Louise Lasser Movies

American independent filmmaker Gary Preisler makes his film debut as a writer/director with the black comedy National Lampoon's Gold Diggers. Twentysomethings Calvin Menhoffer (Will Friedle) and Leonard Smallwood (Chris Owen) get arrested for the robbery of two sixtysomething women, Doris (Louise Lasser) and Betty (Renee Taylor). The ladies decide to drop the charges and invite the crooks to their space-age mod Beverly Hills mansion. Cal and Lenny come up with a plan to marry the women for their money in hopes that they die within the year. It turns out that Doris and Betty are actually broke and they're planning to marry the boys, kill them, and cash in on their insurance money. After several unsuccessful murder attempts, all four characters end up robbing Doris and Betty's rich uncle. Originally titled Lady Killers but changed to avoid confusion with the Coen brothers' remake of the classic 1955 film, Gold Diggers was shown at the 2003 CineVegas Film Festival. ~ Andrea LeVasseur, All Movie Guide

An elderly man falls in love with a woman young enough to be his daughter -- and that's not the least of their differences -- in this offbeat romantic comedy. Horace (Victor Argo) is a retired police officer who now works for a travel agency. Outwardly gruff, Horace is at heart a gentle soul, and as he grows older he finds himself depressed by his single status. Horace's feelings of loneliness only intensify when he learns that a combination of lung cancer and severe diabetes is likely to claim his life within the next six months. Despite his sorry state, love finds Horace, but in a form he never would have anticipated -- Queenie (Valerie Geffner), known to her parents as Bernice Applegate, the daughter of a wealthy family who toys with a career as a social worker and a dominatrix while trying (without much success) to find work as an actress. After Queenie discovers her boyfriend has been having an affair with his secretary, Queenie gives him his walking papers and meets Horace by chance. Queenie and Horace quickly hit it off, but while Horace is grateful for Queenie's interest, it's obvious that they don't have much in common, and he has a hard time adjusting to her oddball sense of humor and free-wheeling sexual appetites. Queenie in Love also stars Louise Lasser, Austin Pendleton, and Mark Margolis. ~ Mark Deming, All Movie Guide

Based on the novel by Hubert Selby Jr., this gritty drama concerns four people trapped by their addictions. Harry (Jared Leto), and his best friend Tyrone (Marlon Wayans) are impoverished heroin addicts living in Coney Island, NY, while Harry's girlfriend Marion (Jennifer Connelly) is a fellow addict trying to distance herself from her wealthy father. Harry dreams of scoring a pound of smack, from which he could make enough money to open a clothing boutique with Marion, but so far he and his friends can barely scrape by supporting their own habits. Meanwhile, Harry's mother Sara (Ellen Burstyn), who spends her days watching television, is told she has the opportunity to appear on her favorite game show; wanting to lose enough weight to fit into her favorite red dress, she visits a sleazy doctor who gives her a prescription for amphetamines. Soon Sara has a drug habit of her own that is spiraling out of control. Requiem for a Dream was directed by Darren Aronofsky, who also co-wrote the screenplay with Selby; it was Aronofsky's second feature, following his acclaimed independent film Pi. ~ Mark Deming, All Movie Guide

After his 1995 breakthrough, Welcome to the Dollhouse, director Todd Solondz was courted by a number of studios to make a big-budget film with top stars. Instead, he chose to make this aggressively dark comedy-drama of perversions and twisted lives. Andy Kornbluth (Jon Lovitz) explodes with anger after rejection in a restaurant from Joy Jordan (Jane Adams), one of a trio of middle-class New Jersey sisters. Joy's sister Trish (Cynthia Stevenson), a housewife with three kids, is married to psychiatrist Bill (Dylan Baker), who counsels the lonely, overweight Allen (Philip Seymour Hoffman). Allen is obsessed with Joy's other sister, the successful poet Helen (Lara Flynn Boyle), all the while ignoring the attentions of his seemingly sweet yet overweight neighbor Kristina (Camryn Manheim). Bill has fantasies of turning an assault rifle on families in a park, masturbates to teen magazine photos, and develops an unhealthy interest in a classmate of his 11-year-old son, Billy (Rufus Read). After a telephone sales job, Joy moves on to substitute teach at an adult education class, where she falls prey to the advances of an insensitive cabdriver, Vlad (Jared Harris). Allen's series of obscene phone calls to Helen come to an end when she challenges him to come next door and carry out his sexual threats. Meanwhile, the sisters' parents, Lenny and Mona Jordan (Ben Gazzara and Louise Lasser), find their marriage collapsing after 40 years. Lenny has sparked the interest of divorcée Diane Freed (Elizabeth Ashley), but he actually would prefer to be alone. The path to happiness, it seems, is littered with dreams, despair, and abnormalities. Winner of the International Critics' prize at the 1998 Cannes Film Festival, Happiness met with much controversy both in pre-production and upon its release, as chronicled in producer Christine Vachon's book Shooting to Kill. ~ Bhob Stewart, All Movie Guide

In the bizarre style of director Hal Hartley, for whom she performed in The Unbelievable Truth and Trust, actress Adrienne Shelly's debut as a director and screenwriter is a story about a group of young Manhattanites trying desperately to figure out what life is all about. Donna (Shelly) is a restless, jobless young woman with a lover, Adam (Tim Guinee) who is not only impotent but more interested in reading Russian literature than in having sex. Her college professor, Murphy (Roger Rees), is an off-the-wall Englishman who has a secret, unrequited affection for Donna. Donna is neurotic, depressed, and uneasy about life's meaninglessness, to the point where getting out of bed each morning is a chore. Her life changes one morning when she hears a strange rumbling coming from her plate of scrambled eggs. She looks out the window and witnesses a murder, but when the police come, the body has disappeared, and they dismiss Donna's testimony as mad ravings. After seeing several other murders, she fears for her sanity. She consults a gypsy fortuneteller, Dominga (Louise Lasser). Dominga points out a direction for Donna to follow, and she sets off with Adam, her girlfriend Georgie (Hynden Walch) and two eccentric friends, Ian (Paul Cassell) and Alex (John Sklaroff), to investigate the murders. The movie become a surreal descent into existential madness, with an increasingly outrageous, often incomprehensible plot. ~ Michael Betzold, All Movie Guide

Adventurous viewers not repelled by the title of this horror exploitation-comedy from Frank Henenlotter (director of the splatter cult classic Basket Case) will find a fair share of laughs on display, thanks to Henenlotter's typically energetic devil-may-care brand of gruesome humor. James Lorinz tears up acres of scenery as Jeffrey Franken, a neurotic electrician and aspiring mad scientist, who goes completely 'round the bend after his slightly pudgy girlfriend (former Penthouse pet, Patty Mullen) is shredded by his latest invention, a remote-control lawn mower. Preserving her head in his mom's freezer, he sets out to acquire shapely female parts to rebuild the rest of her, focusing his search on the city's red-light district. After watching a news feature on crack addiction among local prostitutes, Franken hits on the solution and invents a formula for "supercrack," which triggers the spontaneous detonation of anyone who smokes it. After blowing apart a hotel roomful of unfortunate ladies, he spirits their scattered limbs home to his garage laboratory, where his patchwork creation is eventually brought to life in a hilarious lift from The Bride of Frankenstein. Apparently, her brain spent too much time bobbing in the same preservative bath used for the hooker-parts, since she is instantly compelled to peddle her assets on every street corner in town, resulting in the high-voltage deaths of several johns (who are not entirely dissatisfied with their choice of demise). Her exploits reach the attention of sadistic pimp Zorro (Joseph Gonzalez), who, obsessed with finding the person responsible for blowing up his women, tracks her back to Franken's lab for the inevitable (and quite disgusting) confrontation. Basically a collection of crude but hilarious sight gags (Franken's predilection for plunging a power drill into his own skull; the pimp knocked senseless by flying severed limbs) and goofy throwaway dialogue, this may offer guilty pleasures for fans of Henenlotter's comic theater of the absurd. Frankenhooker is available on video in R and unrated versions, some featuring a suitably tacky slipcase, which, when pressed, screeches the words "Wanna date?" ~ Cavett Binion, All Movie Guide

In this tuneful teen drama, two disparate high school students, he a street-wise Italian rebel and she a sweet naive Jewish girl, fall in love while preparing for the annual "Sing," a competition between seniors and the other grades attending Brooklyn schools. It is the caring school music teacher who involves the street-tough, for he sees tremendous talent in the youth. With the help of the teacher and the affection of the young woman, the angry youngster, mends his self-destructive ways and makes the annual musical a smashing success. ~ Sandra Brennan, All Movie Guide

Veteran television writer-director Jerry Belson concocted this sweet comedy that stars Michael Caine as Sean Stein, a best-selling mystery novelist who's been constantly hurt by women he's fallen for. Sally Field plays Daisy Morgan, an artist who has not yet hit it big. She and Stein are at a museum party when a band of thieves arrive, tie up the guests, and proceed to pull off a heist. They are tied up together, which thrusts them into an unlikely romantic pairing. Because Daisy does not know who Stein is, he pretends that he, too, is a struggling artist. He distrusts women, because in the past, his ex-wife and other women pursued him solely for his money and fame. Steve Guttenberg and Peter Boyle play attorneys vying for Stein's money. Julie Kavner and Louise Lasser are among the fine supporting cast. ~ Michael Betzold, All Movie Guide

This comedy drama examines a fading film star who divides her time between the couch in her psychiatrist's office and her memories of past glories. The latter are told in a series of episodes with cameo roles by well-known names: Kaye Ballard, Sammy Davis, Jr., Anne Meara, and many others. At one moment , the scenery shifts to Argentina and elsewhere for a few episodes based on her search for a leading man. ~ Eleanor Mannikka, All Movie Guide

This unique episode features only one of the series' regulars--namely, Lavrne (Penny Marshall). Depressed over recent events in her life, Laverne retreats to a monastery in hopes of getting her head together. Under the watchful eye of the Mother Superior (Fran Ryan), Shirley does her best to fit in with the other pilgrims, tackling duties ranging from pottery-molding to bell-ringing. But our usually loquacious heroine has a lot of trouble--a LOT of trouble--adhering to the monastery's strict vow of silence. Also appearing in this episode is former Mary Hartman, Mary Hartman star Louise Lasser as Sister Margaret. ~ Hal Erickson, All Movie Guide

Louise Lasser reprises her role as Phyllis, ex-wife of cab driver Alex Rieger (Judd Hirsch). Showing up at the garage in hopes of a brief reconciliation, lonely Phyllis finds out that Alex is unavailable -- so she promptly comes on to Louie (Danny DeVito). By the time Alex finds out about this, Louie has revealed a lot more of himself than he planned -- literally so! Also in the cast are twin actresses Randi and Candi Brough, best known for their work in the comedy adventure series B.J. and the Bear. ~ All Movie Guide

Comedian Marty Feldman directed and co-wrote this satire of the less-scrupulous side of organized religion. Brother Ambrose (Marty Feldman) is a monk who has spent nearly his entire life within the walls of his monastery and knows little of the outside world. However, when he learns that the monastery has fallen on economic hard times and may be forced to close, he takes it upon himself to raise the funds to save his home. Ambrose ends up on Hollywood Boulevard, where he solicits donations from passers-by and gets a crash course in life in the fallen world from Mary (Louise Lasser), a smart-mouthed hooker. Ambrose and Mary soon encounter Armageddon T. Thunderbird (Andy Kaufman), a fire-and-brimstone televangelist who agrees to help Ambrose by making him a partner in his house of worship, The Church of the Divine Profit. However, Thunderbird's methods don't agree with Ambrose, and eventually he turns to God Himself (Richard Pryor) for help. In God We Trust was Feldman's second and last directorial assignment; the supporting cast also includes Peter Boyle, Wilfrid Hyde-White, and Severn Darden. ~ Mark Deming, All Movie Guide

Woody Allen's tenth film as writer/director, Stardust Memories opens with a scene reminiscent of the opening of 8 1/2 and continues to use that film for inspiration. Sandy Bates (Allen) sits in a train at a train station, the car filled with very unhappy looking people. In a train on another set of tracks, Bates sees a wonderful party going on. A beautiful woman blows him a kiss as the happy train pulls out of the station. Bates is a famous film director who has been invited to attend a festival of his work being held at the Stardust hotel. He attends the event, but is ceaselessly harassed by fans who accost him and repel him in equal measure. While consistently hearing the complaints from fans, critics, and even space aliens that his earlier comedies are superior to his dramatic work, Bates juggles a trio of women in his private life. His encounters during the course of the retrospective force Bates to take a long look at himself. Sharon Stone makes one of her first film appearances as the woman who blows Sandy a kiss. ~ Perry Seibert, All Movie Guide