Keith Knight Movies

Playwright Neil Simon got his first big break in the early '50s as a staff writer on Sid Caesar's fabled television series Your Show of Shows, and this comedy (adapted by Simon from his play) takes a fictionalized look at the backstage chaos that went into producing one of the landmarks of television's golden age. Max Prince (Nathan Lane) is the star of The Max Prince Show, a popular comedy-variety series with ratings that have begun to slip; Prince's show is still a major hit on the East Coast, but network executive Cal Weebs (Colin Fox) insists that it's too sophisticated for the Midwest, and urges Prince to dumb down his act. Prince has also become the whipping boy of newspaper columnist Walter Winchell (Frank Proctor), and between the tensions of producing a hour of top-quality comedy each week and being pestered about his ratings, Prince is beginning to unravel. His relationship with his wife Faye (Sherry Miller) and their children is falling apart, and stress is eating him alive. Prince's brother Harry (Richard Portnow) is Max's assistant, and his last line of defense against both the network and his writing staff, which spend its days coming up with business for the show while hurling humorous invective at each other and anyone else within earshot. (The actors playing Max's writers include Mark Linn-Baker, Victor Garber, Dan Castellaneta, Saul Rubinek, Peri Gilpin, and Zach Grenier.) Laughter on the 23rd Floor received its world premiere at the 2001 Palm Springs Film Festival and was scheduled for showings several months later on the Showtime premium cable network (who co-produced the feature). The film was directed by Richard Benjamin, who previously teamed with Mark Linn-Baker for another comedy inspired by the career of Sid Caesar, My Favorite Year. ~ Mark Deming, Rovi

In this actioner, vigilantes must watch over a Canadian city after its police go on strike. ~ Sandra Brennan, Rovi

Never released theatrically, this slasher film is based on the premise that a lot of people at an isolated location can be killed off one by one with no problem. A director (Ron Gardner) and a producer (Terry Goodman) have hired a group of teenagers to act in or provide the music for their new film. The teens are bundled off to a deserted island along the California coastline for some location shooting, and that is when the mayhem begins. Each victim is gruesomely dispatched to the sounds of a rock song that describes the murder, leaving the rehearsals for the supposed film under production a little short on players. ~ Eleanor Mannikka, Rovi

The Siege gets under way with an attack on a Canadian gay bar by a neo-fascist group called "The New Order." One of the patrons escapes, and the New Order goes after him, killing everyone who gets in their way. When the right-wing thugs come back to the bar and try to take over the building, the patrons form a united front and a bloody battle ensues. And where are the cops during all this? They're on strike, and considering the violence infecting this remote Nova Scotia community, one can hardly blame the police for their "blue flu". As far as head-basher films go, Siege is pretty good, with a particular tense climax. ~ Hal Erickson, Rovi

It's Valentine's Day in the tiny mining town of Valentine's Bluff, Nova Scotia, and for the first time in two decades the residents are planning a holiday dance. The long hiatus is due to the tragic events of 20 years earlier, when a pair of mining supervisors were too busy enjoying themselves at the dance to prevent an accident from killing a large contingent of their workers. The lone survivor, Harry Warden, took his revenge the next year by removing the hearts of his bosses and promising similar carnage if ever another Valentine's dance were held. Unfortunately, the town's horny early-'80s youngsters aren't big on tradition, especially since Warden is locked up in an insane asylum. They go ahead with plans to celebrate the holiday -- even after a heart in a candy box shows up and beloved biddy Mabel (Patricia Hamilton) ends up enduring an involuntary tumble dry. Soon, bodies begin piling up, setting the stage for a climactic trawl through the mines and surprise revelations about the fate of Harry Warden. Shortly after the death of John Lennon, the MPAA made an example of this Canadian slasher film, forcing much of its gore to be excised. Nevertheless, My Bloody Valentine provided inspiration for Kevin Shields' influential band of the same name, which helped establish England's late-'80s shoegazer sound and paved the way for the post-rock of the 1990s. ~ Brian J. Dillard, Rovi

In this uninspired attempt at teen comedy, Tim (Michael Biehn) has returned home in disgrace as far as his dad is concerned -- he was expelled from his military academy. The next thing Tim knows he is fighting off a gang of bikers that are terrorizing the high schoolers, and worse yet, he is falling for "The Bull's" girlfriend Angie (Patti D'Arbanville). The Bull (Tony Rosato) whose name belies, of all things, an okay guy underneath all that leather and severely mangled diction, is the leader of the bikers. ~ Eleanor Mannikka, Rovi