Chus Lampreave Movies

A follow-up to Spanish enfant terrible Pedro Almodóvar's 2006 arthouse sensation Volver, Los Abrazos Rotos finds the filmmaker re-teaming with actress Penélope Cruz and working on a canvas much broader than those of his previous outings, in terms of genres covered, narrative scope, and duration. Lluís Homar stars as the former Mateo Blanco, a screenwriter and ex-director who changed his name to Harry Caine after losing his sight in an automobile accident. A past scandal suddenly resurfaces when the news arrives that the producer of one of Harry's old movies ("Girls and Suitcases"), a corrupt stockbroker named Ernesto Martel (José Luis Gómez), has died. For mysterious reasons, this makes Harry's ex-production manager Judit (Blanca Portillo) nervous; then Ernesto's son, Ray X (Rubén Ochandiano), turns up and asks Harry to help him write a vindictive script to get back at his vile father. The film subsequently flashes back to the early '90s, when Martel became involved with his secretary, Lena (Cruz), but Mateo also began to develop feelings for her, and auditioned her for "Girls and Suitcases." In response to Mateo's interest in Lena (and her burgeoning interest in him), the jealous Martel commissioned Ray to make a documentary about the making of "Girls and Suitcases" as an excuse to spy on the director and star. This enabled him to watch Mateo spiriting off with Lena right under his nose, and set the stage for the wily producer's elaborate revenge against Mateo. As this synopsis suggests, Almodóvar uses a tricky structure laden with flashbacks to both comment on and explain the events of the present; he also interweaves a noirish sensibility throughout the picture that marks something of a first for this director. ~ Nathan Southern, All Movie Guide

Two sisters learn that the bonds of family don't always end after death in this gentle observational comedy drama that marks celebrated Spanish filmmaker Pedro Almodóvar's 16th feature. The story explores the interactions between three generations of women in a Spanish family. Raimunda (Penélope Cruz) was born and raised in the apocryphal village of Alcanfor de las Infantas, in La Mancha, Spain. However, she now resides in Madrid, where she works as a janitor. She is married to Paco (Antonio de la Torre), an unemployed layabout, and looks after her daughter, Paula (Yohana Cobo). Raimunda's mother, Irene (Carmen Maura), died several years back (along with her father) in a house fire. Raimunda's younger sister, Sole (Lola Dueñas), also lives in Madrid and works as a hair stylist, while their aunt Paula (Chus Lampreave) still makes her home in La Mancha, with occasional help from neighbor Agustina (Blanca Portillo). The story takes an unusual and mystical twist when Agustina mentions that Irene has begun reappearing in ghostly form -- a fact questioned by Raimunda and Sole. After a murder and an unexpected family tragedy, Paula's story is indeed corroborated by the appearance of Irene's spirit (who has come to comfort her family), and Sole must decide how to respond to the long-dead mother's strange, enchanting presence. ~ Mark Deming, All Movie Guide

Pedro Almodóvar follows his international success All About My Mother with an offbeat drama that explores the friendship of two men brought together under unusual but strangely similar circumstances. Benigno (Javier Camára) is a male nurse whose apartment overlooks a dance studio run by Katerina (Geraldine Chaplin); he often sits on his balcony and watches one of Katerina's students, Alicia (Leonor Watling), and he finds himself becoming infatuated with her. When Alicia is severely injured in an auto accident that leaves her in a coma, Benigno discovers she has been admitted to the hospital where he works, and he spends his days caring for a woman he now deeply loves but has barely met. Marco (Darío Grandinetti) is a journalist who was assigned to interview Lydia (Rosario Flores), a well-known female bullfighter whose on-the-rocks romance with another toreador, "El Niño de Valencia" (Adolfo Fernández), has made her the focus of the tabloid press. During Marco's interview with Lydia, he goes out of his way to treat her kindly, and she appears to return his attention. During the bullfight which follows, Lydia is gored by the bull, and is now in a coma; Marco is certain his interview broke her steely concentration, and he spends most of his days at the hospital, convinced her injuries are his fault. Alicia and Lydia are both housed in the same ward of the same hospital, and in time Benigno and Marco become close friends, bonding in their shared devotion to women who cannot return their affection. ~ Mark Deming, All Movie Guide

From Spanish director Pedro Almodóvar (Live Flesh, All About My Mother) comes this offbeat drama about Leo Macías (Marisa Paredes), a romance novelist who writes her trashy tomes under the pseudonym Amanda Gris. When her marriage begins to dissolve, Leo finds herself falling into despair, leading her to drink and lose her knack for writing her tawdry tales. Out of her turmoil, she writes a bleak novel that garners no attention. To make matters worse, Ángel (Juan Echanove), a newspaper editor with a romantic interest in Leo, hires her to write a scathing review of Amanda Gris, not realizing Gris is Leo's nom de plume. Nominated for several Goya awards, La Flor de Mi Secreto also stars Carmen Elías and Rossy de Palma. ~ Matthew Tobey, All Movie Guide

Chusa is a fashionable and party-loving denizen of modern-day Madrid. Some of her flashy lifestyle is paid for by her amateur hashish-smuggling operation. Like many others, she often flies down to Morocco to score some of this marijuana-derived drug and then smuggles it back in various places on her body. She would like to smuggle more but needs a reliable courier. One candidate for the operation is Elena, an old friend of hers. However, there is just one problem: Elena is a virgin, and at least one of her body orifices won't accommodate much of the drug. Chusa asks her policeman boyfriend to help Elena past this handicap, and he reluctantly agrees. Unfortunately for her, the two friends become much friendlier than she had intended, and soon she is on her own, her smuggling plans in a shambles. When she gets to Morocco, she experiences even more setbacks. ~ Clarke Fountain, All Movie Guide

The Spanish I'm the One You're Looking For bears echoes of Alfred Hitchcock, though it's unlikely that Hitch would have pushed the envelope as far as director Jaime Chavarri does here. Patricia Adriani plays a beautiful model who is the victim of a brutal rape in a dark section of Barcelona. The violation has an astonishing effect on the young woman. She becomes obsessed with meeting her rapist again, and to that end frequents the seediest of locales and commiserates with the lowest forms of humanity. The question raised here is whether Ms. Adriani is seeking vengeance or some bizarre form of sexual fulfillment. ~ Hal Erickson, All Movie Guide

Pepe Soriano plays a Madrid shopkeeper who is kidnapped by henchmen of Franco in this political comedy. After his kidnapping, he is forced to become the dictator's double for many official ceremonies. Due to his long and unexplained absence, Pepe's wife believes her husband has been abducted and killed, so she tries to reach her husband through spiritualism. After Pepe surprises her with a nocturnal visit, he tells her he will touch his ear to signal it is he and not Franco in public appearances. ~ Dan Pavlides, All Movie Guide

Eschewing a realistic depiction of Franco's Spain in the 1940s, director Fernando Trueba uses a touch of sarcastic humor in painting a 16-year-old's brief stay in a TB sanatorium. Manolo (Jorge Sanz) is one of two brothers who ends up in a tuberculosis sanatorium that is specifically designed for somewhat younger children. Manolo's problem is that he is experiencing the first stirrings of sexual desire and cannot look upon the female nurses and staff with the innocent eyes of the other children. His first overtures to one of the nurses meets with rejection; in fact, the nurse leaves the sanatorium. Manolo really asks for trouble when he falls for another pretty nurse and she herself becomes attracted to him. ~ Eleanor Mannikka, All Movie Guide

In this engaging comedy, Ana (Veronica Forque) is the wife of Antonio (Antonio Resines), the assistant to the minister of health. When Antonio sets up a clinic to combat sexually transmitted diseases, Ana and her friend cruise the gay bars and the red-light district for potential customers. Soon Antonio is called before his irate boss, who tempers his indignation when he, his wife, and his mistress becomes clients. ~ Dan Pavlides, All Movie Guide

In this conventional comedy of manners, two men in the publishing business run into trouble both in the boardroom and in the bedroom. Their venture is starting to run out of black ink, and one of them is very suspicious of his wife's loyalties. Add in a right-wing author of children's stories, a hooker, a secretary driven to her wits' end (not a long journey), and the stage is set for comedy -- if only the script would follow suit. ~ Eleanor Mannikka, All Movie Guide

Filmmaker Pedro Almodóvar, the Luis Buñuel of the 1980s, cooks up another perversely funny descent into urban hell in What Have I Done to Deserve This? Carmen Maura plays a middle-class housewife hemmed in by her wildly eccentric relatives. Her principal purpose in life is a balancing act: to keep her head fastened on securely while all others are losing theirs. Film buffs will have a field day toting up Almodóvar's visual and verbal allusions to the works of Buñuel, Brian De Palma, Billy Wilder, John Waters, and even Andy Warhol. What Have I Done to Deserve This? was originally titled ¿Que He Hecho Yo Para Merecer Esto? ~ Hal Erickson, All Movie Guide

A monosabio or "wise monkey" is one of the many necessary attendants at bullfights, working alongside the picadors and toreros. Of them all, the monosabio is the least respected and the poorest-paid. In this story, Juanito (Jose Luis Lopez Vazquez) is such a man. He has no real hope of fulfilling his own dreams of bullring glory but has noticed a young man in the neighborhood who looks promising. His daughter, who has been seeing the young man, has become pregnant by him. Without knowing this, Juanito robs her of her nest egg (set aside for an abortion) so as to put on an exhibition bullfight to bring the lad to the attention of the bullfighting world. In this comedy/drama, despite a few unexpected turns of events, things turn out well for everyone. ~ Clarke Fountain, All Movie Guide