Milt Kibbee Movies

William "One Take" Beaudine sat in the director's chair for the independently produced Born to the Saddle. Chuck Courtney plays a young horse trainer who goes to work for the truculent Donald Woods. Courtney believes that Woods was responsible for the death of the boy's father, and hopes to exact revenge if his suspicions are confirmed. Instead, the older and younger man become close friends thanks to their mutual love of horses. Featured in the cast is actress Karen Morley, in one of her few screen appearances after being officially blacklisted for her allegedly leftist political beliefs. Adele Buffington adapted the screenplay of Born to the Saddle from a short story by Gordon Young. ~ Hal Erickson, All Movie Guide

The Narrow Margin is generally considered a "model" B picture; some film buffs go farther than that, labelling this 1952 RKO suspenser as the best low-budget studio production ever made. Nail-hard detective Walter Brown (Charles McGraw) is assigned to protect gangster's widow Mrs. Neall (Marie Windsor) as she rides the train from Chicago to LA, en route to testifying at a grand jury. There's no love lost between the ill-tempered Neall and Brown, especially since Brown's partner (Don Beddoe) was killed by mobsters while shielding Neall from harm. On the train, Brown makes the acquaintance of a likeable woman (Jacqueline White) and her playful young son. He also comes in contact with a rather secretive fat man (Paul Maxey), who may well be a mob assassin. Not long before the train pulls into California, Brown is approached by small-time crook (Peter Brocco), who offers the detective a great deal of money if he'll permit Neall to be silenced. Brown appears to be tempted, but this is only a smokescreen to throw the crooks off the trail. The Narrow Margin was remade (and unnecessarily padded and attenuated) in 1990. ~ Hal Erickson, All Movie Guide

Hard-working leading lady Jane Nigh attains top billing in 1952's Rodeo. It's all about rough-and-ready gal Nancy Cartwright (Nigh) who takes over a travelling rodeo after the manager skips town with the payroll. Under her guidance, the show becomes a money-making proposition. Unfortunately, in her efforts to prove her value as a businesswoman, Nancy makes a careless remark to aging but proud ex-rodeo star Barbecue Jones (Wallace Ford). A near-tragedy ensues, prompting the rodeo workers to walk out on Nancy when she needs them most. But Slim Martin (John Archer), the rodeo's main attraction, manages to convince his fellow workers that Nancy is a "good egg" after all. ~ Hal Erickson, All Movie Guide

Fresh from radio and TV, "America's Favorite Family" stars in Here Come the Nelsons. That's right: this harmless little comedy is purely a vehicle for Ozzie, Harriet, David and Ricky. Since there must be a plot, the scriptwriters contrive to have Harriet uncharacteristically express jealousy over the presence of Ozzie's former schoolmate Barbara Schutzendorf (Barbara Lawrence). Meanwhile, Ozzie seethes when handsome young Charlie Jones (Rock Hudson) pays a bit too much attention to Harriet. To prove that he's still got what it takes, Ozzie competes against Charlie in a rodeo held in honor of the town's centennial (this sort of plot device usually happened to David or Ricky on the TV show). For no reason other than there are extra reels to go, little Ricky is kidnapped by a pair of bank robbers, played by Sheldon Leonard and Ed Max. Here Come the Nelsons was directed by Frederick De Cordova, whose other credits for Universal included such deathless entries as Bedtime for Bonzo. ~ Hal Erickson, All Movie Guide

When the Redskins Rode is set during the French and Indian Wars of the mid-18th century. Jon Hall stars as Prince Lennoc, the son of Delaware-chief Shingiss (Pedro de Cordoba). The English are on the verge of signing an alliance with Shingiss, but their efforts are stymied by alluring French spy Elizabeth (Mary Castle). As part of her strategy, Elizabeth romances Lennoc, who almost falls for her seductive wiles. The film finally delivers the goods actionwise in an exciting climactic battle. Producer Sam Katzman, a man not known for lavish budgets, manages to make When the Redskins Rode seem far more expensive than it really was. ~ Hal Erickson, All Movie Guide

Bill Williams and Jane Nigh, the stars of Monogram's Blue Grass of Kentucky, are reunited in the strikingly similar Blue Blood. Based on Peter B. Kyne's story Dog Meat, the film traces the efforts made to rescue a thoroughbred from being ground into hamburger by a dog-food factory. Harry Shannon carries the film's dramatic weight as an elderly trainer who prizes his horses above all else. It is giving away nothing to reveal that the film's climax occurs during the obligatory Big Race. The Cinecolor process is put to excellent use during this sequence, with the color red figuring crucially in the race's outcome. ~ Hal Erickson, All Movie Guide

The Desert Hawk deserves to be seen on the basis of its cast alone. No more believable than any of Universal's other sword-and-sand epics, this one stars Yvonne de Carlo as Princess Shaharazade (sic) and Richard Greene as Omar, aka the Desert Hawk. By day a humble blacksmith, the Desert Hawk spends his evenings battling against the oppresive regime of Prince Murad (George Macready). One of the Hawk's tactics is to trick Shaharazade into marriage, so that he can enlist the aid of the army commanded by the Princess' father. Murad retaliates by kidnapping Shararazade, leading to an exciting climactic rescue. Never mind all that: the real fun in Desert Hawk is spotting the celebrities-to-be in the supporting cast. Playing the villainous Captain Ras is none other than Rock Hudson, while the Desert Hawk's loyal companions Aladdin and Sinbad are played, respectively, by Jackie Gleason and Joe Besser--and surprise, Joe is heavier than Jackie! ~ Hal Erickson, All Movie Guide

Martha Vickers was given a rare leading-role opportunity in Daughter of the West. Vickers plays Lolita Moreno, a part-Native American girl who falls in love with college-educated Navajo Navo (Philip Reed). The film's Indian characters are depicted in a dignified, respectful manner: not so the white villains, headed by crooked Indian agent Ralph Connors (Donald Wood). When Connors and his flunkies try to cheat the Navajos out of their land, Navo gets wise to their scheme and nips it in the bud. The film's highlight is an authentically staged Indian harvest sequence, lensed in Cinecolor. ~ Hal Erickson, All Movie Guide

Yvonne DeCarlo dons 19th century "adventuress" garb once more in River Lady. This time she's a 19th century gambling queen, in charge of a profitable Mississippi riverboat casino. DeCarlo falls in love with logger Rod Cameron; when he won't succumb to her charms, she tries to buy his affections by setting up a logging empire. DeCarlo's partner Dan Duryea is also fascinated with her, but he's his usual slimy self and hasn't got a chance of either winning the girl or surviving to the fade-out. ~ Hal Erickson, All Movie Guide

John Garfield, in the best performance of his career, portrays Joe Morse, an ambitious attorney who has long since abandoned his scruples in favor of monetary reward. Morse now represents the interests of crime boss Ben Tucker (Roy Roberts), who plans to take over the numbers racket in New York. Morse has devised a way of doing this legally and above-board, with no violence: Tucker's people will bring about the collapse of the illegal numbers racket in the city, using a race track-betting scam that will bankrupt the small-time underworld numbers banks; an investigation will ensue, along with a call for a legal numbers operation in the form of a lottery, which Tucker will control through Morse's machinations. The whole plan hinges on Morse's estranged brother, Leo (Thomas Gomez), a small-time numbers banker who is to be shielded from the collapse, and who will serve as the "legitimate" front for Tucker. Leo is the flaw in the plan, however, because not only can't he stand the sight of Joe, but he is also too honest to participate in the plan -- he doesn't want his employees, all decent people just looking to earn a living, forced into the employ of real gangsters. Joe orchestrates a series of police raids that force Leo into his corner, and Joe's plan seems to be working out, but then the whole enterprise is threatened when a rival mob, run by Tucker's former Prohibition-era partner, Fico (Paul Fix), starts pressuring Leo, trying to get to Joe and Tucker. Fico and his men aren't any different from Tucker's mob, except that they're prepared to start shooting sooner to get what they want. Tucker decides to hang tough and expects everyone, including Leo, to do the same, even when Fico starts sending thugs around to frighten everyone. Soon Joe is beset by problems on three fronts -- he wants his brother out of Tucker's combination and safe; he is trying to romance Leo's bookkeeper (Beatrice Pearson), who is too nice a girl for who he is; and his own well-being is threatened by both Fico and Tucker, and a state investigator who has already tapped the phone of Joe's otherwise respectable partner. All of these threads are pulled together in the final section of the film, which is as violent and disturbing, yet poetic and graceful a resolution as any crime film of the 1940s ever delivered. Force of Evil was star-crossed almost from the start, as many of the people involved, including star John Garfield and director Abraham Polonsky (a writer making his debut behind the camera, with help from assistant director Don Weis in doing the camera set-ups and blocking), were suspect at the time for their leftist political views. Indeed, the company that made Force of Evil, Enterprise Productions, was also in trouble for the leftist leanings of its films in the midst of the Red Scare, and went out of business just as the movie was finished -- dropped by United Artists and picked up by MGM, of all studios, Force of Evil made it into theaters during Christmas week of 1948, not the ideal schedule for something as grim (albeit great) as this film was. As it turned out, it was Polonsky's last chance to direct for more than 20 years, and Garfield's last completely successful film. And a movie that should have been a triumph for all concerned ended up a cult favorite. ~ Bruce Eder, All Movie Guide

Band singer Freddie Stewart stars in the pure-'40s frivolity Vacation Days. It's a high-school musical romance, with some of the oldest "teenagers" on record. During summer vacation, Freddie and student June Preisser fall for each other. Their relationship is complicated by romantic rivalries carried over from the regular school year. Vacation Days features a spirited musical number by country-western star Spade Cooley, whose ultimate real-life destiny -- he would die in prison after murdering his wife -- retrospectively casts a slight pall on the proceedings. ~ Hal Erickson, All Movie Guide

In this musical, an orphan is under the false impression that her newly found relatives are filthy rich. Lacking the heart to tell her the truth, the relatives move into an abandoned mansion to entertain her and her fiance. Songs include: "That's Good Enough for Me", "A Man Is a Brother to a Mule", "Judy and Dick", and "Cheer for the Team". ~ Sandra Brennan, All Movie Guide

Regular "Red Ryder" series villain Roy Barcroft took a well-earned breather in Homesteaders of Paradise Canyon. The equally disagreeable Gene Stutenroth (aka Gene Roth proved a fair enough substitute, however, as Bill Hume, a homesteader so disgusted over the fact that the government land he was promised for free instead goes for two dollars per acre that he hooks up with villainous newspaper publisher A.C. Blaine (Milt Kibbee). Having guided the homesteaders to Paradise Valley in the first place, Red Ryder (Allan Lane) manages to persuade his charges to remain despite the exorbitant price of land, much to the chagrin of Blaine and his cohort Langley (Emmett Vogan), who do their level best trying to scare the settlers away from the potentially lucrative valley. When Red goes undercover as a driver for Blaine's stagecoach line, young settler Steve Dill (John James) accuses him of treason and incites the settlers against him. It all comes to a showdown at the Hume ranch, where Bill's brother Rufe Mauritz Hugo) is shot before he can confess to his brother's treachery. Bill manages to get away, but Red mounts Thunder and tracks him down. Implicating his bosses Blaine and Langley, Bill is carted off to jail. ~ Hans J. Wollstein, All Movie Guide