Jack LaRue Movies

This crime drama is the fourth in Roger Corman's series of sexy "nurseploitation" films. Three curvaceous health care workers in a big city hospital expose a drug ring that is operating from inside the facility. ~ Sandra Brennan, All Movie Guide

Enrico Bacio (Anthony Caruso), tyrannical patriarch of a Sicilian-American clan, is convinced that a charming young scoundrel named Paulo Porro (Fabrizio Mioni) will literally be the death of him. It seems that there is a centuries-old vendetta between the Bacio and Porro families, and Bacio is terrified that Paulo intends to murder him. Sure enough, Enrico ends up dead--and Paulo is duped into being on the scene when the cops find the body. Hoping to save Paulo from the gas chamber, Perry Mason (Raymond Burr) must first prove that a key piece of evidence is the handywork of the real murderer. ~ Hal Erickson, All Movie Guide

In this beach movie, a group of teenagers hang out at the Silver Palms everyday after school. Because things can get quite raucous in the club, the protagonist's grandfather wants to shut it down. When the clever kids discover that grandpa used to be a bootlegger, they blackmail him into keeping it open. ~ Sandra Brennan, All Movie Guide

Will Ballard (Rod Cameron) is the longtime foreman of the Hatcher ranch, a spread renowned for its size and the wealth it contains. When owner Phil Evarts dies suddenly, the speculation in the territory is that Hatcher will be broken up, especially since it was Evarts' determination coupled with Ballard's skills as a foreman and gunman that held it together -- but Ballard decides that the ranch is worth saving, even though the only help he really has is one top hand (Chill Wills, in a beautifully restrained performance) and a couple of young brothers (Al Caudebec, Roydon Clark) picked up on the trail. He figures it's worth saving for what it is, and also for Evarts' daughter, Celia (Ella Raines), who is engaged to marry neighboring rancher Sam Danfelser (Forrest Tucker). Ballard and Sam were once friends, but as the foreman discovers, there's been bad blood brewing on the other side of the friendship for a long time, mostly out of Sam's jealousy -- not only is Ballard a better rider and a better gun, but he's a better man than he is, and he can't abide the fact that Celia knows this deep in her heart, even though she and Sam are engaged. Then there's Bide Marriner (Brian Donlevy), a local "operator" who'd love to get a range war started and grab up some land and cattle, and immediately uses friends and intermediaries, plus a few hired guns, to start spreading the word, convincing the neighboring ranchers that Hatcher land is free and open. And then there's Lottie Priest, whom Ballard figured to marry soon -- is she more interested in what her greedy father can make from the breakup of Hatcher? Caught in the middle of it all is the county sheriff, Joe Kneen (J. Carrol Naish), who'd like to stay civil with all of those involved but soon finds out that he's going to have to choose sides, and that he's too good a man for that to be the "easy" choice. There's a lot of back-shooting in Ride the Man Down, as well as some brilliantly and cleverly designed action sequences, and a level of duplicity in the characters that makes this picture play at time almost more like a film noir of the period. ~ Bruce Eder, All Movie Guide

James Hadley Chase's 1939 bestseller reached the screen for the first time -- which a lot of critics of the book would have said was one time too many -- in 1948, in somewhat bowdlerized form, under the aegis of Renown Pictures and screenwriter St. John Legh Clowes, making his sole bow as director. Filmed in England but set in New York, No Orchids For Miss Blandish tells of a sheltered heiress (Linden Travers) who is abducted on her wedding night by a trio of cheap hoods, in what starts out as a jewel robbery and turns into a kidnapping/murder when one of them (Richard Nielson) kills the bridegroom. More mayhem ensues as the three kidnappers soon end up dead, and Miss Blandish falls into the hands of the Grisson mob, led by Slim Grisson (Jack LaRue), who are pros at what they do, throwing their weight around the underworld at will and not too afraid of the police, either. Slim Grisson isn't really better than any of those around him, but he's smart enough to restrain his worst impulses, which makes him start to look very good to Miss Blandish, who finds herself strangely attracted to him, as the first real man she's ever seen, and also a way out of the sheltered existence she's known all of her life. He's as amazed as anyone around him -- including his own mother (Lili Molnar), who runs the gang in tandem with him -- that he doesn't want to ransom Miss Blandish, or plan on killing her because she knows too much; or that she'll testify on his behalf, if necessary, that the one killing she did see by him was, in fact, a matter of self-defense. They plan to run off together, but neither Grisson's mother nor the rest of the gang can see parting with a potential million dollar ransom, or leaving a witness alive -- even if it means killing Slim Grisson to get to her. And when a nosy reporter named Fenner (Hugh McDermott) starts putting the police on the trail of the gang, Slim himself isn't above committing a few more murders to bury any witnesses. The movie was so violent and amoral, that it appalled critics and social observers on both sides of the Atlantic, whose agonizing over its content actually helped turn the picture into a bigger hit than it might otherwise have been. This was especially true in America, where the movie enjoyed a five week run in one of New York's bigger movie palaces to sell-out business, though it was edited considerably and re-cut twice for US release (the second time, a couple of years later, as Black Dice). Robert Aldrich filmed the same story as The Grissom Gang (1971), with Kim Darby, Scott Wilson, and Irene Dailey. ~ Bruce Eder, All Movie Guide

Just as Bob Hope's My Favorite Blonde (1942) was a takeoff on Alfred Hitchcock, Hope's My Favorite Brunette was a lampoon of the noirish "hard-boiled detective" school popularized by Raymond Chandler. Awaiting execution on death row, Hope tells the gathered reporters how he got into his present predicament. It seems that Hope was once a baby photographer, his office adjacent to the one leased by a private detective (played in an amusing unbilled cameo by Alan Ladd). While hanging around the p.i.'s office, Hope is mistaken for the detective by beautiful client Dorothy Lamour. She hires Hope to search for her missing uncle, and also entrusts him with a valuable map. Hope's diligent (if inept) sleuthing takes him to a shady rest sanitarium, where he runs afoul of lamebrained henchman Lon Chaney, Jr. and sinister, knife-throwing Peter Lorre. Both are in the employ of attorney Charles Dingle, who is responsible for the disappearance of Lamour's uncle. Escaping the sanitarium with Lamour in tow, Hope follows the trail of evidence to noted geologist Reginald Denny. The geologist is murdered, and Hope is accused of the crime. ~ Hal Erickson, All Movie Guide

Director Joseph Kane adapted his own story Diamond Carlisle for the screenplay of In Old Sacramento--the third film version of Kane's original tale. Bill Elliot stars as masked bandit Spanish Jack, who behaves as badly as he wishes with few of the usual redeeming features plaguing most cinema desperadoes. In fact, in the earlier film versions of Diamond Carlisle, Elliot's character was the villain! After numerous hairbreadth adventures, Elliot dies in the arms of loving saloon singer Constance Moore. Also released as Flame of Sacramento, this was the first of a long line of films in which onetime "B" cowboy star Bill Elliot would portray a new kind of "B" western hero--one who drank at any opportunity, took advantage of unarmed foes, and lived by his own personal code rather than the edicts of society. ~ Hal Erickson, All Movie Guide

This fast-paced western, geared entirely to the small-fry, was the first in Republic Pictures' long-running "Red Ryder" series to star Allan Lane. Lane had taken over from William Elliot, who had been promised A-westerns only by company president Herbert I. Yates. Ryder and his young Indian pal Little Beaver (Robert Blake) come to the aid of Ryder's stout aunt, "The Duchess" (Martha Wentworth), whose crusading efforts to open up a privately owned toll-road for all travellers has put the elderly rancher in danger from a powerful if corrupt civic leader, newspaper publisher Crawford (Barton MacLane). The second in the Lane "Red Ryder" series to be filmed, Santa Fe Uprising was substituted for a weaker entry in order to give the new Ryder the best possible chances for success. Wentworth, whose character name as depicted by series creator Fred Harman was, interestingly enough, "Martha 'The Duchess' Wentworth," replaced Alice Fleming in the role as Ryder's indomitable aunt. Lane, Blake, and Wentworth went on to star in six more "Red Ryder" westerns before the series moved over to Eagle-Lion (the former PRC) where the roles would be played by Jim Bannon, Don Kay Reynolds, and veteran B-western actress Marin Sais. ~ Hans J. Wollstein, All Movie Guide

Canadian WW II pilot Gerard (Dick Powell) intends to track down and kill collaborationist Marcel Jarne, the man responsible for the wartime death of Gerard's French wife. The trouble is, Jarne has never been effectively identified by the authorities -- and in fact could be just about anyone whom Gerard meets. Following the trail of evidence to Buenos Aires, Gerard's strongarm methods run afoul not only of the Argentine authorities, but also of a pro-French underground movement which also wants to bring the villain to justice. Weaselly Incza (Walter Slezak) plays all sides down the middle until he too is ruthlessly rubbed out by the bad guy. From start to finish, Cornered is a superb thriller, directed with graphic ingenuity and economy -- and with a dash of endearingly naïve left-leaning politicizing. (With Edward Dmytryk as director, how could it be otherwise?) Avoid at all costs the computer-colored version of this beautifully photographed black-and-white film. ~ Hal Erickson, All Movie Guide

RKO Radio's first film in the three-color Technicolor process was the standard-issue swashbuckler The Spanish Main. Paul Henried is his usual stoic self as Laurent Van Horn, a Dutch sea captain shipwrecked on the coast of Cartagena, a Spanish-held island. Sentenced to be hanged, Van Horn and his crew escape from jail and take up piracy as revenge against Spain. Soon afterward, they capture a ship carrying Francisca (Maureen O'Hara), the fiance of Cartagena's corrupt governor Don Alvarado (Walter Slezak). Van Horn vengefully forces Francisca to marry him instead, which causes dissension at the Pirate colony of Tortuga. Naturally, Van Horn and Francisca eventually fall in love with each other, but the bad guys must be vanquished before a happy ending can be realized. Binnie Barnes steals the show as feisty female buccaneer Anne Bonney (who in real life looked less like Barnes and more like Walter Slezak!) The script is a cynical melange of pirate-movie cliches and the performances are generally routine, but The Spanish Main pleased the crowd in 1945, posting a profit of nearly $1.5 million and encouraging future Technicolor adventure films from RKO. ~ Hal Erickson, All Movie Guide

No production unit at Paramount Pictures was busier in 1944 than the Pine-Thomas unit-and few were as bankable at the box-office. In Pine-Thomas' Dangerous Passage, Joe Beck (Robert Lowery), an easygoing resident of Central America, is summoned to Texas to claim his share of an inheritance. Making the journey by boat, Beck finds himself the target of several attempts on his life. He also forms a more than professional relationship with his attorney, Nita Paxton (Phyllis Brooks). En route to Galveston, Beck and Nita are shipwrecked and forced to swim for their lives. The identity of their mystery assailant is revealed in the last reel, though for a while it doesn't look like either the hero or the heroine will survive long enough to profit from this knowledge. ~ Hal Erickson, All Movie Guide

The East Side Kids are back in Follow the Leader, one of their most consistently funny outings. While on leave from the Army, Muggs (Leo Gorcey) and Glimpy (Huntz Hall) learn that their pal Danny (Bobby Jordan) has been thrown in jail on a robbery charge. Refusing to believe that Danny is guilty, the boys go after the most likely suspect, a new East Sider named Spider O'Brien (Billy Benedict). Sure enough, Spider is a flunkey for a gang of crooks, but before he can confess to the cops, he's killed by his cohorts. Hoping to trap the villains, Leo goes to work for them, while his sister Millie (Joan Marsh) starts vamping head crook Larry (Jack LaRue). Highlights include a jungle-movie spoof (it's all a dream!), and a musical interlude by onetime recording idol Gene Austin. ~ Hal Erickson, All Movie Guide