Hope Lange Movies

The novel by John Katzenbach becomes this legal thriller starring Sean Connery as Harvard Law School professor Paul Armstrong. A legal expert whose days of trying cases are long behind him, Armstrong is moved by a plea he receives from a Florida death row inmate, Bobby Earl (Blair Underwood). It seems that the educated, upstanding Earl has been railroaded by an overeager sheriff (Laurence Fishburne) zealously trying to solve the kidnapping and murder of a little girl. Once Armstrong arrives in Florida, he is able to locate the murder weapon and cast doubt on Earl's innocence, even identifying a much more likely culprit in the homicidal genius Blair Sullivan (Ed Harris). All is not as it seems in the case of Bobby Earl, however, and Armstrong is going to end up regretting his interest in the case. Ruby Dee, Kate Capshaw, and Ned Beatty costar in this film from producer-turned-director Arne Glimcher. ~ Karl Williams, Rovi

In the tradition of such woman-in-jeopardy nail-biters as Extremities and Sleeping With the Enemy comes the ABC made-for-television pic Dead Before Dawn, starring small-screen vets Cheryl Ladd (Charlie's Angels) and Jameson Parker (Simon & Simon). Though to outsiders' eyes all is well in the life of suburban housewife Linda (Ladd), behind closed doors and shutters her socially impeccable husband, Jeff (Parker), turns into a satanic monster, beating the living hell out of his wife and children. In a desperate move, Linda files for divorce, but the vengeance-starved Jeff -- panic-stricken that Linda's in-court testimonies will decimate his career -- will stop at nothing to shut her up...even homicide. Kim Coates and Hope Lange (Death Wish) co-star. ~ Nathan Southern, Rovi

Two men, a fisherman and banker, have both died of carbon monoxide poisoning while sailing in the waters around Cabot Cove. At first this seems to be merely a coincidence--but then the fisherman's daughter gains access to her father's logbooks and charts. Suddenly, a link develops between the two men, forged by an illegal sale of surplus defense-corporation components--and Jessica (Angela Lansbury) begins to take interest in the situation. ~ Hal Erickson, Rovi

Tune in Tomorrow is based on Mario Vargas Llosa's novel, Aunt Julia and the Scriptwriter. In New Orleans, circa 1951, a news writer for a local radio station, Martin Loader (Keanu Reeves), meets and falls in love with his aunt Julia (Barbara Hershey), a divorced woman who is looking for a new husband. Meanwhile, new-in-town eccentric radio-soap-opera writer, Pedro Carmichael (Peter Falk) has been hired to help boost the station's bad ratings. Pedro begins manipulating Martin and Julia's affair and using it as the basis for his radio show. Director Jon Amiel uses the same story-within-a-story construction from The Singing Detective, the miniseries that he directed for British television. ~ Linda Rasmussen, Rovi

Adapted from a book by Robert Lacey, this biographical film chronicles both the private and public life of automobile manufacturer Henry Ford (Cliff Robertson). ~ Iotis Erlewine, Rovi

Director David Lynch crafted this hallucinogenic mystery-thriller that probes beneath the cheerful surface of suburban America to discover sadomasochistic violence, corruption, drug abuse, crime and perversion. Kyle Maclachlan stars as Jeffrey Beaumont, a square-jawed young man who returns to his picture-perfect small town when his father suffers a stroke. Walking through a field near his home, Jeff discovers a severed human ear, which he immediately brings to the police. Their disinterest sparks Jeff's curiosity, and he is soon drawn into a dangerous drama that's being played out by a lounge singer, Dorothy Vallens (Isabella Rossellini) and the ether-addicted Frank Booth (Dennis Hopper). The sociopathic Booth has kidnapped Dorothy's young son and is using the child as a bargaining chip to repeatedly beat, humiliate and rape Dorothy. Though he's drawn to the virginal, wholesome Sandy Williams (Laura Dern), Jeff is also aroused by Dorothy and in trying to aid her, he discovers his dark side. As the film nears its conclusion, our hero learns that many more indivduals are tacitly involved with Frank, including a suave, lip-synching singer, Ben (Dean Stockwell), who is minding the kidnapped boy. Director Lynch explored many similar themes of the "disease" lying just under the surface of the small town, all-American façade in his later television series Twin Peaks (1990-91). ~ Karl Williams, Rovi

In this drama, the failed pilot for a TV series, a psychologist endeavors to balance his turbulent personal life, with those of his troubled patients. Unfortunately, he tends to get equally personally involved in both and trouble ensues. ~ Sandra Brennan, Rovi

In this interesting drama based on a novel by Robert Cormier, flashbacks to two different periods of time mixed with scenes from the present slowly unveil the mysterious circumstances surrounding a lonely teen (Robert MacNaughton) who meets regularly with a psychiatrist delving into his past. The boy is in an institution and often rides around the grounds on his bicycle, pretending that the guards, groundskeepers, and personnel are his enemies. As the psychiatrist probes deeper, more of the boy's family's past comes to light. His father (Don Murray) had been a successful journalist until he testified in a criminal court case that made him a target of assassins -- and so he faked his death in an accident, changed his name, and moved out to Vermont. He never told his son who he was, and when he and his wife (Hope Lange) are killed one day in an "accident" the boy sees it and goes into shock. Now as he continues in his treatments at the institution, he begins to suspect that his psychiatrist and the institution's staff are, in fact, his father's enemies and orchestrated the assassination of his parents. ~ Eleanor Mannikka, Rovi

Jim Bishop's minute-by-minute account of the events leading up to the Crucifixion was the basis for the three-hour TV movie The Day Christ Died. Chris Sarandon plays the Hebrew "blasphemer" known as Jesus, who is brought before the beleaguered governor Pontius Pilate (Keith Mitchell). To avoid an insurrection, Pilate washes his hands of the matter by offering the Hebrews a pardon either to Jesus or the thief Barabbas during Passover. "Give us Barabbas!" is the answer, sealing Jesus' fate. The screenplay by James Lee Barrett and Edward Anhalt is for the most part objective and dispassionate, though there are some unsubtle parallels between Pilate and such future political "heavies" as Nixon. Also appearing in the cast are Colin Blakely as Caiaphas, Barrie Houghton as Judas, Jonathan Pryce as Herod, Eleanor Bron as Mary, and Hope Lange as Claudia. The Day Christ Died premiered -- not without protest from certain circles -- on March 26, 1980. ~ Hal Erickson, Rovi

Based on a true story, the made-for-TV Like Normal People IS the story of a romance between two mentally challenged adults. In his first dramatic acting appearance, Shaun Cassidy plays Roger Meyers, a mildly retarded man who, while living in a home for the handicapped, falls in love with another resident, Virginia Rae Hensler (Linda Purl). Despite the fierce opposition of their parents--not to mention one of the administrators, who regards such a union as "a social obscenity"--Roger and Virginia are determined not only to marry, but to raise a family. Virtually their only ally is teacher Bill Stein (Zalman King), who formulates a stringent training program to show the couple the obstacles that they will face, and must overcome, in their future lives. Like Normal People made its ABC debut on April 13, 1979, a scant three weeks after the broadcast of the similarly themed No Other Love. ~ Hal Erickson, Rovi

John Houseman, taking advantage of the career momentum sparked by his Oscar win for The Paper Chase, does his patented curmudgeon bit in Hazard's People. Housman plays a criminal lawyer described in the promotional ads as "unorthodox," which is TV-ese for "obnoxious." He oversees three good-looking younger attorneys: one genius (John Elerick), one jock (Roger Hill), one feminist (Jesse Welles). The first case on the docket is the defense of a doctor (Michael Tolan) accused of murdering his girl friend. Hazard's People was (as should be obvious by now) a pilot film for an unsold John Houseman series. ~ Hal Erickson, Rovi

This drama about a man who takes the law into his own hands was wildly controversial upon first release, sparking much debate about the perceived pro-vigilante stance of the story, and established Charles Bronson as a major box office draw in the United States. Paul Kersey (Charles Bronson) is a liberal architect living in New York City. One day, a group of drug-crazed thugs break into his apartment while he's gone, killing his wife Joanna (Hope Lange) and brutally raping his married daughter, leaving her comatose. When the police are unable to find the culprits, Kersey arms himself and begins patrolling the streets, killing muggers and thieves as he encounters them. While his obsessive search for street justice sickens him at first, in time Kersey begins to enjoy it and becomes a hunted man himself, as Police Detective Frank Ochoa (Vincent Gardenia) tries to find the man who is doing the police's job for them, and a bit too well. Jeff Goldblum made his screen debut as one of the lunatics who attacks Joanna. ~ Mark Deming, Rovi