Charles Lloyd Pack Movies

Angela Lansbury takes over the legacy of Margaret Rutherford as Agatha Christie's dogged sleuth Miss Marple in The Mirror Crack'd. The story takes place on a film set in a small British town in the 1950s. Elizabeth Taylor plays a washed-up actress trying to make a comeback but is plagued by a mysterious incident from her past. Unfortunately for her mental state, a collection of murders jar the quiet village where the movie is being made. Miss Marple arrives on the scene with her nephew, Inspector Craddock (Edward Fox), to investigate. In addition to Taylor, an assortment of other movie stars grace the roster of suspects, including Rock Hudson, Kim Novak, and Tony Curtis. ~ Paul Brenner, Rovi

The first appearance of Bette Davis in a made-for-television film has an evil mastermind (Davis) plotting against a CIA agent (Robert Wagner) for control of a deadly submarine. Aired in 1971, Madame Sin was the most expensive TV movie of the time. ~ John Bush, Rovi

When two teenage girls fantasize about their sexual yearnings, one is stalked by a psychopathic murderer. Wynne (Jenny Agutter) is adopted by a family and soon has a massive crush on her stepbrother George (Bryan Marshall). Her friend Corrine (Clare Sutcliffe) is Wynne's virginal friend who alludes to being sexually experienced. The two go into the woods where Corrine is raped and killed by an unknown assailant who has terrorized the countryside with his brutal carnage. When George is accused of the crime, Wynne must prove he is innocent in this thrilling slasher feature. ~ Dan Pavlides, Rovi

A sneezing epidemic claims the lives of several prominent ear-nose-throat specialists. The only clue tying the deaths together is an empty envelope, found at the scene of each tragedy. Steed and Tara manage to trace this slim lead to a sinister nursing school. Written by Jeremy Burnham (a frequent guest actor on the series), "You'll Catch Your Death" was first shown in America on October 7, 1968, and was seen in England on October 16; the episode is also known as "Atishoo, Atishoo, All Fall Down." ~ Hal Erickson, Rovi

Jamie Hopkins (Cliff Richard) is a wayward young man who lives with his mother and steals drugs from the doctor's office where she works. His similarly unscrupulous girlfriend Carol (Ann Holloway) lives gleefully in her similarly amoral life until she is converted to Christianity when she attends a traveling religious crusade led by evangelist Billy Graham (himself). Carol's life is changed as a result of her conversion, and she attempts to show her wayward boyfriend the light. Jamie is eventually prepared to change his lowdown ways in this predictable, overly simple story of spiritual redemption and religious piety. Pop singer Richard delivers three songs as well as starring as the principle character in the film. ~ Dan Pavlides, Rovi

Rebellious students at an English private school plan a violent revolt against their repressive environment in director Lindsay Anderson's highly acclaimed but extremely controversial drama. Centering on a small group of non-conformists led by Mick Travis (Malcolm McDowell), the film paints a distinctly negative picture of the British school system and, by extension, English society. Seeing the powers-that-be as humorless, bureaucratic, and needlessly restrictive, Mick and his cohorts indulge in small acts of rebellion, including sneaking into town to romance a local waitress. Their actions are discovered and punished with harsh beatings, leading the students to plot revenge. This effort culminates in the film's most famous sequence, a surrealistic depiction of a bloody uprising by the students against the adult world. Daring and unpredictable in content and form, If... mixes color and black-and-white cinematography as easily as it mingles satire with dark fantasy. The film's ambiguous attitude toward violence caused controversy at the time, as many commentators saw the film as a potential incitement to violence. It became a great success among younger, counter-culture audiences who appreciated the audacious shock tactics and embraced the satirical, anti-establishment message. Often compared to Jean Vigo's French classic Zéro de conduite, which also featured surrealistic boarding-school rebellion, If... has become a high point in the cinema of youth rebellion. Anderson and McDowell later collaborated on O Lucky Man! (1973), Look Back in Anger (1980), and Britannia Hospital (1982). ~ Judd Blaise, Rovi

Another semi-successful attempt to adapt the works of American fantasist H.P. Lovecraft to the screen, this is loosely based on the short story The Shuttered Room (also an alternate release title for the film), a story which is purported to be more the work of "posthumous collaborator" August Derleth. The story involves a couple's return to the creepy old ancestral home, located on an island in New England, in which they soon discover the dark secret hidden behind a heavily-locked door in the attic... a door the fearful townsfolk declare "must never be opened." Oliver Reed delivers one of his patented gruff, over-the-top performances as the local nutcase, and director David Greene creates a suitably moody atmosphere, but much like the Roger Corman-produced The Dunwich Horror, this film fails to act on the spooky potential of its theme. ~ Cavett Binion, Rovi

This chilling monster film metaphorically examines the horrors brought home by British colonialism. Harry and Valerie (Ray Barrett, Jennifer Daniel) inherit the Cornwall home of Harry's brother, who died under mysterious circumstances. The local villagers are tight-lipped and afraid, and the couple's neighbor, the hostile Dr. Franklin (Noel Willman), hides in a large mansion with his frightened daughter Anna (Jacqueline Pearce) and a strange foreign man (Marne Maitland). The truth is that Franklin had been investigating a secret tribe of snake-people on his last trip to Borneo, and they had reacted to his intrusion by making Anna one of them. As a result, the girl turns into a hideous cobra-woman every winter, with bulging eyes, a scaly face, and large, venomous fangs. Other than the unusual monster, The Reptile may as well be a direct remake of Hammer's The Mummy, a film which this one apes in many of its contrivances. Director John Gilling does manage some effective setpieces, such as the sulfur-spring below the mansion, which keeps Anna warm as she writhes beneath a blanket to shed her skin. Underrated character-actor Michael Ripper appears in one of his more substantial roles as Tom, the local pub-owner, who goes from avoidance to digging up graves and risking his life to save the couple. There are some inconsistencies in Anthony Hinds' script, but the film is handsomely mounted and delivers its share of shocks. ~ Robert Firsching, Rovi

A group of high-spirited youngsters finds friendship, love, and music together while working summer jobs at a holiday camp in this Merseybeat musical. Gerry (John Leyton) is a bartender who fantasizes about being a famous pop star. Christina (Grazina Frame) is an upper-class bird who sneaks off to be a waitress against the wishes of her Aunt Winifred (Hazel Hughes), who would rather she keep up her operatic voice lessons with the great Italian maestro Professor Bastinado (Ron Moody). Susan and Jennifer (Susan and Jennifer Baker) are boy-crazy twins who work in the nursery, and Timothy Gilben (Mike Sarne) is the arrogant nightclub singer who signs on as the camp's entertainer before realizing his audience will be a gaggle of preschoolers. The camp's annual talent show is to be televised live this season, so the gang sets aside their jockeying for each other's affections long enough to form a musical group. They need to practice in secret to keep Christina away from her meddling Aunt Winifred, but Gerry's father (Michael Ripper) recognizes the Professor as a Cockney comic from the old music hall days, and the outed Bastinado is forced to help the kids if he wants to keep his secret. British Invasion pop stars Freddie and the Dreamers appear as five musical, madcap chefs and sing two numbers, while Liverpool beat group the Mojos supply some hard teenage blues during a swinging dance club scene. ~ Fred Beldin, Rovi

This comedy features a 12-step Program for habitual hoods. The recovering criminal takes a job as a department store Santa, and again finds himself confronted with temptation. ~ Sandra Brennan, Rovi

An innocent architect stands accused of killing a professional gambler in this crime drama. Now only his lawyer can save him. Unfortunately, he soon discovers that he may be better off defending himself. ~ Sandra Brennan, Rovi

This microcosmic comedy/drama is set in the kitchen of a swank London restaurant. The kitchen's unofficial father-figure is chef Carl Mohner, who gleefully advises his fellow workers to enjoy life and to seek their heart's desires. But no one is around to boost Mohner's morale when his planned marriage to waitress Mary Yeomans is shot down in flames. This culinary variation of the Grand Hotel theme was the handiwork of screenwriter Sidney Cole. Because of its nonstop action and huge cast, the stage adaptation of The Kitchen has become a favorite of local repertory theatres in both England and the US. ~ Hal Erickson, Rovi

Terror of the Tongs is a gory, garishly colored melodrama written by Jimmy Sangster in the tradition of the Fu Manchu films. The villain is "Fu" himself, Christopher Lee, here eminently hissable as the leader of a vicious Chinese Tong operating in 1910 Hong Kong. Proper London merchant Geoffrey Toone is drawn into this netherworld when his daughter is murdered by Lee's minions. Conducting a one-man war against the Tongs, Toone eventually flushes out every member of the faction...leaving only Lee to vanquish at fade-out time. Though the crimson-dominated color photography of Terror of the Tongs is the film's prime asset, the picture was originally released theatrically in black and white. ~ Hal Erickson, Rovi