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John Kraaykamp Movies

1987  
 
In this depressing melodrama, Iris (Monique van de Ven) runs away to the big city on her 18th birthday. She moves in with a successful architect and is content to keep house for a while, but she soon grows restless and decides to become a veterinarian. With an inheritance she purchases an existing clinic in a jerkwater town. Iris is leered at by the men and scorned by the women of the backwoods region. Practical jokes and malicious gossip eventually lead to violence. ~ Dan Pavlides, Rovi

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Starring:
Monique Van de VenJohn Kraaykamp, (more)
 
1986  
 
The Dutch-filmed Assault was based on a novel by Harry Mulisch. Presented in a non-linear, flashback/flashword fashion, the film tells the story of a physician whose family was killed by the Nazis during World War II. This came about after the family's neighbors dragged the body of a dead collaborator to their doorstep. The doctor spends his entire adult life trying to find out why his neighbors had betrayed his family. At various isolated moments of political upheaval in Europe, the doctor comes closer and closer to the truth. During a 1984 anti-missile rally, the mystery is solved--and the answer is more complex than anyone back in 1945 had imagined. The hero's "growth" is thus placed in the context of the international turmoil of the four decades following the war. Marc van Uchelen plays the main character as a 12-year-old, while Derek de Lint portrays the adult physician. In a nicely underplayed symbolic touch, Monique van de Ven is cast in a dual role, playing de Lint's wife in the "present" scenes, and an older woman who is murdered by the Nazis because she shelters young van Uchelen in the flashback sequences. The Assault was the "best foreign film" Academy Award winner of 1987. ~ Hal Erickson, Rovi

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Starring:
Derek de LintMonique Van de Ven, (more)
 
1986  
R  
Accidentally stepping off a train at some God-forsaken whistle stop, a worldly, elegantly dressed Frenchwoman (Stéphane Excoffier) finds shelter in the cabin of a lonely Dutch pointsman (Jim van der Woude), whose life consists mainly of his work, daily housekeeping, and sleep. Using gestures, facial expressions, color contrast, and virtually no dialogue (the characters speak two different languages, anyway), director Jos Stelling builds his film on the opposition between the virginal pointsman's emotional aloofness and the blatant, provocative eroticism of his guest, which eventually makes her a hostage of his passion. This is an artistic film that will likely appeal primarily to movie buffs. ~ Yuri German, Rovi

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Starring:
Jim Van Der WoudeStephane Excoffier, (more)
 
1983  
 
Simon Carmiggelt wrote a daily column called "Kronkel" (Dutch for "twist," or "coil") for 30 years in the Netherlands that humorously and generously portrayed the human condition; this film is a cinematic version of his "Kronkel" columns. His friend and occasional collaborator in past ventures, the Oscar-winning Bert Haanstra directed. Each vignette in the film rests on its own natural dialogue as people reveal their thoughts and feelings. Thespian history is also put on parade from the early histrionic scenes most common in the silents to the slick cabaret acts of modern performers. ~ Eleanor Mannikka, Rovi

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1975  
 
This anthology film includes four stories filmed by four different directors. The first chronicles the amatory conquest of a bank manager by one of his female clerks. The second examines the life of an independent old man who does not want to be "improved." The third depicts the relationship between a sailor and a lady lawyer. The final story tells of a shopkeeper's fatal fishing trip. ~ Clarke Fountain, Rovi

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