Robert Lowery Movies

She's in the Army is a fascinating vehicle for character actress Lucille Gleason (aka Mrs. James Gleason), heretofore usually confined to supporting roles. Gleason is cast as Hannah, a crusty, all-knowing sergeant in the Women's Ambulance and Defense Corps. Brassy nightclub singer Diane (Veda Ann Borg) would rather romance Army captain Steve (Lyle Talbot) than follow Hannah's orders, but eventually she realizes that her first duty is to her country. Likewise, dizzy Marie Wilson "smarts up" enough to prove her value to the Corps. She's in the Army was written by Sidney Sheldon, two decades removed from his success as a best-selling novelist and I Dream of Jeannie mentor. ~ Hal Erickson, Rovi

Jane Darwell is the whole show in the 61-minute 20th Century-Fox programmer Private Nurse. The formidable Ms. Darwell is first scene at a birthday party, thrown in her honor by her favorite charge, little Ann Todd. The daughter of ex-gangster Sheldon Leonard, Todd has been raised to believe that her mother is dead and that her father has always been a paragon of virtue. Upon learning the truth, Todd is told the whole story by nurse Darwell. Essentially an extended flashback, Private Nurse served as an acceptable lower-berth entry at the double-feature houses. ~ Hal Erickson, Rovi

America had not officially gone to war in November of 1941, but try telling that to the producers of the "preparedness" drama Cadet Girl. The title character is nightclub songstress Gene Baxter (Carole Landis), but the weight of the film rests on the shoulders of West Point cadet Tex Mallory (George Montgomery). Falling in love with Gene, Tex wants to marry her, even though this will force him to give up his military-academy appointment. Tex' innate patriotism is aroused by his bandleader brother Bob (John Sheppard, aka Sheppard Strudwick), Gene's boss, who writes a patriotic song called "Uncle Sam Gets Around." After a few bars of this flag-waving ditty, Tex realizes that his first duty is to his country, and he returns to West Point-but not before securing a promise from Gene that she'll wait for him until his tour of duty is over (little did she know that she'd have a four-year wait!). ~ Hal Erickson, Rovi

Seventeen-year-old Linda Darnell received her first big break in the appropriately titled 20th Century Fox production Star Dust. Discovered by talent scout Thomas Brooke (Roland Young), teenager Carolyn Sayres (Darnell) is brought to Hollywood, where she is turned down for a contract because she is considered too young. Down but not out, Carolyn falls in love with studio contractee Bud Borden (John Payne), who promises to help her achieve her career goals. Teaming up with Brooke, Borden succeeds in winning a screen test for Carolyn, and the rest is gravy. As can be seen, Star Dust draws most of its inspiration from Linda Darnell's real-life rise to fame, which gives the clichéd screenplay a bit of added depth and humanity. It's also amusing to watch William Gargan, cast as studio executive Dane Wharton, perform a devastating (albeit affectionate) take-off of 20th Century Fox head man Darryl F. Zanuck, right down to DFZ's habit of swinging a polo mallet during story conferences. ~ Hal Erickson, Rovi

This is perhaps the best of the many Zorro films as Tyrone Power gives an outstanding performance as the alternately swishing and swashbuckling son of a 19th century California aristocrat. As a champion of the oppressed, Zorro must face a wicked governor portrayed by J. Edward Bromberg, who, of course, has a beautiful niece whom our hero loves. Basil Rathbone is a delightfully evil assistant to the governor. Based on Johnston McCulley's novel The Curse of Capistrano, The Mark of Zorro was a remake of the 1920 silent film and by far superior to all the Zorro incarnations. Interspersed with humor and one-liners but still keeping up with the highest of swashbuckling traditions, it is an action-packed story of one man standing against a corrupt, oppressive government on behalf of those less able to bear their burdens. ~ Tana Hobart, Rovi

Singing cowboy Gene Autry makes a rare appearance outside his usual Republic Pictures stamping grounds in 20th Century-Fox's Shooting High. Instead of playing "himself" as he usually does, Autry is cast as Will Carson, whose family is engaged in a decades-long feud with the Pritchard clan. The story shifts into gear when a movie company arrives in town, intending to film the life story of Will's frontier-hero grandfather. Alas, the leading role is to be played by obnoxious Hollywood star Bob Merritt (Robert Lowery), while poor Will is relegated to the lowly position of Merritt's stand-in. Coming to the rescue is little Jane Pritchard (top-billed Jane Withers), kid sister of Will's girl friend Marjorie Pritchard (Marjorie Weaver), who contrives to scare Merritt out of town so that Will can star in the picture himself. In the course of events, Will proves himself to be a real hero by foiling a bank robbery. This has the salutary effect of ending the Carson-Pritchard feud and reuniting estranged sweethearts Will and Marjorie. It is to the everlasting credit of both Jane Withers and Gene Autry that they never encroach upon one another's territory in Shooting High; both stars are allowed plenty of opportunity to shine without lowering themselves to scene-stealing. ~ Hal Erickson, Rovi

Former Latin Lover Ricardo Cortez directed this farfetched but fast-paced gambling melodrama in which girl reporter Julie Reynolds (Lynn Bari) attempts to infiltrate a crooked gaming establishment by pretending to be a naïve girl from Texas. Julie's plans go awry, however, when one of the owners, Steve Walker (Donald Woods), recognizes her as his childhood sweetheart. Although Steve's mentor, The Judge (C. Aubrey Smith), warns him of the consequences, the young man insists on resuming his relationship with Julie, a decision that almost costs him his life when rival gangster Marty Connors (Richard Lane) decides to move in on the operation. But Steve and Julie pull a fast one on Marty and The Judge skips the City of Chance on a floating casino. ~ Hans J. Wollstein, Rovi

20th Century-Fox evidently adored "triangle" comedies like Wife, Husband and Friend; apparently so did Loretta Young, who appeared in most of these films. Young plays the wife of businessman Warner Baxter, while "friend" Cesar Romero is an amorous singing teacher who convinces Young that she has a future in opera. To show up his wife, Baxter takes lessons from diva Binnie Barnes--and as it turns out, he's the one with the ideal operatic voice. The romantic quadrangle is resolved when Baxter makes a disastrous stage debut, whereupon Romero and Barnes exit and Baxter and Young realize the error of their ways. Wife, Husband and Friend was remade in 1949 as Everybody Does It, with Paul Douglas (of all people) as the would-be Caruso. ~ Hal Erickson, Rovi

Sonja Henie, the Norwegian skating star, reportedly played second fiddle to no one at Fox in the late '30s, and this backstage musical extravaganza is all Henie. Taking a leaf from producer David O. Selznick, Consolidated Pictures send public relation expert Tyrone Power in search of an unknown to star in the studio's upcoming production of Girl of the North. Power returns to Hollywood with Minnesota schoolmarm (and figure skating expert) Trudy Hovland in tow, and then manufactures a romance between the girl and stolid leading man Roger Maxwell (Rudy Vallee). The ensuing complications are quickly solved and the new star is able to perform a flashy finale to Irving Berlin's "The Song of the Metronome." ~ Hans J. Wollstein, Rovi

Hollywood Cavalcade was a fictionalized history of silent films and the growth of the movie industry. Don Ameche portrays a character based on equal portions of Mack Sennett and D. W. Griffith, while Alice Faye's silent star is an amalgam of Mabel Normand and Gloria Swanson. Ameche breaks into pictures with slapstick comedies, initiating the first "pie throwing" scene, with Buster Keaton the thrower and Alice Faye the throw-ee. Thanks to Ameche, Faye becomes a major comedy star, appearing in wild Keystone Kops chase comedies. But success goes to Ameche's head, and soon he's staging elaborate Intolerance-like historical spectacles. As Ameche's artistic aspirations climb, his relationship with the faithful Alice deteriorates. She finds solace with her young leading man (Alan Curtis) and becomes a top dramatic star. Having made and lost several fortunes, Ameche talks Alice into appearing in his "comeback" picture, but shortly before filming ends, she and her husband are in a serious auto accident. The husband is killed, and as Faye recuperates, Ameche agonizes over how he'll save his uncompleted masterpiece. He witnesses the premiere of Al Jolson's part-talking The Jazz Singer and decides to risk everything by scrapping his film and remaking it as a talkie. Faye, who's never really stopped loving Ameche, agrees to star in this new project. On a level of accuracy, Hollywood Cavalcade is for the birds, but it scores on its energetic performances and nostalgic appeal. As a bonus, several past movie greats appear in cameos: Al Jolson, Buster Keaton, Mack Sennett, Ben Turpin, Chester Conklin, Jimmy Finlayson, Hank Mann and even Rin Tin Tin Jr. ~ Hal Erickson, Rovi

The extramarital shenanigans of a young married couple provide the basis of this surprisingly racy (for 1939 Hollywood) comedy. The trouble begins on the couple's second anniversary when he calls to say that he will be held up at the office. Later the wife finds lipstick on his collar and becomes very suspicious so she goes to her more worldly best friend who advises the distraught wife to go out and get a job so she can turn the tables on her husband. She ends up working for a lusty architect and sure enough he makes it very clear that he likes the way she is built. The two go out for dinner one night and who should they run into but her husband and his secretary out for a little tete-a-tete. The foursome end up in the architect's penthouse and everyone has a wonderful time until the architect's wife shows up. ~ Sandra Brennan, Rovi

In this musical comedy of errors, David Brassard, Sr. (William Collier, Sr.) has his heart stolen from him by a conniving, gold-digging nightclub singer named Josette (Tala Birell). Brassard's two sons, Pierre (Robert Young) and David Junior (Don Ameche) are both horrified and vow to lure the temptress away from their dad. However, they somehow become convinced that the woman in question is Renee LaBlanc (Simone Simon), who is merely posing as a chanteuse in order to help out her friend Barney Barnaby (Bert Lahr), whose nightspot is in trouble. In time, Pierre and David Junior both realize that they've been chasing the wrong woman -- but they also realize that they've both fallen in love with her. The supporting cast includes William Demarest and Lon Chaney, Jr., the latter only a year before One Million B.C. would reshape his career and make him a star of horror and science fiction films. ~ Mark Deming, Rovi

Happy Landing was another Sonja Henie moneyspinner from the 20th Century-Fox film factory. The story gets under way when skirt-chasing bandleader Duke Sargent (Cesar Romero) pitches woo to Trudy Ericksen (Sonja Henie) while on a tour of Norway. To Duke, it's just another harmless flirtation, but Trudy takes him seriously and trails him back to the USA, where she finds enormous success as an ice-skating star. When Duke's manager Jimmy Hall (Don Ameche) falls in love with Trudy himself, he cooks up a scheme to marry off Duke to vocalist Flo Kelly (Ethel Merman). As always, the plot takes a back seat to the skating, with Sonja Henie at her professional peak. ~ Hal Erickson, Rovi