Jeroen Krabbé Movies

A man, his wife, and the woman he has fallen deeply in love with experience jealousy and heartbreak while housed together in the same barrack of a World War II-era concentration camp in Oscar-nominated director Michèle Ohayon's (Cowboy del Amor) unflinching look at love in a land ravaged by war. His marriage already failing when he and his wife were assigned to live in a concentration camp, Jack soon found comfort in the arms of new love interest Ina. Though his wife voiced vehement objection to the relationship, Jack continued to communicate with his newfound love in a series of furtively penned love letters. It was through these clandestine correspondences that Jack and Ina were eventually able to gain the strength needed to get through such a dark time, but as the war draws to a close all three survivors are forced to make some difficult, and potentially life-altering, decisions. ~ Jason Buchanan, Rovi

Snuff-Movie, an outing by the celebrated music video-director-turned-horror maestro Bernard Rose (Paperhouse, Candyman), references both the Charles Manson/Sharon Tate murders and Michael Findlay's notorious grindhouse film Snuff (1974), in its tale of a slasher movie director's involvement with off-camera butchering. Jeroen Krabbé stars as Boris Arkadin, the popular creator of stomach-churning cinematic gore fests. His life takes a dark turn late one evening in 1975, when, after a private screening of his latest opus, a group of maniacs turn up at his mansion and slaughter all of the overnight guests -- including Boris' pregnant wife, Mary (Lisa Enos). Cut to the present day, in London. A young actress, Wendy (also played by Enos), decides to audition for one of Arkadin's films, and accepts the director's subsequent invitation (despite the admonitions of her boyfriend, Andy) to stay at the Arkadin mansion overnight. Soon, Andy is wracked with horror to discover that additional murders are occurring and being broadcast live, online. But are these homicides real or simply staged contrivances for another film? Teri Harrison and Alastair Mackenzie co-star; Rose authored the script. ~ Nathan Southern, Rovi

After pulling off the heist of their lives, Danny Ocean and his pals unexpectedly find themselves back in harness in this sequel to 2001's blockbuster hit Ocean's Eleven. After robbing a cool $160 million from the Bellaggio Hotel Casino and winning back his former wife, Tess (Julia Roberts), from Bellagio owner Terry Benedict (Andy Garcia), Danny Ocean (George Clooney) is living quietly on the lam in Connecticut when he's unexpectedly approached by Benedict. It seems Benedict has tracked down Danny and the ten men who helped him pull off the seemingly impossible robbery, and Benedict offers them a proposal -- if they can repay the $160 million in two weeks, he won't have them killed. As it turns out, both Danny and his best friend, Rusty Ryan (Brad Pitt), haven't been doing so well in terms of money management and could use some cash, so they set out to plan a robbery to recover the loot, with the same crew helping out -- Linus Caldwell (Matt Damon), Frank Catton (Bernie Mac), Basher Tarr (Don Cheadle), Saul Bloom (Carl Reiner), Reuben Tishkoff (Elliott Gould), Livingston Dell (Eddie Jemison), Yen (Shaobo Qin), Virgil Malloy (Casey Affleck), and his brother Turk (Scott Caan). Danny and Rusty discover that an incredibly rare Fabergé egg is being displayed at a museum in Rome which would fetch the price they need, but they soon discover a notorious cat burglar, François Toulour (Vincent Cassel), is also after the egg, and it turns into a race to see who can claim it first. Adding to the intrigue is Isabel Lahiri (Catherine Zeta-Jones), a woman Rusty used to be involved with who is now a top agent with Interpol and is after both Toulour and Ocean's crew. Shot on location in both the United States and Europe, Ocean's Twelve was, like its precursor, directed by the stylish Steven Soderbergh, who also photographed the picture under his nom de lens, Peter Andrews. ~ Mark Deming, Rovi

He was a poor carpenter who never traveled further than 50 miles from his home and died at the age of 33, but his teachings changed the world and he's still followed by hundreds of millions of people around the world, 2,000 years after his death. Jesus, originally produced as a television mini-series, offers a glimpse of the human side of the messiah, as well as recounting the story of his life and martyrdom. Jeremy Sisto stars as Jesus, with Jacqueline Bisset as Mary, Armin Mueller-Stahl as Joseph, Gary Oldman as Pontius Pilate, and Debra Messing as Mary Magdalene. The home video release is expanded from the broadcast edition, featuring material that was cut for time purposes. ~ Mark Deming, Rovi

A romantic and sentimental comedy set at the turn of the 19th century, An Ideal Husband delves into themes of love, passion, and betrayal among the aristocracy. Sir Robert Chiltern (Jeremy Northam), a brilliant politician and a perfect gentleman, is the ideal husband for the charming Lady Chiltern (Cate Blanchett). They have a widely envied marriage until charming Mrs. Cheveley (Julianne Moore) appears with the intention of revealing a dark secret from Chiltern's past. When his world seems to be falling apart, Chiltern turns to his lifelong friend Lord Arthur Goring (Rupert Everett), the most eligible bachelor in town. Goring soon finds himself caught up in a web of lies, temptations, and secret liaisons. Furthermore, the persistent charms of Sir Robert's sister Mabel (Minnie Driver) are becoming a serious threat to his much-cherished bachelorhood. Using political intrigue and clever wit, An Ideal Husband draws a picture of a society struggling with issues still valid today. ~ Gönül Dönmez-Colin, Rovi

Andy Tennant directed this Cinderella variant. The Brothers Grimm arrive at the home of a wealthy Grande Dame (Jeanne Moreau) who speaks of the many legends surrounding the fable of the cinder girl before telling the "true" story of her ancestor. In flashback, the story then focuses on eight-year-old Danielle, daughter of a wealthy widower, a 16th-century landowner. After returning to France with his new wife Rodmilla (Anjelica Huston) and her two daughters, he dies of a heart attack. Ten years later, Danielle (Drew Barrymore) is now treated as a servant by the trio. Fortunately, she has an encounter with Prince Henry (Dougray Scott), who is fleeing an arranged marriage. Later, when Danielle poses as a Lady, the Prince takes an interest in her. Inventor-artist Leonardo da Vinci (Patrick Godfrey), accepting the French court's patronage, offers advice to Prince Henry on matters of the heart. George Fenton's music adds an accompaniment to the lush look of this period romance. ~ Bhob Stewart, Rovi

Drawing its basic story from author Ian Gibson's investigation into the real-life murder of Andalusian poet Federico Garcia Lorca at the dawn of the Spanish Civil War, this English-language thriller begins in 1935 as exiled Spanish journalist Ricardo and his family resettle in Puerto Rico. For most of his life Ricardo has been obsessed with the poet. In 1954, Ricardo returns to Spain to look closely into the circumstances of Garcia Lorca's death. His father advises Ricardo not to go, but the writer, who wants to do a book about the poet, disregards him. Ricardo is also driven by his desire to ease his guilt about a close friend who was shot by the Nationalists. While doing battle with tight-lipped government officials, Ricardo is followed by Centeno, a member of Franco's security team. He is also followed by an amiable taxi driver who has an uncanny knack for showing up when Ricardo needs him most. ~ Sandra Brennan, Rovi

The performer known as Farinelli, born Carlo Broschi (and played in this film by Stefano Dionisi), was famous in the 18th century as the world's greatest castrato, a male singer whose testicles were removed in childhood so that he would retain the high, clear voice of a child while gaining the control and power of an adult vocalist. A strikingly gifted singer with a range of more than three octaves, Farinelli was given little choice but to sacrifice his manhood in exchange for his art, and as his career was founded on the surgery that would dramatically restrict his off-stage life, his art was in turn hemmed in by his family. Carlo's father declared early on that he should only sing the songs of his brother Riccardo (Enrico LoVerso), and while Farinelli's fame gives Riccardo's career a needed boost, the mediocrity of Riccardo's compositions holds Farinelli back. When the singer is given the opportunity to work with the great composer Handel (Jeroen Krabbe), his brother's jealously and Farinelli's own poorly chosen career alliances stand in his way. The brothers' often contentious partnership also extends to the bedroom; while Farinelli's performances set women on fire, he's physically incapable of satisfying them sexually, so he provides the foreplay in a bizarre game of seduction and then turns his conquests over to his brother. Farinelli il Castrato received a Golden Globe award as Best Foreign Language Film of 1994 and an Academy Award nomination in the same category. ~ Mark Deming, Rovi

This 1993 box-office smash partly adheres to the 1960s TV series on which it is based and partly goes off on several tangents of its own. Harrison Ford stars as Dr. Richard Kimble, convicted of murdering his wife. While being transferred to prison by bus, Kimble is involved in a spectacular bus-train collision (one of the best of its kind ever filmed). Surviving the disaster, Kimble escapes, vowing to track down the elusive professional criminal whom he holds responsible for the murder. Dogging the fugitive every foot of the way is U.S. marshal Sam Gerard (an Oscar-winning turn by Tommy Lee Jones), who announces his intention to search "every whorehouse, doghouse, and outhouse" to bring Kimble to justice. Unlike his dour TV-series counterpart Barry Morse, Jones plays the role with a sardonic sense of humor: when a cornered Kimble screams, "I didn't kill my wife," Gerard shrugs and famously replies, "I don't care." Once the premise has been established, scripters Jeb Stuart and David Twohy and director Andrew Davis pull off several audacious plot twists, ranging from Kimble's rendezvous with a sympathetic lab technician to a jaw-dropping dive into a huge waterfall. The second half of the film offers one surprise after another (including the true identity of the murderer), brilliantly avoiding the letdown that plagues many movie adaptations of old TV series. ~ Hal Erickson, Rovi

In 1948, novelist Hella Haasse published a novel based on her experiences in growing up in Dutch Indonesia. Oeroeg captures the dilemma of those caught between the pretensions and culture of their Dutch homeland and their respect and affection for the native people of the colonies, and it has became a classic, with many editions printed. In this story, Johan (Rik Launspach), a European boy grows up on a plantation running and playing with his best friend, the son of the foreman, a native boy called Oeroeg (Martin Schwab). He is only barely aware of the gulf that divides them, but gradually becomes more aware of it as he leaves to study back in the Netherlands. When he comes home, it is as a soldier in the army, who are in Indonesia to put down the local independence movement. Not only is Johan grieved to be taking arms against Indonesians in general, and distressed at the racism of his colleagues, but he has reason to believe that his old friend is now a leader in the forces he is obliged to fight. He goes on a mission into the jungle to find him. ~ Clarke Fountain, Rovi

The made-for-cable film Stalin relates the story of the ruthless Soviet dictator and his tyrannical rule. Robert Duvall gives an excellent performance as the dictator and the photography is beautiful, as are the sets, since much of the movie was shot on location in Russia. The screenplay also does a good job of detailing Stalin's aggression, not only on his citizens, but also his young wife (Julia Ormand). Nevertheless, the story is very detailed and viewers need to pay close attention in order to make the film a rewarding experience. ~ Stephen Thomas Erlewine, Rovi

Initially conceived as a theatrical feature, but originally aired on television in the United States, Robin Hood puts slight, but effective, twists on the legendary tale. Starring Patrick Bergin in the title role, the film follows Robin and his group of bandits as they fight Prince John and save Maid Marion (Uma Thurman). This version is a little grittier than both Errol Flynn's classic movie or the contemporary extravaganza starring Kevin Costner, since Bergin is quite down-to-earth and Thurman makes Marion into a brat, not a helpless maiden. However, these qualities and the stately photography make the film quite entertaining, and it easily equals Costner's version, even if it can't match Flynn's timeless movie. ~ Stephen Thomas Erlewine, Rovi