Ellen Barber Movies

2010  
 
Add Monogamy to QueueAdd Monogamy to top of Queue 
Dana Adam Shapiro, Academy Award-nominated director of Murderball, returns with his first narrative feature, a tense tale of voyeurism and lust concerning a New York City wedding photographer who dabbles in surveillance on the side. When Theo (Chris Messina) isn't shooting couples on their happy day, he's catching people in compromising positions. Approached by a mysterious woman (Meital Dohan) with a lucrative job offer, Theo bites despite the vocal objections of his fiancée (Rashida Jones), who senses trouble on the horizon. ~ Jason Buchanan, Rovi

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Starring:
Chris MessinaRashida Jones, (more)
 
1988  
PG  
This implausible adventure is for every empty-headed 12-year-old boy who wants a bullet-spewing weapon of destruction. Four teen-age sons of American servicemen taken prisoner during the Korean War set out to rescue their fathers. The crew was captured on their mission to destroy an American submarine rather than have it fall into enemy hands. The four sons, ranging in ages from 10 to 22, steal sealed plans from the Defense Department to help them free the prisoners. ~ Dan Pavlides, Rovi

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Starring:
Kevin DillonChristine Harnos, (more)
 
1986  
 
Apology stars Lesley Anne Warren (with a Stefanie Powers hairdo) as a Manhattan-based sculptor/performance artist. To enhance her latest project, Warren invites the participation of anonymous phone callers, whose voices she records. One of her unseen "collaborators" calls her up to confess to a murder--several murders, in fact. Warren strongly suspects that the mystery caller may be intending a little "performance" involving her own demise. Peter Weller co-stars as a sympathetic detective who ends up Warren's lover--but can he be trusted? Made for HBO, Apology was originally telecast July 27, 1986. ~ Hal Erickson, Rovi

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Starring:
Lesley Ann WarrenPeter Weller, (more)
 
1985  
R  
Never released theatrically, this sex comedy is set in an apartment in Moscow with one bathroom, one kitchen and 31 inhabitants. While this may make the rent affordable for everyone, it's no help when filming inside such a set. A few of the major characters are Vera (Lee Taylor Allen), whose mother Galina (Shelley Winters) is trying to match her up with her alcoholic boss Kiril (Paul Sorvino). Meanwhile, Vera is pretending to carry on a lesbian affair with a neighbor for no reason other than to drive their local gossips up the wall. The lack of privacy and overwrought slapstick make this a hard pill to swallow. ~ Eleanor Mannikka, Rovi

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Starring:
Shelley WintersPaul Sorvino, (more)
 
1984  
PG13  
A teenager and his kid brother spar with their mother's shady new boyfriend in this dramatic thriller from veteran British director Michael Apted. When her ex-husband remarries, Wendy (Teri Garr) feels despondent -- until she starts dating handsome, unctuous Sam (Peter Weller), an underemployed salesman with no shortage of big ideas. Excited to finally feel good about herself again, Wendy invites Sam to move in and offers to invest in his get-rich-quick schemes. None of this sits well with her sons, Jake (Christopher Collet) and Brian (Corey Haim), who remain unimpressed with Sam even after he convinces Wendy to buy Jake a motorbike. They're even less jazzed when Sam stops currying favor and turns disciplinarian even while pulling Wendy into his hard-partying lifestyle. Within a few months, Brian's on the verge of expulsion for picking fights at school, and even honor-role student Jake is mouthing off to his teachers. As for Wendy, she's too busy taking beatings and doing cocaine to notice that her family has fallen apart. It isn't until Jake gets wise to the industrial quantities of white powder squirreled away under the floorboards that he comes up with a plan to get Sam out of their lives forever. Although onetime Tiger Beat heartthrob Christopher Collet plays Firstborn's title role, the films' supporting cast is littered with actors whose stars would far eclipse his (Sarah Jessica Parker, Robert Downey Jr.) -- though in some cases only for a little while (Corey Haim). ~ Brian J. Dillard, Rovi

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Starring:
Teri GarrPeter Weller, (more)
 
1983  
PG  
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Young divorced mother Kate Nelligan refuses to go into a panic when her six-year-old son disappears. She manages to maintain an even emotional keel even when detective Judd Hirsch unearths several clues which point to sexual molestation. After several false leads, the truth is revealed. We won't divulge the ending, but we will note that we found it pretty hard to swallow-especially when compared to the actual case upon which Beth Gutcheson's novel and screenplay were based. Despite its cop-out denouement, Without a Trace deserves to take its place among such superior missing-children dramas as the made-for-TV Adam and Just Another Missing Kid. ~ Hal Erickson, Rovi

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Starring:
Kate NelliganJudd Hirsch, (more)
 
1982  
 
Born Beautiful proposes that model Erin Grey is over the hill when she turns 27. We don't believe it, but the plot hinges upon Grey's rivalry with the younger, more aggressive Lori Singer. Some of the characters are straight out of Valley of the Dolls, especially the neurotic pill-popper played by Barbara Blackburn. Polly Bergen comes off best in the stock role of a no-nonsense model agency head. Made for television, Born Beautiful was originally telecast on November 1, 1982. ~ Hal Erickson, Rovi

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1980  
 
This drama chronicles the real-life story of Native America's first declared saint, Elizabeth Bayley Seton. ~ Kristie Hassen, Rovi

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1979  
R  
The bizarre premise for this often remote and uninvolving drama is that an otherwise apparently normal man can become so alienated from his own feelings and his own wife and children that he plans their murder. Paul Steward (Hal Holbrook) and his wife (Louise Fletcher) are about as interesting as a TV test pattern. Although Paul has realized the American Dream -- that it to say, he has money and is successful in business -- he finds the dream hollow and meaningless. Instead of waking up, he decides that his family is to blame for everything and begins to make elaborate plans for killing them off, talking it over with others and disguising it as a fictional story for his magazine. ~ Eleanor Mannikka, Rovi

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Starring:
Hal HolbrookLouise Fletcher, (more)
 
1977  
PG  
Larry Cohen's pseudo-biography of J. Edgar Hoover (Broderick Crawford) was virtually howled off the screens upon its release in 1977. Today, with the cross-dressing Hoover so much a matter of historical record that even Oliver Stone didn't bother to make too much of a point of it in Nixon, the Cohen film plays more like a dramatic re-enactment rather than the puerile paranoid fantasy it appeared to be at the time. Unfortunately, Cohen's method is part exploitation and part historical tableau. On the one hand, Cohen dramatizes historical moments in Hoover's momentous life story -- the shooting of John Dillinger in front of Chicago's Biograph Theater, his first arrest -- with a deadening solemnity (even abandoning the backlot facsimiles to shoot on the actual historical locations). On the other hand, Cohen relishes his scenes of Hoover's homosexuality and his propensity for sitting in the dark with a bottle of whiskey, replaying tapes of the amorous liaisons of high government officials -- the decadently homosexual Hoover built his political power base by getting all the dirt he could on the government's movers and shakers -- particularly their sexual liaisons -- and blackmailing them for their support when he could not get it in any other way. A true schizophrenic masterwork in its time, the film is now muted by a reality more incredible than Cohen ever imagined in his wildest dreams. ~ Paul Brenner, Rovi

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Starring:
Broderick CrawfordJosé Ferrer, (more)
 
1976  
 
In 1931, nine young black drifters were arrested in Scottsboro, Alabama on the charge of gang-raping a white woman. Despite the flimsiness of the case and the questionable morals of the plaintiff, eight of the nine were sentenced to death by an all-white jury. The U.S. Supreme Court, sensing that the Scottsboro case was an example of racism run amok, reversed the decision. Arguing that the boys had not received proper council, the Court (in a landmark decision) demanded that the case be retried. The judge on the case is James E. Horton, a popular Decatur, Alabama jurist who places his career--and his life--on the line to see to it that the Scottsboro five are given a fair trial. Among the many iniquities arising from this hot-potato case was the utter vilification of the honest Horton by his former friends and associates; he died in 1973, a virtual pariah in his community. Arthur Hill stars as the judge in the made-for-TV Judge Horton and the Scottsboro Boys, which was written by John McGreevey and first telecast April 22, 1976. ~ Hal Erickson, Rovi

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1975  
PG  
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This provocative, highly atmospheric horror movie tells the tale of a young girl who is terrified that her insane mother will take her away from her beloved foster mother. One day, the crazed real mother attempts to contact the girl at school, but her foster mother has a premonition and gets there in time to protect the girl. Eventually though, the real mother and her terrifying boy friend, a carnival clown, succeed and whisk her away, leaving the bereaved foster parents to enlist the assistance of a parapsychologist to help them interpret the foster mother's terrifying dreams and psychic connection to the girl and find her before it is too late. ~ Sandra Brennan, Rovi

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Starring:
Sharon FarrellRichard Lynch, (more)
 
1972  
R  
Years before Coma, Jurassic Park, and Twister made him a household name, Michael Crichton co-wrote this amiable drug-oriented comedy, based on a novel Crichton co-authored with his brother Douglas under the pen name Michael Douglas. Peter (Robert F. Lyons) is a shaggy but straightlaced Harvard law student who feels the need for some rebellion in his life (and could use some extra money), so he takes up the offer of mid-level drug dealer John (John Lithgow) to ferry a load of marijuana from California back to Boston. En route, Peter meets Susan (Barbara Hershey), a comely hippie with whom he falls in love. Peter helps Susan avoid a drug bust and she decides to head back to Boston with him, but she finances the trip by arranging to bring back a stash of her own. At the airport, Susan runs afoul of Murphy (Charles Durning), a crooked narcotics cop who steals half the pot and attempts to blackmail her. Dealing featured the screen debut of John Lithgow; Demond Wilson (who later starred in Sanford and Son) and musician Buzzy Linhart also
appear. ~ Mark Deming, Rovi

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A newlywed woman is slightly disillusioned about her husband--soon enough, she finds out the truth. ~ Kristie Hassen, Rovi

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