Gerard Lartigau Movies
Regis Wargnier's epic about French Indochina -- from the years of French colonial imperialism to the days when American presence made itself felt and the country became known as Vietnam -- is a story of romance and separation told through the backdrop of a country in turmoil. The film centers on the relationship of the beautiful and imperious Eliane (Catherine Deneuve), a French rubber-plantation owner, and Camille (Linh Dan Pham), her adopted Indochinese daughter. The mother and daughter are very close until a diffident naval officer, Jean-Baptiste (Vincent Perez) enters their lives. Eliane is in love with him, but Jean-Baptiste and Camille become attracted to each other and fall in love. Thinking that she is doing Camille a favor, Eliane arranges to have Jean-Baptiste transferred to the far-away Tonkin Islands. But Camille flees the plantation to go to the man she loves. As she travels the country, she gains a greater knowledge and respect for the people of her homeland. When the government tears her from Jean-Baptiste and their infant child and arrests her for crimes against the state, she becomes politicized and becomes a supporter of the communists in the country's civil war. As the country rocks in turmoil, Eliane becomes a personification of France, coolly walking amid her peasant workers, neither bowed nor afraid, grimly looking westward. ~ Paul Brenner, Rovi
- Starring:
- Catherine Deneuve, Vincent Perez, (more)
The demise of the Cold War rendered this flat and obsolete spy thriller, written and directed by Nicholas Meyer, mute upon its release in 1991. Gene Hackman plays Sam Boyd, a retired CIA agent, now making ends meet by engaging in industrial espionage. But Sam is recalled to duty and ordered to deliver a captured Russian spy, Pyiotr Grushenko (Mikhail Baryshnikov), to East Berlin for a prisoner exchange. Along with Pyiotr, Sam is also transporting $2 million in Columbian drug money to East Berlin. But due to a series of set-ups, Sam and Pyiotr finds themselves working together to keep from getting killed. Sam tries to get help from the CIA, but it turns out that the CIA (along with the KGB) wants them both dead. ~ Paul Brenner, Rovi
- Starring:
- Gene Hackman, Mikhail Baryshnikov, (more)
- 1982
As a young boy, Tommaso's (Gerard Darier) interest in women and in his cousin Marta (Mariangela Melato) in particular, inspired him to bore peep holes into her wall and vicariously partake of her forbidden private life, including her wedding day. Time goes by, and after living through many changes going on around him, Tommaso has grown up and is now a soldier in the military. When he sees cousin Marta at a train station one day, he jumps off his train, talks to her for awhile, and tries to give her some strength to face the various problems in her life. Both Marta and Tommaso suffer deceptions over the next crucial period -- Marta becomes estranged from her husband, and her daughter is more distant with each passing day. Tommaso's faith in humanity is dealt a few sharp blows as he watches a friend stoop to embezzlement and then is seduced by the same friend's wife. The youthful dreams of both cousins seem to deteriorate with time, perhaps leading the way to another stage in the "growing up" process. ~ Eleanor Mannikka, Rovi
- Starring:
- Mariangela Melato, Gerard Darier, (more)
- 1978
Unknown to him, a journalist's girlfriend has been known to harbor terrorists sought by the police. He is a reporter for a leftist French journal, and the police have traced the girlfriend to him. He gets involved with both the police and underground organizations when his girl goes missing after being seen leaving a mysterious group of men. Now that he is the subject of police inquiries, his newspaper is beginning to make noises that he is not entirely welcome with them. The reporter eventually finds his supposed girlfriend at a sex show, for all the good it does him. ~ Clarke Fountain, Rovi
- Starring:
- Yves Beneyton, Christine Pascal, (more)
- 1971
This French farce/drama takes place in Ireland in 1916, during one of the peak periods of revolutionary violence. Seven Irish revolutionaries have taken over a post office, totally evacuating the building. Or so they think. They missed Gertie Gertel, who was in the bathroom at the time. By the time she is discovered, they are sufficiently besieged that for her own safety, she must stay with them. Gertie, it turns out, is about as pro-British as it is possible to be, and the seven take it on themselves, in the midst of battles and gunfights, to win her over to their cause. While they are at it, they set out to woo her, as well. ~ Clarke Fountain, Rovi
- 1970
Nobles try desperately to cling to the crumbling aristocracy in the days following World War I. The Count (Jean-Claude Brialy) and his Countess Mahe (Sylvia Fennec) delight in throwing lavish costume balls. The couple develops a friendship with a young boy who delights in the parties thrown by the noble couple. Love soon blooms between the Countess and the boy as she searches for something more than a string of endless parties and social affairs. The masquerades are an attempt to freeze time and hold on to the nostalgia of a bygone era. For fear of losing her, the Count allows the Countess to continue her love affair. ~ Dan Pavlides, Rovi
- Starring:
- Jean-Claude Brialy, Sylvie Fennec, (more)
- 1970
After laboring in obscurity for several years, French filmmaker Claude Sautet finally struck a responsive chord with moviegoers in Les Choses de la Vie. The plot isn't much: the hero, businessman Michel Piccoli, must choose between his wife and his mistress, two women whom he loves with equal fervor. It is what Sautet does with the material that lifts the film above the ordinary. The director puts the central character's plight in context with his ongoing concerns over his job, his income, and his relationship with his family. In Choses de la Vie Sautet has nothing but the warmest feelings for his characters, which results in more three-dimensionality that might normally be expected in so banal a plotline. ~ Hal Erickson, Rovi
- Starring:
- Michel Piccoli, Romy Schneider, (more)
- 1969
Clerambard (Philippe Noiret) feeds his large family by killing cats and dogs. He also makes his family run hand looms with very little respite. His life forever changes when he sees Saint Francis. The Saint helps him prepare his horse as Clerambard suddenly goes out into the world to preach the gospel and reveal his newfound love of animals. This comedy is taken from the hit play by Marcel Ayme. Dany Carrel has an amusing role as the town prostitute. ~ Dan Pavlides, Rovi
- Starring:
- Philippe Noiret, Dany Carrel, (more)
La Guerre est Finie represents one of the few "linear" films of French director Alain Resnais. Instead of indulging in his beloved flashbacks and flashforwards, Resnais sticks to a logical progression of events in relating this jaundiced tale of political activism. Yves Montand plays a tired, ageing revolutionary whose current target is Spain's Franco regime. Having become a familiar face to the authorities, Montand is no longer of any value as an undercover operative, yet he insists on leading a strike in Madrid. He is stopped from doing so by his fellow revolutionaries, who feel that Montand has become out of synch with the Movement. When Montand is finally able to complete his mission, everything goes wrong. Among the hero's "fellow" activists are Genevieve Bujold and Ingrid Thulin, both of whom harbor a romantic interest in Montand. The casual viewer might be surprised at the lack of action in the film, but favoring suspense over action is typical of Alain Resnais. ~ Hal Erickson, Rovi
- Starring:
- Yves Montand, Ingrid Thulin, (more)
- 1965
This Italian/French/Spanish sagebrusher stars Giuliano Gemma as the Arizona Colt, a notorious bandit. Imprisoned in a desert town, the Colt is sprung by gang leader Gordon Watch (Fernando Sancho). Instead of galloping off into the sunset, Our Hero elects to stay in town to defend its citizens from the film's real bad guys: Watch's gang. Had Clint Eastwood and Sergio Leone had anything to do with it, Arizona Colt would probably be hailed as a classic; as it stands, it's just another spaghetti western. The film was also released as Man From Nowhere. ~ Hal Erickson, Rovi
