Susan Kohner Movies

There's always something simmering beneath the quaint and placid surface of small-town New England lives -- and that includes the usual maladies of alcoholism, rape, and suicide. At least this is the case if you go by the tortuous tale told in By Love Possessed, a Peyton Place knock-off, directed with glossy intensity by the usually reliable action director John Sturges (Bad Day at Black Rock and The Magnificent Seven). The tale chronicles the miserable lives of Arthur Winner (Efrem Zimbalist Jr.), Julius Penrose (Jason Robards Jr.), and Noah Tuttle (Thomas Mitchell) -- legal counseling partners in a law firm that could probably use some good counseling themselves. Arthur's wife Clarissa (Barbara Bel Geddes) has nothing but contempt for poor Arthur because she considers their marriage as more a business deal than a love match. Then there's Julius's wife Marjorie (Lana Turner) who has become a full-time alcoholic ever since Julius has been rendered impotent by an automobile accident. Arthur and Marjorie's frustrations both gel into an illicit romantic union. Arthur certainly needs some kind of diversion since his son Warren (George Hamilton) refuses to follow in his father's footsteps by becoming a lawyer. As if that weren't enough, he also refuses to marry Helen Detweiller (Susan Kohner), the girl Arthur wants him to marry because she is rolling in money and is also the ward of Noah. Instead, Warren runs off with the local town whore (Yvonne Craig), who accuses Warren of raping her. Despondent, Helen resorts to desperate measures when she is rejected, and Arthur realizes that he must begin to reconsider his life choices. ~ Paul Brenner, Rovi

This glamorized remake of the 1934 film Imitation of Life bears only a passing resemblance to its source, the best-selling novel by Fannie Hurst. Originally, the heroine was a widowed mother who kept the wolf from the door by setting up a successful pancake business with her black housemaid. In the remake, Lana Turner stars as a would-be actress who is raising her daughter on her own. She chances to meet another single mother at the beach: African-American Juanita Moore. Moore goes to work as Turner's housekeeper, bringing her light-skinned daughter along. As Turner's stage career goes into high gear, Moore is saddled with the responsibility of raising both Turner's daughter and her own. Exposed to the advantages of the white world, Moore's grown-up daughter (Susan Kohner) passes for white, causing her mother a great deal of heartache. Meanwhile, Turner's grown daughter (Sandra Dee), neglected by her mother, seeks comfort in the arms of handsome photographer John Gavin. When Moore dies, her daughter realizes how selfish she's been; simultaneously, Turner awakens to the fact that she hasn't been much of a mother for her own daughter, whose romance has gone down the tubes. ~ Hal Erickson, Rovi

Sal Mineo, who'd previously registered well as the lead in the TV drama Drummer Man, essays a strikingly similar role in The Gene Krupa Story. The film details Krupa's troubled home life: (he wanted to be a musician; his father wanted him to become a priest), his rise to fame as drummer for the Benny Goodman orchestra, his years on top as a bandleader, and his ongoing problems with drug abuse. A fictional romantic subplot is grafted onto the proceeding involving clearly defined "good" and "bad" girls Ethel Maguire (Susan Kohner) and Dorissa Dinelli (Susan Oliver). Yvonne Craig has an entertaining scene as an anachronistically garbed good-time girl. Craig would later recall that, at the time of shooting The Gene Krupa Story, she weighed more than Sal Mineo, and that in the scene where he's required to lift her off the floor, she virtually had to lift him. Mineo, a drummer of some accomplishment, convincingly wields the sticks during the musical highlights, though the trickier drum solos were dubbed in by Gene Krupa himself. Real-life recording stars Anita O'Day, Red Nichols, Bobby Troup and Shelley Manne make cameo appearances. ~ Hal Erickson, Rovi

Adapted from his own TV play by Reginald Rose, Dino stars Sal Mineo (who also appeared in the TV version) in the title role. Sent to reform school for his complicity in a gang killing, Dino is released in the custody of kindly settlement worker Sheridan (Brian Keith). Despite the efforts by Sheridan and parole officer Mandel (Frank Faylen) to set the boy on the right path, sullen Dino intends to rejoin his old gang at the first opportunity. Only when he realizes that his younger brother Tony (Pat DeSimone) is in danger of becoming an irredeemable juvenile delinquent does Dino gets wise to himself. It also helps when he falls in love with Shirley (Susan Kohner), a "plain-Jane" girl he meets at Sheridan's settlement house. Rarely seen today, Dino is one of the better "j.d." films of its era. ~ Hal Erickson, Rovi

Richard Widmark once again essays a character who could be either hero or heel in the rugged western The Last Wagon. After cold-bloodedly shooting down the three men responsible for the death of his wife, Widmark is captured, chained up, and thrown into a wagon heading eastward. Soon afterward, the wagon train is attacked by Indians; the only survivors are Widmark and a group of orphaned children. Freed from his shackles, Widmark proves he's made of the right stuff by shepherding the children to safety. Marred only by a too-pat ending, The Last Wagon is one of the best of the Delmer Daves-directed westerns, as well as an excellent showcase for such "new talent" as Felicia Farr, Susan Kohner, Tommy Rettig, Nick Adams and James Drury. ~ Hal Erickson, Rovi