Judith Barrett Movies

Knightriders may well be the only cycle flick ever to be played out in suits of armor. A hardcase motorcycle gang led by Ed Harris has found itself a neat money-making gimmick. Dressed as the knights of the round table, the cyclists pick up a few bucks at local "renaissance" fairs, selling handicrafts made by the more talented members of the gang. Harris' great rival is Tom Savini, who has his own band of "black knights." Keep an eye out for a chucklesome unbilled bit by novelist Stephen King. ~ Hal Erickson, Rovi

The story goes that such stars as Fred MacMurray, Jack Oakie and Burns & Allen had turned down The Road to Singapore before the leading roles went to Bing Crosby and Bob Hope. More conventionally structured than future "Road" efforts, the film casts Crosby as Josh Mallon, the irresponsible son of shipping magnate Joshua Mallon IV (Charles Coburn). Though the elder Mallon wants his son to enter the family business and marry longtime fiancee Gloria Wycott (Judith Barrett), Josh would rather pal around with his carefree sailor buddy Ace Lannigan (Bob Hope). On the eve of his wedding, Josh escapes with Ace to Singapore, where the two of them cook up a get-rich-quick scheme involving a highly unreliable spot remover. The boys' friendship is strained when they both fall in love with cabaret dancer Mima (Dorothy Lamour), who is on the lam from her jealous partner Caesar (Anthony Quinn). Hiding out from the authorities, the three protagonists wind up in the midst of a native ceremony, where Ace and Mima rescue Josh from a hasty marriage to a local temptress. When Gloria shows up to drag Josh back to the altar, Mima nobly gives him up, pretending to be in love with Ace. Eventually, however, big-hearted Ace realizes that Mima belongs with Josh, and thus concocts another scheme to lure his pal back to the Far East. Though many of the earmarks of the "Road" series are evident in Road to Singapore (the "patty-cake" bit, the presence of such guest stars as Hope's radio stooge Jerry Colonna, etc.), the film lacks the spontaneous quality of the later Hope-Crosby-Lamour starrers. Even so, it's an awful lot of fun, especially when Bob and Bing team up on the novelty number "Captain Custard" and Dorothy croons her requisite "moon and stars" romantic ballads. ~ Hal Erickson, Rovi

A longtime fan of comedians George Burns and Gracie Allen, "Philo Vance" creator S. S. Van Dyne wrote a tailor-made screenplay for the team, which emerged on-screen as The Gracie Allen Murder Case. The Paramount studio executives decided to dispense with the services of George Burns, leaving scatterbrained Gracie on her own to match wits (?) with urbane private detective Philo Vance (Warren William). The story proper gets under way when Bill Brown (Kent Taylor) stumbles onto a murder scene and is accused of the crime. Fortuitously, Gracie Allen was also in the vicinity when the killing took place, but her garbled version of what she witnessed (or thinks she witnessed) is of no help whatsoever to the authorities. Philo Vance offers to protect Gracie from the murder and to try to make heads or tails of her "assistance", but even he is driven to distraction by our heroine's relentless stupidity, especially when she insists upon referring to him as Fido Vance. As enjoyable as she is in small doses, Gracie Allen is a bit much to take in this film; fortunately, the basic mystery is good one, even if the identity of the murderer is fairly obvious from the start (the actor in question played so many "surprise killers" during his career that, by 1939, the bloom was off the rose). After The Gracie Allen Murder Case ran its course in the theaters, S. S. Van Dine published a novelized version of the story, restoring George Burns to the proceedings and wisely cutting back on Gracie Allen's imbecilities. ~ Hal Erickson, Rovi

In this comedy, a Missouri mule breeder faces financial ruin after the market collapses. He takes his best mule to a Kansas livestock show where he impresses a representative from the British army. He, his wife, and his best mules then sail to England to sell them. Soon the Missouri couple are living high-on-the-hog amongst the cream of British society. ~ Sandra Brennan, Rovi

In this crime drama, a young hood and a seductress team up and rob a gas station. As she requires an opulent, exciting existence, more robberies ensue until they get really greedy and attempt a kidnapping. Unfortunately, they chose an unusually perceptive victim who is able to recall the flight paths of the airplanes that flew over the hideout and the crooks are soon captured. The story is based on a nonfiction book from FBI leader J. Edgar Hoover and does not glorify the criminal's actions. The film also includes interesting glimpses into FBI procedures for solving such cases. ~ Sandra Brennan, Rovi

J. Carroll Naish positively oozes immigrant gangster charm in this fairly entertaining thriller from Paramount. He plays Louis Zonta, an immigrant gangster running a racket that transports wanted criminals. At their wits end, the authorities send in undercover agent Bent Martin (Robert Preston) to infiltrate the gang and the young G-Man concocts a plan to trap Zonta by using the gangster's mistress, Marie Arden (Judith Barrett). The scheme nearly backfires, but Martin finally manages to gun down the gang leader from his airplane. ~ Hans J. Wollstein, Rovi

Good Old Soak was based on a story by Don Marquis, creator of the immortal "Archy and Mehitabel." Wallace Beery is well-cast as town drunk Clem Hawley, a blot on the escutcheon of a small Prohibition-era Midwestern town. When a large sum of bank money is stolen, Clem immediately falls under suspicion. His previously spineless son Clemmie (Eric Linden) rushes to his dad's defense, insisting that he, and not Clem, is the thief. But the "good old soak" manages to recover the money and expose the thief, a respectable "social" drinker and stock-market swindler whose hypocrisy is in stark contrast to Clem's bibulous honesty. In one of his last film roles, Ted Healy manages to steal quite a few scenes from Beery (no small feat) as a cheerful bootlegger. ~ Hal Erickson, Rovi

Less than a week after the press preview of his second starring feature Man in Blue, Robert Wilcox was seen on-screen in his first starrer, Armored Car. Wilcox plays detective Larry Willis, who goes undercover as an armored-car guard. Larry deliberate messes up his job so that he'll be fired, thereby convincing a gang of hijackers that he's desperate enough to join them. Our hero works his way into the confidence of "intellectual" head crook Walinsky (Irving Pichel), much to the displeasure of the boss' distrustful henchman Petack (Cesar Romero). Things get hairy when the hoods threaten the life of heroine Ella (Judith Barrett), forcing Larry to blow his cover. ~ Hal Erickson, Rovi

Flying Hostess stars Judith Allen as the title character, rookie airline stewardess Helen Brooks. William Gargan co-stars as Hal Cunningham, the tough-but-likeable man in charge of the stewardess training program. Helen proves she's stayed awake during classes when a pilot is knocked out by a criminal during a TWA passenger flight. With Cunningham guiding her in via radio, plucky Helen takes over the controls herself, guiding the plane to safety. Featured in an unsympathetic minor role is Addison Randall, who later achieved stardom as cowboy hero Jack Randall. ~ Hal Erickson, Rovi