Ellen Barkin Movies

Teeth director Michael Lichtenstein takes a sharp turn from teen-oriented satire to mature family drama with this semi-autobiographical story concerning a pair of grown-up sisters who return to their family home in order to care for their ailing father. Jayne (Parker Posey) and Laura (Demi Moore) has long since moved out of their family home when they discover that their father (Rip Torn)'s health has taken a turn for the worse. Returning to Pittsburgh in order to slowly degenerating dad, the sisters quickly realize that their father is in total denial about his condition. Jayne has been shielded from the harsher side of life since she was just a little girl, and now as Laura begins pushing her sister to accept their bleak reality, their father takes a seedy lover (Ellen Barkin) who immediately rubs the girls the wrong way. But dealing with the father becomes the least of Jayne and Laura's worries when the drama in their personal lives drags the demons of their past up to the surface and out in to the open. ~ Jason Buchanan, All Movie Guide

Two couples demonstrate that breaking up can be just as hard as staying together in this romantic comedy drama. Rebecca (Julianne Moore) and Tom (David Duchovny) are a seemingly happy married couple living in New York City -- she's a successful actress, while he stays home with the kids. However, beneath the surface, things are not going well. Rebecca is no longer amused with her husband's appetite for porn and constant sexual demands, while he's seriously considering having an affair. Rebecca's brother Tobey, (Billy Crudup), is in a more openly dysfunctional relationship; he's been dating Elaine (Maggie Gyllenhaal) for seven years but has no interest in marriage, while she's desperate to settle down and start a family. Tobey and Elaine decide to call it quits, as Tobey hooks up with an old friend from college (Eva Mendes) who is looking to cheat on her husband, and Elaine starts dating a handsome musician (James LeGros) who may be in need of a green card. Meanwhile, Rebecca and Tom go into couples therapy, which creates as many problems as it solves. Trust the Man also features Ellen Barkin, Garry Shandling, and Bob Balaban. ~ Mark Deming, All Movie Guide

Palindromes opens with the dedication, "In loving memory of Dawn Wiener," a reference to the lead character in writer/director Todd Solondz' early feature, Welcome to the Dollhouse. Aviva has just attended Dawn's funeral. Dismayed by her older cousin's untimely death, Aviva asks her mother (Ellen Barkin) for assurance that she won't grow up to be like Dawn. Aviva only dreams of one thing -- having babies. Lots and lots of babies. As a teen, while Aviva has no interest in sex, she eagerly loses her virginity to Judah (Robert Agri), the son of a family friend in hopes of getting pregnant. She does, but her mother insists that she have an abortion. Worse yet, due to a complication during the procedure, the doctor is forced to perform a hysterectomy. Unaware of her medical condition, Aviva runs away from home and is picked up by a truck driver (Stephen Adly Guirgis) who has his way with her and then abandons her at a roadside motel. She wanders in the wilderness until she meets up with Jiminy (Tyler Maynard), a friendly boy who lives with the "Sunshine Family," a group of disabled kids cared for by the cheerful Mama Sunshine (Debra Monk). The kids are also a Christian singing group. Aviva is happy until she learns that Mama Sunshine and her husband are virulently anti-abortion and that they are planning to murder a doctor. Solondz cast eight different actors in the lead role, each of whom play Aviva at different points in the story. Matthew Faber reprises the role of Mark Wiener from Welcome to the Dollhouse. Palindromes was shot at Bard College in upstate New York, using many film students as crew. It was selected by the Film Society of Lincoln Center for inclusion in the 2004 New York Film Festival. ~ Josh Ralske, All Movie Guide

Recalling both The Postman Always Rings Twice (1946) and American Beauty (1999), this teen drama recounts the trials and tribulations of one very dysfunctional family. Roseanne Skolnik (Monica Keena) is a popular high school student who is dating Jimmy (James DeBello), the football captain. She also lives in a family where her embittered mother Maggie (Ellen Barkin) is plotting to murder Roseanne's violent drunken stepfather Fred (Michael Ironside). After a smashed Fred rapes her, Roseanne starts plotting her stepfather's demise too. She ropes her boyfriend into doing the deed, and soon she finds herself under arrest and on trial for the crime. With all of her friends shunning her, she confides in her creepy voyeuristic neighbor. This film was screened at the 2000 Sundance Film Festival. ~ Jonathan Crow, All Movie Guide

Two small-time crooks find themselves in deeper water than they can handle in this offbeat comedy. Edgar (Bob Hoskins) and Morales (Antonio Banderas) are a pair of minor-league grifters posing as men of the cloth, who travel through the deep South selling cheap socks at inflated prices to raise money for the fictional children's charity St. Mortimer's Orphanage. While stopping at a diner, Edgar and Morales spot a fellow fugitive from justice, the White River Kid (Wes Bentley), who is wanted for murder. Taking pity on a fellow outlaw, Edgar and Morales decide to warn the Kid that there are cops nearby and that he might want to make himself scarce; however, they soon regret their brief moment of compassion when they discover the Kid has taken over their RV and is now holding them hostage along with a waitress from the restaurant. The White River Kid also features Ellen Barkin, Beau Bridges, Swoosie Kurtz, and Randy Travis. While the film was completed in 1999, it received only scattered theatrical distribution in Eastern Europe and South America, and made its American premiere as a cable television feature in 2001. ~ Mark Deming, All Movie Guide

Terry Gilliam (Brazil, Twelve Monkeys, The Fisher King) directed this colorful, stylized, pseudo-psychedelic $21-million adaptation of the 1971 Hunter S. Thompson classic, Fear and Loathing in Las Vegas: A Savage Journey into the Heart of the American Dream, about stoned sportswriter Raoul Duke, Thompson's alter ego, on a wild drug-crazed road trip, a paranoid plummet into the belly of the beast, with his pal, lawyer Oscar Zeta Acosta. Originally serialized in Rolling Stone (November 1971), the book catapulted Thompson headfirst toward the Kerouac-Mailer-Capote pantheon and jump-started the entire movement of "gonzo journalism." Carrying a suitcase of drugs, Raoul Duke (Johnny Depp with shaved pate) and his attorney Dr. Gonzo (Benicio Del Toro) drive a red convertible across the Mojave from L.A. to Vegas, where Duke has an assignment to cover the Mint 400 desert motorcycle race. As the drugs kick in, Duke ventures into voiceover, filling in the blank spots and narrative gaps. "This is not a good town for psychedelic drugs," says Duke, but even so, they consume vast quantities, eventually escalating to ether. Duke notes that with ether "you can actually watch yourself behaving this terrible way, but you can't control it." The two trash their hotel room, and Gonzo goes back to L.A. Thinking the hotel room holocaust will lead to an arrest, Duke begins a drive back to L.A., but after an odd encounter with a highway patrolman (Gary Busey) and a telephone conversation with Gonzo, he returns to Vegas to cover the District Attorney Convention on Narcotics and Dangerous Drugs in the glitzy Flamingo Hotel. This time the drugged-out duo trash their Flamingo room. The crazed carnival atmosphere segues into a carney casino, Bazooko's Circus, where a barker (Penn Jillette) spiels amid aerialists, clowns, and a rotating carousel bar. Gonzo worries over runaway teen Lucy (Christina Ricci), who paints portraits of Barbra Streisand. Soon the hallucinations begin: Duke sees Gonzo transmogrify into a demon with breasts on its back, and an acid vision of a Vegas bar features large legit lounge lizards (courtesy of monster makeup man Rob Bottin). Flashbacks depicting Duke's intro to the drug scene jump back to love-Haight relationships in San Francisco's Summer of Love. Cameos and guest stars include Mark Harmon, Cameron Diaz, Flea, Lyle Lovett, Harry Dean Stanton, Ellen Barkin, Tobey Maguire, and Hunter S. Thompson himself. The film features a Geffen Records soundtrack mixing rock of the period with Vegas lounge tunes. Over the years, various script adaptations came and went as did numerous talents; people connected with past efforts to film Thompson's book include Martin Scorsese, Jack Nicholson, Dan Aykroyd, John Belushi, and writer-director Alex Cox. Shown in competition at the 1998 Cannes Film Festival. ~ Bhob Stewart, All Movie Guide

A group of mobsters fight for control in this satirical comedy-drama. Vic (Richard Dreyfuss) is a not-especially-stable crime boss who -- following a spell in a mental hospital after being diagnosed with schizophrenia -- is sent home and is ready to resume his place as supreme leader of the mob. Mickey Holliday (Jeff Goldblum), Vic's enforcer and right hand man, is trying to get everything squared away for Vic's return, which may complicate his personal life, since he's been having an affair with Vic's girlfriend Grace (Diane Lane), as well as her sister Rita (Ellen Barkin). While Vic has been away, a number of other gangsters have been squabbling over who will take control of his territories, including Jake Parker (Kyle MacLachlan), Jules Flamingo (Gregory Hines), and Jacky Johnson (Burt Reynolds). However, it's the seriously eccentric Ben London (Gabriel Byrne) who turns out to be Mickey's and Vic's most potent rival as the various gangsters shoot it out over who gets what piece of the pie. Inspired in part by the "Rat Pack" crime flicks of the 1960s -- such as Ocean's Eleven and Robin and the Seven Hoods -- Mad Dog Time (also released under the title Trigger Happy) was written and directed by former actor Larry Bishop, son of Rat Packer Joey Bishop, who pops up in a small role. Larry's co-star from Wild in the Streets, Christopher Jones, appears in a supporting role as a gunman; it was his first film appearance since Ryan's Daughter in 1970. ~ Mark Deming, All Movie Guide

Maverick writer-director Walter Hill's version of the famous Wild Bill Hickok legend is a dreamscape western that is told entirely in flashback. Hickok's friend Charley Prince (John Hurt) narrates the events of Wild Bill's life while sitting at Bill's graveside. Hickok is played by Jeff Bridges as a mean, high-spirited, but gallant outlaw. He wanders the West, adding to his reputation with some well-chosen gunfights, and he meets up with characters such as Calamity Jane (Ellen Barkin), who becomes his sidekick for a time. After becoming a legend, Hickok signs up for a stint with Buffalo Bill Cody's traveling variety show. Eventually, he falls in love with Susannah Moore (Diane Lane), and his love leads him to tragedy in the town of Deadwood, SD. ~ Michael Betzold, All Movie Guide

A single mother and her difficult son find family life isn't necessarily all it's cracked up to be in this drama adapted from writer and professor Tobias Wolff's 1989 memoir of the same name. Nomadic, flaky Caroline (Ellen Barkin) just wants to settle down in one place, find a decent guy, and provide a better home for her handful of a son, Toby (Leonardo DiCaprio). When she moves to Seattle and meets the respectful, respectable Dwight Hansen (Robert DeNiro), she thinks she's got it made. Toby, however, feels differently after spending a few months with Dwight and his children and away from Caroline. The boy's stepfather-to-be seems to want to mold Toby into a better person, but to do so he emotionally, verbally, and physically abuses the kid. The marriage proceeds, and soon Caroline, too, recognizes Dwight's need to dominate everyone around him. She sticks with it, though, convinced it's the best thing for her son, and several years of dysfunction ensue. During this time, Tobias befriends another misfit, the possibly homosexual young Jonah (Arthur Gayle), while continuing to chafe under the yoke of his repressive stepfather. This Boy's Life provided the first lead role for future superstar DiCaprio. The film was written by Robert Getchell, who also penned such mother/son fare as Alice Doesn't Live Here Anymore and The Client. ~ Brian J. Dillard, All Movie Guide

Actor John Turturro spent a dozen years getting his script for Mac before the cameras; he'd originally planned to merely act in the film, but the stringent budget required that he direct as well. Turturro plays Mac, one of three grown brothers in an Italian/American family living in 1950s New York. His other siblings are would-be "macho man" Vico (Michael Badalucco) and idealistic Bruno (Carl Capatoro). All three are unhappily employed at a construction firm run--badly--by Olek Krupa. Convinced he knows more about the business in his little finger than Krupa does in his whole carcass, Mac sets up his own construction company, wooing away most of Krupa's employees. On the verge of great success, Mac finds that his brothers are unwilling to commit themselves to his new business, a fact that causes an irreparable schism in their relationship. Co-starring in Mac as John Turturro's wife is the real-life Mrs. Turturro, Katherine Borowitz. ~ Hal Erickson, All Movie Guide

Ellen Barkin stars in this mystical comedy about a detestable male chauvinist temporarily reincarnated into the body of a woman. Steve Brooks (Perry King) foolishly accepts an invite for an evening of debauchery from three former girlfriends, and thinks he's got it made when he shows up to find them waiting for him in a hot tub. Eager to exact revenge on the scoundrel, the women proceed to drown him, and Steve is cast into a purgatory in which two unseen voices are deciding whether to send him to heaven or hell. Steve is given one chance to save himself from damnation -- if he can find a woman alive who actually liked him. To complicate his task and teach him a lesson, Steve is reincarnated as a sexy woman (Barkin), just the type who would have been the target of his cheesy advances. Sloppily adjusting to his new body, Steve (now Barkin) tells people he is the sister of the missing Steve Brooks, and begins working at his old advertising agency as a means toward completing his arduous task. As Steve's sister, he also enlists the help of his best friend, Walter (Jimmy Smits), despite the complication that Walter is noticeably attracted to the woman he has become. Steve's homophobia -- and several of his other hateful traits -- are put to the test. ~ Derek Armstrong, All Movie Guide

Sea of Love is a sexy, atmospheric thriller, very much in the style of Alfred Hitchcock, with involving characters, steamy love scenes, and surprising plot twists. Frank Keller (Al Pacino), is a lonely, tired, disillusioned, police detective, who has a problem with alcohol. Frank is investigating a serial killer, whom he believes finds victims by using personal ads in magazines, killing them while playing the old record "Sea of Love." In a scene both amusing and touching, Frank and his partner, Sherman (John Goodman) --aided by Frank's father (William Hickey in a lovely cameo) place a personal ad, hoping to lure the killer. Helen Cruger (Ellen Barkin), a tough, sexy single mother answers the ad and begins an affair with Frank, despite the fact that she is one of the prime suspects in the case. The suspense builds as Frank, though deeply drawn to Helen, becomes more and more suspicious of her. In a splendidly crafted script from Richard Price, the plot is compelling, with plenty of action, terrific authentic dialogue and superb characterization. Ellen Barkin gives a marvelous performance as an independent, sensual and intriguing femme fatale; John Goodman is excellent as Sherman, giving a likable, shrewd, and subtly comic performance; and Pacino, in perhaps his best performance since Dog Day Afternoon, plays Frank as a man on the edge, reckless and self-destructive, lost and alone. Frank falls in love with Helen, in spite of himself, because of his loneliness and need. Pacino's skill in showing the vulnerability and neediness of Frank explains the somewhat implausible actions of his character in continuing their affair despite the mounting evidence against Helen. Harold Becker directs with great flair, bringing the story believability, without lapsing into false sentimentality. ~ Linda Rasmussen, All Movie Guide