Jean-Marc Barr Movies

Lars von Trier's black comedy The Boss of It All (Direktøren for Det Hele) concerns an IT company owner who -- in need of a figurehead to "hide behind" when confronted with employee problems -- invented the personage of a CEO during the startup period for his corporation. The scheme worked for a surprisingly long period, but when the time arrives to sell the business, massive problems arise -- for the prospective buyers insist on only negotiating with the CEO, in person. Thus, the owner further extends the ruse, by hiring a down-and-out actor to impersonate the chief officer. With Direktøren for Det Hele, von Trier uses a new means of filmmaking for this film: Automavision, whereby filming is done with an "automatic randomized camera" that selects the shots. It became a means for Von Trier to "clean up" his approach to directorial work and reconnect with his own love of filmmaking. ~ Nathan Southern, All Movie Guide

Andie MacDowell, Olivia Williams, and Stephen Rae star in this bittersweet tale of two grieving women connected by an accidental phone call. Connecticut mother Marilyn Vine (MacDowell) has always lived a charmed life, so when her adolescent son Dale suddenly dies while celebrating his fifteenth birthday the tragedy of her loss is almost too powerful to bear. 3000 miles away in Dublin, Ireland, Ria Lynch (Olivia Williams) finds her marriage to longtime husband Danny (Iain Glen) coming to an unexpected in when Danny reveals that he is divorcing her to set up home with his pregnant mistress Bernadette (Heike Makatsch). When fate delivers the telephone call that connects these two women, both at a crucial turning point in their lives, Marilyn and Ria both agree to a two-month house exchange that could provide them with the space and down time to move beyond the pain that threatens to consume them. As both women grow increasingly accustomed to their new environments, the kindness of strangers and opportunity for reflection provides them both with the courage to face their changed lives with a newfound sense of hope. ~ Jason Buchanan, All Movie Guide

It's Summer Rental meets Blame it on Rio when a French family heads off to the Mediterranean for a sultry summer vacation in the ensemble sex comedy Côte d'Azur, co-directed by Jacques Martineau and Olivier Ducastel (The Adventures of Felix). When the head of the clan, Marc (Gilbert Melki), decides to tote his wife, Béatrix (Valeria Bruni-Tedeschi), and his teenage children Laura (Sabrina Seyvecou) and Charly (Romain Torres) off to his childhood beach home on the Riviera, a number of sexy liasons ensue. Charly -- though straight -- must contend with the come-ons of his best friend, Martin, a closeted homosexual infatuated with him for years but too shy to say so. Meanwhile, as Laura takes up with a young biker, Béatrix re-encounters her old boyfriend Mathieu (Jacques Bonnaffé); Marc's ex-flame pops up, too, both former lovers expressing interest in rekindling affairs. Soon, the entire vacation becomes a surfeit of hilarious erotic complications. ~ Nathan Southern, All Movie Guide

Based on the 1997 National Book Award-nominated novel of the same name by Diane Johnson (co-writer of the script for Stanley Kubrick's The Shining), Le Divorce is a romantic comedy from director James Ivory. Revisiting the "Americans in France" theme that Ivory explored in 1998's A Soldier's Daughter Never Cries, the film stars Kate Hudson as Isabel Walker. When she receives word that her pregnant poetess sister Roxy (Naomi Watts) has been left by her philandering French husband, artist Charles-Henri de Persand (Melvil Poupaud), Isabel offers her help and moral support. As the depressive Roxy struggles with the separation proceedings -- which include the rights to ownership of a work of art that's a family heirloom -- Isabel takes a job with author Olivia Pace and has a fling with the bohemian Yves (Romain Duris). But things get complicated when the younger, more impudent sister decides instead to pursue Charles' uncle, the snooty, married diplomat Edgar (Thierry Lhermitte), and when a mysterious man (Matthew Modine) starts stalking Roxy. Eventually, the rest of the plucky Walker clan has to come to the aid of the siblings. Stockard Channing and Sam Waterston co-star. ~ Matthew Tobey, All Movie Guide

Directed by actress Rosanna Arquette, this candid documentary is not only about the iconoclastic and somewhat reclusive film star Debra Winger (who does not even appear onscreen until an hour into the film), but also about the trials and tribulations of actresses in Hollywood who have reached "that certain age." In the course of her "search," Arquette interviews several of her colleagues, among them Whoopi Goldberg, Diane Lane, Teri Garr, Holly Hunter, Vanessa Redgrave, Charlotte Rampling, Meg Ryan, and Sharon Stone, all of whom have their own personal horror stories about insensitive producers and casting directors who tend to think of over-40 (and sometimes over-30) actresses as being suitable only for mother, "other woman," and "hero's girlfriend" roles -- when they bother to cast these actresses at all. The women also discuss the difficulties in balancing a successful career and a private life. Test-marketed on the film festival circuit throughout 2002, Searching for Debra Winger received its largest audience when it aired over the Showtime cable channel on August 18, 2003. ~ Hal Erickson, All Movie Guide

French Canadian actress and singer Carole Laure makes her directorial debut with the comedy drama Les Fils de Marie (Marie's Sons). Assisting cinematographer Pascal Arnold with writing, directing, and producing, Laure also assumes the lead role as Marie, a woman dealing with the death of her husband and teenage son in a car accident. In order to cope with her grief, she places an ad in the paper in search of a surrogate son who is in need of a mother. She offers care to the four motherless men who respond to her ad: performance artist Alex (Danny Gilmore), abused teenager Martin (Felix Lajeunesse-Guy), overweight recluse Victor (Daniel Desjardins), and married father Paul (Jean-Marc Barr). A co-production of France and Canada, Les Fils de Marie was shot on digital video and premiered at the 2002 Cannes Film Festival. ~ Andrea LeVasseur, All Movie Guide

Jacques St. Ives (Jean Marc Barr) is a much-envied officer in Napoleon's army who requests a demotion in rank so as to avoid a number of duels from fellow officers, who may challenge only those of an equal rank. To his shock, Jacques is demoted to the rank of private by a furious commander and is sent to the front where, through a mishap, he is taken prisoner and sent to Scotland where the prison warden is a bored British officer, Major Farquar Chevening (Richard E. Grant). The major lusts for a local lovely, Flora (Anna Friel), but she lusts for Jacques; Flora's randy aunt Susan has eyes for the major, while Flora arranges an escape for Jacques with his long-lost grandfather, and the major takes lessons in womanizing from Jacques. In a nasty turn, St. Ives' bitter and violent brother (Jason Isaacs) plots to kill Jacques before he can assume their grandfather's inheritance. ~ Buzz McClain, All Movie Guide

Reportedly the third in acclaimed director Lars von Trier's "Golden Hearts" trilogy (preceded by Breaking the Waves and The Idiots), this film is a hip reworking of the classic Hollywood Musical, starring international pop diva Bjork. Set somewhere in rural Washington state, Czech immigrant Selma (Bjork) works in a pressing plant, struggling to make ends meet for herself and her 10-year-old son, Gene (Vladica Kostic). Her best friend is coworker and fellow European Kathy (Catherine Deneuve). While outside work, she is maintaining a cautious friendship with local yokel Jeff (Peter Stormare). She also landed a starring role as Maria in an amateur production of The Sound of Music. Selma's life would be one of relative contentment if it were not for the ugly secret she harbors -- she is on the verge of blindness due to a genetic disorder, and her young son will suffer the same fate without an operation. Selma has quietly been stashing away money for the surgery and has already amassed $2,000. When her savings, squirreled away in a can in the kitchen, suddenly disappear, she confronts her cash-strapped landlord Bill (David Morse). Of course, like all musicals, the plot periodically takes a backseat to the seven production numbers, including a show-stopping sequence in Selma's factory. Shot entirely on digital video, the film reportedly used up to 100 cameras for each musical number. Dancer in the Dark received top prizes at the 2000 Cannes Film Festival including Best Actress for Bjork and the coveted Palme d'Or for Best Picture. ~ Jonathan Crow, All Movie Guide

In this erotic French-Italian-Spanish drama, Max (Georges Corraface), having spent a decade behind bars on a murder conviction, exits the prison a free man. Mysterious museum-worker Mila (Anna Galiena) is parked at the prison gate and speaks to him from her car. Mila is married to businessman Simon (Jean-Marc Barr), who doesn't satisfy her sexually. Later, when Max descends into a basement cafe to use the rest-room, he spots Mila at a pay phone, approaches her, and they have sex amid the rest-room urinals. Max gives her his phone number, and they rendezvous at an upscale hotel. When Max begins following Mila and spying on her, he makes a startling discovery -- her husband is his own brother. Shown at the 1998 Cannes Film Festival. ~ Bhob Stewart, All Movie Guide

Born in Dorsetshire, Thomas Hardy (1840-1928) fictionalized the region as Wessex in his short stories and novels. In 1973, stories from Thomas Hardy's collection Wessex Tales (1888) were adapted to television for a BBC-2 series (also titled Wessex Tales) that included a memorable contribution ("A Tragedy of Two Ambitions") scripted by acclaimed British dramatist Dennis Potter, who later adapted Hardy's The Mayor of Casterbridge for the BBC2 in 1978. The Scarlet Tunic is based on another story from Wessex Tales, "The Melancholy Hussar of the German Legion," a 20-page tale of thwarted love, structured as a recollection by Phyllis as told to Hardy shortly before she died. For this $800,000-budgeted British period film, set in the early 19th century, the name Phyllis was changed to Frances (Emma Fielding), daughter of retired doctor Edward Groves (Jack Shepherd). Frances is engaged to her father's friend, dull Humphrey Gould (John Sessions), away on business. A German cavalry regiment is encamped on Groves' land, and one day, Frances meets handsome hussar Matthaus (Jean-Marc Barr), who's ready for action. He would like to either fight the French or return to Germany. The two have an immediate attraction. When the bored soldiers, including Matthaus, make plans to desert, Frances decides to leave with Matthaus. Unfortunately, Gould visits the Groves home on that very night, with resulting confrontations and conflicts. Former second-unit director and stunt coordinator Stuart St. Paul makes his feature directorial debut, with the screenplay (St. Paul, Mark Jenkins, Colin Clements) expanding on both the events and characters as penned by Hardy. ~ Bhob Stewart, All Movie Guide

An aviation magnate takes desperate measures to regain custody of his kids after he is granted minimal visitation rights by a harsh female judge. It's true that Manu Barnes is free-spirited and for much of his twelve year marriage to Mathilde that he has been too centered on his career, but he does love his kids and believes he should see them more often than one weekend a month. The judge called him irresponsible and he decides to disprove her words by kidnapping Chloe, the judge's strong-willed adolescent daughter. He takes the girl to a remote, snow-bound mountain cabin. Unfortunately, she thinks Manu is sexually attracted to her. A disaster nearly occurs there, but Chloe manages to get back to Paris. Though he knows a private detective is trailing him, the determined Manu decides to abduct his kids and take them out of the country. ~ Sandra Brennan, All Movie Guide