Griff Barnett Movies

A misfire for all concerned, The Spirit of St. Louis can be chalked up as a courageous failure. At age 48, James Stewart was far too old to be convincing as 27-year-old "Lone Eagle" Charles Lindbergh. Director Billy Wilder, a past master of cynical pessimism, was clearly the wrong choice to helm this paean to ingenuous optimism. And the CinemaScope process was totally inappropriate for the claustrophobic nature of the film's storyline. Even so, this retelling of Lindbergh's historic flight across the Atlantic has its moments, especially during the main character's flashbacks to the events leading up to his history-making achievement. Reportedly, James Stewart was uncharacteristically sullen and uncomfotable throughout the filming, which as it turned out was wholly appropriate for his portrayal of the equally taciturn Charles Lindbergh. An excellent musical score by Franz Waxman helps smooth over the lumpier portions of the narrative. Though Spirit of St. Louis was a box-office failure, both James Stewart and Billy Wilder rapidly recovered with, respectively, Night Passage and Love in the Afternoon. ~ Hal Erickson, All Movie Guide

Jean Simmons' fascinating interpretation of an uncharacteristic role is the main drawing card of Otto Preminger's Angel Face. The daughter of Charles Treymayne (Herbert Marshall), who remarried a wealthy woman (Barbara O'Neil), Diane Treymayne's (Simmons) angelic countenance masks an unbridled psychotic who'll let nothing stand in the way of her happiness. Diane arranges for Catherine's death, making it look like an auto accident. Coveting family chauffeur Frank Jessup (Robert Mitchum), Diane steals Frank away from his sweetheart Mary (Mona Freeman) and forces him to become her spiritual accomplice in her stepmother's murder. And when Diane finally realizes that she'll never, ever, be able to hold Frank, she... well, enough said. If Angel Face doesn't look like a typical early-1950s RKO Radio film, it may be because its director was borrowed from 20th Century-Fox, and its cinematographer (Harry Stradling) was a loan-out from Sam Goldwyn. ~ Hal Erickson, All Movie Guide

The distinctive stamp of action-film director Phil Karlson is very much in evidence in Scandal Sheet. Broderick Crawford plays tabloid editor Mark Chapman, whose burgeoning success is threatened by the arrival of his wife Charlotte (Rosemary DeCamp), whom he deserted 20 years earlier. Hoping to keep Charlotte's mouth shut, Chapman accidentally kills her. He does his best to cover his tracks, but his best is none too good, and another murder follows. Meanwhile, Chapman's star reporter Steve McCleary (John Derek) is busy investigating the still-unsolved murder of Charlotte. Though Steve holds no grudge against his boss, the same cannot be said of feature writer Julie Allison (Donna Reed), who resents Chapman's sensationalist methods. Slowly but surely, the noose tightens around Chapman's neck, thanks to the diligence of McCleary and, indirectly, the inquiries of Julie. Scandal Sheet was based on a novel by former newspaperman Samuel Fuller, an excellent film director in his own right. ~ Hal Erickson, All Movie Guide

Gentlemanly William Powell is cast spectacularly but effectively against type in Treasure of the Lost Canyon. Powell plays Doc Brown, a somewhat seedy frontier sawbones who takes orphaned David (Tommy Ivo) under his wing. Doc knows that David is being victimized financially by crooked-attorney Lucius (Henry Hull), but he's in no position to do much about it. He'd also like to return to his prosperous practice in San Francisco, but again he's powerless to do so. Things take a surprising turn when David and the Doc go on a search for a chest full of treasure that the boy had discovered earlier in the proceedings, but had tossed into a treacherous waterfall. Alternately spine-chilling and hilarious, Treasure of the Lost Canyon was by far the most uncharacteristic William Powell vehicle since The Senator was Indiscreet (1947). ~ Hal Erickson, All Movie Guide

Cardsharp Edmond O'Brien gets more than he bargained for when he links up with con artists Lizabeth Scott and Alexander Knox. The trio plot to fleece a wealthy couple out of ten million dollars by having O'Brien pose as the couple's long-lost son. When the husband (Griff Barnett) refuses to change his will, Scott and Knox plan to bump him off. O'Brien may be a crook, but he's no murderer, so he balks at the plan and confesses the scam to the elderly couple--prompting Knox to add O'Brien to his list of potential victims. When Scott decides to pull out of the plan as well, Knox is run out of town, leaving the girl with O'Brien--truly "two of a kind," who'll be able to line up suckers elsewhere. ~ Hal Erickson, All Movie Guide

Home Town Story was commissioned as a pro-Big Business tract by General Motors. The story revolves around Blake Washburn, a mildly leftist newspaperman, played by Jeffrey Lynn. Returning to his home town, Washburn turns his journalistic vitriol upon the local business interests. Only after his kid sister Katie (Melinda Plowman), trapped in a cave-in, is rescued by locally produced technology, does Washburn realize the value of the capitalistic system. Home Town Story was fitfully distributed by MGM, then lapsed into obscurity. It might have remained there had it not been for the presence of a young Marilyn Monroe in a supporting part. ~ Hal Erickson, All Movie Guide

Somewhat similar to John Ford's Wagon Master (1950), Passage West deals with a band of religious pioneers, led by a peace-loving minister (Dennis O'Keefe), heading across the desert. Along the trail, the travellers are forced to accompany with six escaped convicts who join the wagon train. The criminals range from basically decent to homicidal, resulting in fluctuating tensions throughout the westward trek. John Payne, one of the more compassionate convicts, is further humanized by his affection for leading lady Arleen Whelan. Passage West was a B-plus production from Paramount's prolific Pine-Thomas unit. The screenplay was cowritten by Nedrick Young, just before his career was retarded by the Hollywood Blacklist. ~ Hal Erickson, All Movie Guide

A woman is torn between a comfortable lie and the painful truth in this drama. After she is abandoned by her unfaithful boyfriend Stephen Morely (Lyle Bettger), Helen Ferguson (Barbara Stanwyck) discovers that she's pregnant, and she has no choice but to go home to her family. Shortly after boarding the train, Helen meets Hugh and Patrice Harkness (Richard Denning and Phyllis Thaxter), a recently married couple who are travelling to visit Hugh's parents, who have yet to met his bride. Patrice, who is also with child, strikes up a conversation with Helen, and allows her to try on her beautiful wedding ring. Moments later, the train becomes involved in a terrible accident in which Hugh and Patrice are killed; because she was still wearing Patrice's ring, Helen is mistaken for the late Mrs. Harkness by Hugh's parents (Jane Cowl and Henry O'Neill), and is taken home with them as she recovers and has her baby. Helen begins to feel a part of the family until Stephen arrives, demanding money to keep her true identity a secret. No Man of Her Own was remade in 1996 as the comedy Mrs. Winterbourne. ~ Mark Deming, All Movie Guide

Peggy Brookfield (Diana Lynn) is one of many aspirants for the position of Queen of the annual Tournament of Roses in Pasadena, Calfornia. Also competing is Peggy's sister Susan (Barbara Lawrence). Both girls make the trek from Ohio to Pasadena in the company of their father (Charles Coburn), a retired professor. Peggy would seem to have the advantage in the contest, save for one small drawback: she is secretly married to Johnny Higgins (Rock Hudson), and the rules clearly stipulate that the Rose Queen must be single. And that's just one of the many comic complications packed into Peggy's chucklesome 77 minutes. ~ Hal Erickson, All Movie Guide

The hero of Ayn Rand's The Fountainhead is Howard Roark (Gary Cooper), a fiercely independent architect obviously patterned after Frank Lloyd Wright. Rather than compromise his ideals, Roark takes menial work as a quarryman to finance his projects. He falls in love with heiress Dominique (Patricia Neal), but ends the relationship when he has the opportunity to construct buildings according to his own wishes. Dominique marries a newspaper tycoon (Raymond Massey) who at first conducts a vitriolic campaign against the "radical" Roark, but eventually becomes his strongest supporter. Upon being given a public-housing contract on the proviso that his plans not be changed in any way, Roark is aghast to learn that his designs will be radically altered. Roark sneaks into the unfinished structure at night, makes certain no one else is around, and dynamites the project into oblivion. At his trial, Roark acts as his own defense, delivering an eloquent paean to individuality. He is acquitted, while the newspaper tycoon, upset that he could offer Roark no help during the trial, kills himself. This clears the way for a final clinch between Roark and Dominique on the skeleton of his latest building project. Ayn Rand's celebration of Objectivism didn't translate very well to film, with Gary Cooper coming off more selfish and petulant than anything else. The Fountainhead's saving graces are the solid direction by King Vidor, the rhapsodic musical score by Max Steiner, and the symbolism inherent in Cooper's manipulation of his power drill when he first lays eyes on Patricia Neal! ~ Hal Erickson, All Movie Guide

A disarming little trifle, Holiday Affair has in the years since its original release become a Yuletide perennial on television. War widow Janet Leigh hasn't the money to buy the model train that her son Gordon Gebert wants for Christmas. Robert Mitchum overhears the boy's plight, and offers to purchase the train for him, even though it will deplete his own money supply. This little gesture of kindness from Mitchum snowballs into a series of comic complications, thanks in part to the unwelcome intervention of Leigh's stuffed-shirt attorney boyfriend Wendell Corey. Harry Morgan shows up towards the end as a flustered night-court judge who helps tie some of the loose plot ends together. Based on a short story by John D. Weaver, A Holiday Affair didn't do too well at the box office, but its afterlife has been most satisfactory. ~ Hal Erickson, All Movie Guide

The same studio that brought forth Father Was a Fullback was responsible for Mother is a Freshman. Loretta Young stars as Abbigail Abbott, the widowed mother of coed Susan Abbott (Betty Lynn). In order to legally validate Susan's scholarship fund (a legacy of her late grandmother), Abigail enrolls in the university as a freshman. Here she is wooed by Professor Richard Michaels (Van Johnson)--much to Susan's dismay, since she'd set her cap for the professor herself. Rudy Vallee reprises the "stuffy middle-aged suitor" characterization he'd essayed in such previous comedies as The Palm Beach Story and Bachelor and the Bobby-Soxer. Mother is a Freshman afforded audiences the opportunity of glimpsing 20th Century-Fox's familiar "college campus" sets in full Technicolor (these standing sets were also seen in black & white in such 1949 releases as Mr. Belvedere Goes to College and It Happens Every Spring). ~ Hal Erickson, All Movie Guide

The year is 1908 and the setting Jericho, Kansas, a veritable cesspool of sin and vice. Dave Connors is a politically ambitious lawyer married to Belle, the town lush, and is in love with beautiful colleague Julia Norman. Matters are worsened when Algeria Wedge, his best friend's wife, makes a pass at him. When Dave rejects her advances, she retaliates by printing vile things about him in the town paper. This effectively destroys his political career and causes him to leave town. Algeria then successfully helps to launch her husband's career so she can remain in town and cause even more trouble. ~ Sandra Brennan, All Movie Guide