Robert Krantz Movies

Billionaire Boys Club is the two-part TV adaptation of a book by Sue Horton (unpublished at the time of the film's first telecast). In flashback form, the story recounts the murder of Beverly Hills con artist Ron Levin (Ron Silver). The culprit is yuppie Joe Hunt (Judd Nelson), a sharp young commodities trader who has organized an investment firm with several of his prep school buddies, known as the Billionaire Boys Club. Part one, originally telecast November 8, 1987, traces Hunt's meteoric rise to wealth and power, and the means by which Levin worms his way into Hunt's confidence. In part two, shown the next evening, Hunt has already murdered Levin and carefully disposed of the body. The next step of the scheme is take over where Levin left off by conning an Iranian millionaire out of a huge sum of money. Meanwhile, other members of the Club begin to have qualms over Hunt's finagling. Their whistle-blowing leads to Hunt's arrest and convinction for murder. ~ Hal Erickson, Rovi

College girl Nancy McKeon, up until recently the picture of normality, suddenly displays signs of schizophrenia. She hears voices, commits sudden acts of violence, and switches moods without warning. McKeon's parents Valerie Harper and Stephen Macht are at a loss to contend with the sudden change of personality. With the help of psychological experts (and scene after scene of dry statistics), Harper and Macht are able to reclaim their daughter. Made for television, Strange Voices merely tiptoes through territory more successfully mapped out by such TV earlier films as Promise (86). ~ Hal Erickson, Rovi

Contemporary high schooler Marty McFly (Michael J. Fox) doesn't have the most pleasant of lives. Browbeaten by his principal at school, Marty must also endure the acrimonious relationship between his nerdy father (Crispin Glover) and his lovely mother (Lea Thompson), who in turn suffer the bullying of middle-aged jerk Biff (Thomas F. Wilson), Marty's dad's supervisor. The one balm in Marty's life is his friendship with eccentric scientist Doc (Christopher Lloyd), who at present is working on a time machine. Accidentally zapped back into the 1950s, Marty inadvertently interferes with the budding romance of his now-teenaged parents. Our hero must now reunite his parents-to-be, lest he cease to exist in the 1980s. It won't be easy, especially with the loutish Biff, now also a teenager, complicating matters. Beyond its dazzling special effects, the best element of Back to the Future is the performance of Michael J. Fox, who finds himself in the quagmire of surviving the white-bread 1950s with a hip 1980s mindset. Back to the Future cemented the box-office bankability of both Fox and the film's director, Robert Zemeckis, who went on to helm two equally exhilarating sequels. ~ Hal Erickson, Rovi

Gene Wilder's remake of this 1976 French comedy is a Hollywood version of what happens when Theodore (Wilder), an ordinary ad agency executive, is captivated by a gorgeous woman (Kelly Le Brock). The woman just happens to be standing on a grate when her skirt blows up over her waist (a scene first made famous by Marilyn Monroe in The Seven-Year Itch), and one glimpse is enough to change Theodore's whole life. Although he is married, he is willing to risk his happy relationship with his wife for a romp in the hay with the beautiful stranger. Unfortunately, even when he tracks down the object of his lust he is woefully inept at sneaking out on his wife to consummate his desire. Three of his male office mates help him as much as they can, but Ms. Milner (Gilda Radner) is really incensed when she finds out that the object of Theodore's attention is not herself. Stevie Wonder's score included his hit song "I Just Called to Say I Love You", which received an Oscar nomination. ~ Eleanor Mannikka, Rovi