall. It's likely that Fred MacMurray would have ground out budget westerns for the remainder of his career had not Walt Disney and My Three Sons come along. ~ Hal Erickson, Rovi

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Starring:
Fred MacMurrayDorothy Malone, (more)
 
1956  
 
The talented David Wayne is afforded a rare movie starring role in Allied Artists' The Naked Hills. Wayne plays prospector Tracy Powell, whose all-consuming lust for gold motivates the plot. Heading to California during the '49 Gold Rush to try his luck in the mineral-rich mountains, Powell is forever one step behind those who are smarter and swifter than he. Meanwhile, Powell's wife Julie (Marcia Henderson) waits patiently at home for her husband to return from his many lengthy absences. At film's end, the older-but-no-wiser Powell is still chasing rainbows, with the fabled pot of gold still just beyond his reach. The excellent supporting cast includes James Barton as Powell's grizzled partner and Keenan Wynn and Jim Backus as a pair of claim-jumping sharpsters. ~ Hal Erickson, Rovi

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Starring:
David WayneKeenan Wynn, (more)
 
1956  
 
An original story by no less than Jackie Gleason was the basis of this one-hour drama, originally telecast live on the CBS dramatic anthology Studio One. Decked out in white robes and a cute little halo, comedian Red Buttons stars as St. Emergency, a celestial troubleshooter whose aid is summoned by St. Barnabas (Henry Jones), guardian angel of the town of Morton's Wish. Alas, the little community is rife with corruption, and it looks as though the citizens are doomed to a fiery punishment. But if St. Emergency can find one honest man in Morton's Wish within 24 hours, the community will be saved. Luck of luck, an honest man does indeed exist -- but it's Joe Tinker (Joe Barton), the town drunk, and hardly a candidate for Heavenly redemption. ~ Hal Erickson, Rovi

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1951  
 
Here Comes the Groom was the second collaboration between director Frank Capra and star Bing Crosby. Though not as "socially relevant" as previous Capra productions, the film is a thoroughly likeable yarn about a happy-go-lucky newspaperman named Pete (Bing Crosby). In order to legally adopt a brace of war orphans, Pete must marry within a week. His plans to wed his longtime sweetheart Emmadel (Jane Wyman) come acropper when she, tired of waiting for him to pop the question, becomes engaged to wealthy Wilbur Stanley (Franchot Tone). Conspiring with Wilbur's cousin Winifred (Alexis Smith), Pete spends the balance of the film trying to win Emmadel back. From all accounts, the set of Here Comes the Groom was a happy one, the conviviality extending to Alexis Smith's willingness to be on the receiving end of several jokes concerning her height (she seems nearly a head taller than Crosby!). The film's best scene is the Bing Crosby-Jane Wyman duet "In the Cool, Cool, Cool of the Evening," reportedly filmed in one take without post-dubbing. As a bonus, Here Comes the Groom introduces a bright new singing talent, Anna Maria Alberghetti, and is festooned with uncredited guest stars, ranging from Dorothy Lamour to Louis Armstrong. ~ Hal Erickson, Rovi

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Starring:
Bing CrosbyJane Wyman, (more)
 
1951  
 
Golden Girl is the life story (sort of) of legendary 19th-century American entertainer Lotta Crabtree. The daughter of a luckless gambler (James Barton), young Lotta (Mitzi Gaynor) supports herself and her dad by singing and dancing in mining camps during the California Gold Rush of 1849. She carries on her activities into Indian territory, where she saves her scalp by winning over her Native American audiences. During the Civil War, Lotta falls in love with a dashing Confederate spy (Dale Robertson), with whom she is briefly reunited in San Francisco before his inevitable demise. The finale is one of those "smiling through the tears" contrivances that always worked so well in musical films. Golden Girl was produced for 20th Century-Fox by entertainer George Jessel. ~ Hal Erickson, Rovi

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Starring:
Mitzi GaynorDale Robertson, (more)
 
1951  
 
Mercedes McCambridge plays a singing waitress named Cash-and-Carry Connie in The Scarf. This alone should be enough to keep the viewer's interest, but in fact the film has much to please the eye and ear. John Ireland stars as John Barrington, an escapee from a institution for the criminally insane. Actually, Barrington is not a looney tune, but instead the victim of an insidious plot orchestrated by a clever murderer. The only person who believes Barrington's story is turkey-farmer Ezra Thompson (James Barton), who hides Our Hero from the authorities. Things really get hopping when the aforementioned Connie unwittingly provides the clue that will prove Barrington's innocence. Co-starring in The Scarf is Emlyn Williams as an all-too-cooperative psychiatrist. The film was directed by E. A. Dupont, whose American career never quite scaled the heights of his years in the German film industry. ~ Hal Erickson, Rovi

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Starring:
John IrelandMercedes McCambridge, (more)
 
1950  
 
This Gay-90s musical interweaves a number of fictional characters with real-life theatrical impresario Tony Pastor (played by Gordon MacRae, who resembles the real Pastor not at all). The plot involves a roisterous Irish papa (James Barton) who, when not on a drunk, tries to keep his two daughters (June Haver and Debbie Reynolds) from the clutches of predatory men. The older daughter (Haver), who entertains notions of a stage career, meets Tony Pastor during an audition, and promptly falls in love. She becomes a star singing such turn-of-the-century hits as the title song, while Pastor tries to suppress his own warm feelings towards the girl. Warner Bros. stalwart S.Z. Sakall shows up in Daughter of Rosie O'Grady, fully justifying his nickname "Cuddles." ~ Hal Erickson, Rovi

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Starring:
June HaverGordon MacRae, (more)
 
1950  
 
Betty Grable's Wabash Avenue is an agreeable remake of Grable's 1943 hit Coney Island. The locale is changed from New York to Chicago, but the plot remains basically the same. Once again, the star is cast as a honky-tonk singer, Ruby Summers, who is groomed for classier show-business endeavors by a handsome producer -- in this case, Andy Clark (Victor Mature). Saloon owner Uncle Mike (Phil Harris) doesn't want to lose Ruby (Grable) for both professional and personal reasons, but Clark is more persuasive, and, frankly, better-looking. Once she reaches the top in a Hammerstein show, Ruby's head is turned by Clark's suave, sophisticated partner English Eddie (Reginald Gardiner). Margaret Hamilton has a wonderful cameo as a Carrie Nation-style saloon basher, while old-time vaudevillian James Barton steals the show with his rendition of such standards as "Harrigan" and "Green River." ~ Hal Erickson, Rovi

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Starring:
Betty GrableVictor Mature, (more)
 
1948  
PG13  
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After turning down several other Hollywood producers, playwright William Saroyan sold the film rights of his whimsical Pulitzer Prize-winning play The Time of Your Life to James and William Cagney. The scene is a rundown San Francisco waterfront bar, populated by a group of lovable eccentrics. Joe (James Cagney), a philosophical souse, encourages all around him to indulge in their wildest dreams. Joe's pal Tom (Wayne Morris), a born patsy, runs errands for Joe, the only person who has ever shown him kindness. Kitty (Jeanne Cagney), a streetwalker, willingly allows Joe to sponge drinks off her in exchange for a few nice words. Harry (Paul Draper), an enthusiastic but hopelessly untalented dancer-comedian, is hired by bartender Nick (William Bendix) at Joe's urging. And Kit Carson (James Barton), an addled old man who lives in a dream world, is prodded by Joe into weaving his unlikely reminiscences of the Wild West. It is Kit Carson (James Barton) who solves everyone's problems by eliminating a particularly scabrous detective named Blick (Tom Powers). Time of Your Life was originally filmed with Saroyan's bizarrely humorous ending intact, but the preview audiences reacted negatively, forcing the Cagney brothers to shoot $300,000 worth of retakes. Though many historians have written off The Time of Your Life as a brave failure, the film was actually a hit, grossing $1.5 million. ~ Hal Erickson, Rovi

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Starring:
James CagneyMarlene Ammes, (more)
 
1948  
 
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William Wellman's westerns always seemed a little claustrophobic, but in Yellow Sky the director's technique works to the film's advantage. Outlaw leader Gregory Peck takes refuge in a frontier ghost town. The only inhabitants are elderly James Barton and his pretty granddaughter Anne Baxter. Barton reveals that there's gold hereabouts, prompting a few of Peck's companions--especially Richard Widmark--to plot the old man's demise and claim the treasure for themselves. For his part, Peck is basically honorable, and offers to split fifty-fifty with Barton. Dissension, hostility and gunplay ensue, finally narrowing down to a standoff between Peck and Widmark. Yellow Sky was based on a novel by W.R. Burnett, who moved from westerns to gangster stories and back again with the greatest of ease. ~ Hal Erickson, Rovi

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Starring:
Gregory PeckAnne Baxter, (more)
 
1941  
 
Harold Bell Wright's bestselling novel The Shepherd of the Hills had been previously filmed in 1919 and 1928 before Paramount offered the first talkie version in 1941. In one of his least typical roles, John Wayne plays a young Ozark backwoodsman forsworn to kill his father, who years earlier abandoned his mother. Against this personal crisis is played the larger drama of outsiders who threaten to push Wayne's friends and family off their land. Fate plays a hand when a mysterious stranger wanders into the community. Not at all the action picture one would expect from star John Wayne and director Henry Hathaway, Shepherd of the Hills takes its own sweet time, unfolding its story in a leisurely pace befitting its slow-moving characters. The film's rich Technicolor photography adds to the restfully rustic ambience of this unusual entertainment.. ~ Hal Erickson, Rovi

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Starring:
John WayneBetty Field, (more)
 
1937  
 
Paramount's resident "big mouth" Martha Raye was afforded her first top-billed screen assignment in Hideaway Girl. The script would have us believe that rambunctious heroine Helen (Raye) is a high-society debutante with a fondness for singing. The plot is set in motion by a stolen necklace, apparently stolen by Helen. She's innocent, of course, as is another suspect named Mike (Robert Cummings) whom she pretends to marry to save him from arrest. The meaning of the film's title is clarified in the final scene, wherein Helen hides herself on the yacht of the actual thief (Monroe Owsley). In the tradition of Martha Raye's signature tune "Mister Paganini," Hideaway Girl serves up a forgettable little ditty called "Beethoven, Mendelsohn and Liszt." ~ Hal Erickson, Rovi

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Starring:
Martha RayeShirley Ross, (more)
 
1936  
 
In this comedy drama, a worried Irish father, leaves his Erin pub and heads for middle America to find out why his son has suddenly stopped writing him. He finds his son married to a snobbish uppercrust wife and embroiled in a heated mayoral election. At his wife's suggestion, the young man has changed his last name, and does all he can to hide his Irish heritage. Unfortunately the cat comes out of the bag when his pappy comes to town. Fortunately, once the brouhaha settles down all turns out for the best. ~ Sandra Brennan, Rovi

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Starring:
James BartonMargaret Callahan, (more)
 
1935  
 
James Barton plays a salty old sea captain on the verge of retirement, forced to return to the sea when his funds run out. Planning to stay with his ship only long enough to pay his mortgage, Barton finds himself on the bounding main a lot longer than expected due to bad weather and unexpected delays. When his ship catches fire, Barton rescues his crew and guides them to shore. He returns to his Cape Cod home a hero, and the mortgage is forgotten. Likewise forgotten is Captain Hurricane, which disappeared shortly after its 1935 release and is seldom resurrected for TV--except in the wee small hours on cable's American Movie Classics. ~ Hal Erickson, Rovi

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Starring:
James BartonHelen Westley, (more)
 
1923  
 
A woman and her two children are left alone after her husband is murdered in this sentimental society melodrama. A wealthy politician turns his back on his son to avoid scandal when the offspring is accused of the killing. Dan Hampton (Milton Sills) is the kind-hearted policeman who carefully investigates the crime and looks after the young widow and her family. Ethel Grey Terry, William Lowrey, and Marion Feducha co-star in this contrived feature. ~ Dan Pavlides, Rovi

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Starring:
Milton Sills