Linda Kerridge Movies

In this well-wrought, fast-paced caper flick, a naive, good-hearted waitress doesn't think twice about helping her troubled roommate. Unfortunately, her help lands her in Central America fleeing for her life with a grungy mercenary. They are chased because the two are believed to have possession of a priceless religious icon. ~ Sandra Brennan, Rovi

Off-the-wall humor, casual or premeditated violence, and larger-than-life characters are featured in this Paul Morrisey film about drugs and two street gangs in "Alphabet City," the lower east side of New York (Avenues A, B, and C). When the flamboyant and often abrasive Rita (Marilia Pera) and her dim-witted but streetwise son Thiago (Richard Ulacia) arrive in New York from Brazil, she maternally "adopts" the teens who live in a run-down apartment as her own and then organizes them into a gang whose first job is to intercept a shipment of drugs intended for a rival Puerto Rican group. This act sets off a gang war when the Puerto Ricans retaliate by killing one of Rita's teens. As the fighting escalates, it becomes more difficult to decipher the real attitude of director Paul Morrissey: are these serious takes from real life or are they exaggerated to achieve a decidedly black humor? ~ Eleanor Mannikka, Rovi

An interesting, introspective variant on the '80s slasher formula, this low-key psychological thriller details the troubled life of obsessed movie junkie Eric Binford (Dennis Christopher), whose love of old movies extends far beyond his job at a film distributor's warehouse and endless late-night film screenings in his bedroom. His singular obsession eventually rounds the bend into psychosis after he crosses paths with a Marilyn Monroe look-alike (Linda Kerridge), who becomes the physical embodiment of his cinematic desires. When stood up on what he believed would be their first date, Eric becomes homicidally unbalanced, transforming himself into a gallery of classic movie characters -- including Dracula, The Mummy, Hopalong Cassidy, and Norman Bates -- and sets out to destroy his oppressors, starting with his crotchety wheelchair-bound Aunt Stella (Eve Brent Ashe), then targeting a boorish co-worker (a very young Mickey Rourke), and eventually working his way toward Kerridge. The film begins with a groovy concept, but loses something in the execution -- the horror and comedy elements fail to gel completely, and Christopher's performance is too creepy to generate much empathy. ~ Cavett Binion, Rovi