Eric Barker Movies

The Carry On series is living on fumes in this late entry. An unofficial burlesque of the Emmanuelle series (albeit with a single modification: the spelling of the name was changed to 'Emmannuelle' to avoid legal complications), the film centers upon Emmannuelle Prevert (Suzanne Danielle) and her unsuccessful attempts to make love to her husband Emile (Kenneth Williams), a French ambassador. Emile grants Emmannuelle permission to bed down with anyone she likes and her prodigious intercourse rate turns her into a celebrity and a frequent talk show guest. Meanwhile, Theodore Valentine (Larry Dann) is hopelessly in love with her and wants to marry her. Emmannuelle, however, is obsessed with arousing her husband Emile's sexual desire at almost any cost. ~ Paul Brenner, Rovi

The television host of a popular cooking show, Robert Danvers (Peter Sellers) has a real penchant for women. After one episode, he finds Marion (Goldie Hawn) changing from a wedding dress to street clothes. Instantly deciding to get to her and "take over" before the groom, Jimmy (Nicky Henson) has another opportunity, Robert invites her to his bachelor pad, a specially designed command center for his romantic adventures. He turns on the English gentleman's charm, only to have Marion laugh and suggest forthright that they sleep together. She moves in the following day and the two vacation in France on the Riviera and tour the wine country before returning to London. Upon their return, Robert proposes to %Marion; she rejects him in favor of Jimmy, however, who has sworn faithfulness to her and given up cheating forever. ~ Dan Pavlides, Rovi

A couple tries to hold their relationship together despite the twenty-three year gap in their ages in this romantic comedy/drama. Scott Wardman (Charles Bronson) is an 39-year-old American author living in England who supports himself by writing pornographic novels. Scott meets Twinky (Susan George), an attractive young woman who tells him she's almost 20. Scott quickly falls for her beauty and charm, but he discovers her definition of "almost" is looser than that of most people -- it seems Twinky is only 16 years old. In a moment of romantic impulse, Scott and Twinky travel to Scotland and get married, but Twinky's parents are less than enthusiastic when they hear the news. Scott soon brings his new bride to New York City to meet his friends, and while they're not as upset, they have a hard time believing this is true love, especially after the differences in Scott and Twinky's ages become increasingly apparent. Lola (also released as Twinky) was an early film credit for director Richard Donner, who at the time was still best known for his work in television. ~ Mark Deming, Rovi

It's Funny Face meets Rififi in Maroc 7, starring Cyd Charisse as Louise Henderson, an editor for a slick and chic fashion magazine who utilizes her jet-setting life style as a front for an international jewel-smuggling operation. Abetting her in the scheme is the magazine's top photographer and high-fashion cover model. But instead of "Think pink" it's "Think clink" as secret agent Simon Grant (Gene Barry) is sent in to infiltrate Louise's organization. Posing as a safecracker, Simon convinces Louise to let him in to the gang's next operation: a plan to smuggle a priceless gem out of Morocco. ~ Paul Brenner, Rovi

Cartoonist Ronald Searle's delightfully diabolical private-school girls are back in action in The Great St. Trinian's Bank Robbery. Comedian Frankie Howerd plays the head of a train-robbery gang who cleverly hides the loot from their biggest haul (presumably the infamous "Great Train Robbery" of 1963) in a deserted old mansion. The gang waits the traditional seven years for the statute of limitations to run out then returns to the mansion to dig up their $7 million booty. Unfortunately, the joint has been converted into the new site for St. Trinian's School for Girls. Even more unfortunately (for the crooks, but not the audience) those "girls" are all holy terrors. The film's climax occurs during a riotous Parents' Day ceremony, which predictably segues into a wild train chase. Great St. Trinian's Train Robbery might have been funnier had Alastair Sim, the star of the first three "St. Trinian's" entries, made a return appearance. ~ Hal Erickson, Rovi

In this musical, two youngsters are thrilled to meet their favorite Italian movie star and end up spending a day squiring her about London. The star is a little eccentric and asks them to steal some hats for her collection. The star-struck youths agree until they learn that she wants a bobby's helmet, a businessman's bowler, and the bearskin cap of a palace guard. Mayhem ensues. ~ Sandra Brennan, Rovi

This British comedy comes from Ray Galton and Alan Simpson, writers of the hit television program Steptoe and Son. Harry H. Corbett (who played Steptoe, Jr. on the tube) is Hemel, a canal-cruising bargee who is dead-set against marriage. He goes about his freewheeling ways until he finds out that he has impregnated one of his playthings (Julia Foster). Unfortunately for him, the young woman's father (Hugh Griffith) is the lock-keeper and he is not about to get out of this predicament without a vow or two. ~ Kristie Hassen, Rovi

Britain's long-running (some would say interminable) series of "Carry On" comedies managed to satirize virtually every film genre ever conceived over three decades. Since espionage dramas were hot in 1964, it was inevitable that the unwary world would be treated to Carry On Spying. The "maguffin" in this yarn is the top-secret Formula X, which has been pilfered by that insidious organization S.T.E.N.C.H. (Society for Total Extinction of Non-Existent Humans). Enter the heroes, the men and women of British Operational Security--better known as B.O.S.H. The good guys are understaffed, thus novice agent Kenneth Williams is put in charge of smashing the evil machinations of Dr. Crow (Judith Furse) and The Fat Man (Eric Pohlmann). The level of wit in Carry on Spying is sustained by the character name of leading lady Barbara Windsor, who plays the delectable Daphne Honeybutt. ~ Hal Erickson, Rovi

Considered a bit too sacrilegious for general consumption in 1963, the Boulting brothers' Heavens Above was simply ahead of its time, and has since accrued a loyal and vocal following. Peter Sellers plays an idealistic British reverend with a bad habit of telling the truth at all times. He also follows his conscience whenever possible, resulting in several cleric decisions that shock his wealthy, landed-gentry parishioners. By inviting such "undesirables" as gypsies and West Africans to worship freely in his church, Sellers rouses the ire of the rest of his white-bread flock. He does, however, compel the selfish owner (Isabel Jeans) of a laxative firm to "see the light" and to sell off all her holdings on behalf of the poor and downtrodden. Unfortunately, by doing this the woman wrecks her business--which is the principal source of income for the community where Sellers works. Retreating from town with an angry mob on his heels, Sellers relocates on a tiny island in the Pacific. Since the island is the site of a missile base, and since the local astronauts have shown signs of agnosticism, where else is there for Sellers to go...but up? Heavens Above was inspired by a notion cooked up by iconoclastic British satirist Malcolm Muggeridge. ~ Hal Erickson, Rovi

One's enjoyment of On the Beat rests solely upon one's tolerance of British comedian Norman Wisdom, who can be described as a Jerry Lewis without the discipline. Wisdom plays a Scotland Yard parking attendant who seemingly can't draw breath without breaking something or knocking someone down. He wants to become a detective, but the Yard isn't quite ready for such a catastrophe. He proves his worth--and wreaks more havoc--by going undercover and trapping a gang of jewel thieves. The slapstick is serviceable in On the Beat; as for the "serious" moments, Wisdom's notion of pathos is to scream at the top of his lungs. You may want to join him. ~ Hal Erickson, Rovi

Based on the play Something About a Sailor by Earle Couttie, this film is a screwball comedy about the British navy. Kenneth Connor is Officer Blissworth, who is an inept bungler of a sailor. With an equally inadequate partner, Captain David Foster (Eric Barker), he loses the plans for modifying an important torpedo during the testing of a prototype for the revised model. They try to cover up their mistake by giving a set of plans to Admiral Sir Humphrey Pettigrew (Noel Purcell) that detail their ship's refrigeration system. The scheme works for awhile, but then the bumblers discover that a female inspector is scheduled to do the testing of the torpedo. ~ Michael Betzold, Rovi

Essentially a one-joke comedy hanging on the thinnest of plots, this routine series of slapstick situations is directed by Don Chaffey and concerns the ineptitude of an Air Force officer, Captain Kingsley (Jimmy Edwards). The likeable Captain has a fixation on mechanical contrivances, but at the same time he is an accident waiting to happen. The wait is never long, and so the Prime Minister himself orders everyone into action when the Captain comes up missing -- who knows what disaster may lie in the wings. ~ Eleanor Mannikka, Rovi