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Jack Aaron Movies

1983  
R  
In this undistinguished softcore film, Albert (Chris Lemmon -- Jack Lemmon's son) is an adman for a clothing company charged with recruiting five well-endowed, beautiful women to model the company's line of bras. One of the women is at work in a horror-parody film, another is a disco singer, another a wrestler, and the remaining two are a Countess, and the daughter of the president of the company. Albert carries out his assignment with good comic timing, in spite of his nemesis Lydia (Jennifer Richards). ~ Eleanor Mannikka, Rovi

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Starring:
Chris LemmonOlivia Pascal, (more)
 
1980  
 
The comedy explores the feelings of alienation and self-hatred that prevent many fat people from reaching out to members of the opposite sex. The story centers upon an obese pianist with an addiction to candy. Hungry for romance, he becomes pen-pals with an equally well-rounded woman in Florida. As time passes, their letters become increasingly intimate and the two decide to meet in New York where the pianist lives. The woman makes it to the city, but then becomes to embarrassed by her appearance to see him. The musician feels the same way about himself and thus begins a series of slapstick encounters as they each tries to see the other without being seen. ~ Sandra Brennan, Rovi

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Starring:
Farnham ScottJanuary Stevens, (more)
 
1973  
 
Upon his return from Vietnam, ex-POW Mike Doyle (Cliff Potts) is certain that he sees his police-officer father (Warren Kemmerling) waiting for him at the airport--just before disappearing in the crowd. But the Commissioner (Gene Lyons), and everyone else who knows and cares about Mike, insists that the elder Doyle was killed in a car crash two years earlier. Worried that he is losing his mind, Mike conducts a frantic search for his father...while Ironside (Raymond Burr), who knows the whole truth about the father's reported "death" but is honor-bound to remain silent, tries to prevent the hapless veteran from going off the deep end. ~ Hal Erickson, Rovi

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1973  
PG  
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Sam Greenlee's cult favorite novel of political unrest was brought to the screen in this drama, which also earned a small but loyal following. A congressman hoping to attract African-American voters during an election year decides to make political hay by pointing out that the Central Intelligence Agency has no black agents. Bowing to subsequent public pressure, the CIA admits a number of black applicants to their training program, but they purposefully make the process difficult and unpleasant enough to winnow out nearly all the African-American students. Dan Freeman (Lawrence Cook), a strong, intelligent but soft-spoken man, somehow makes it through the gauntlet to become the black CIA agent; however, rather than being given important field assignments, Freeman is put in charge of the agency's copying machines and gives tours of their facilities to give the offices a progressive front for visitors. After a few years, Freeman leaves the agency to move back to his hometown of Chicago and do work with the community...at least that's what he tells his superiors. In fact, Freeman has used his time at the CIA collecting information on how to launch a political revolution, and not long after he arrives in the Windy City, he begins recruiting an army of leftist radicals and black nationalists fed up with the system. With their help, Freeman launches the first stage of an armed revolt with the stated goal of bringing the white-dominated power structure to its knees. The Spook Who Sat by the Door was a rare feature directorial assignment for Ivan Dixon, best known as an actor (he played Sgt. "Kinch" Kinchloe on Hogan's Heroes), Dixon has an extensive resume of directorial credits, but primarily in episodic television. Spook is his second theatrical release. ~ Mark Deming, Rovi

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1973  
 
When a call girl wearing a stolen diamond ring turns up murdered, Kojak (Telly Savalas) begins following the fragmentary clues, the path eventually leading to a gang of upstate bank burglars. At the same time, the gang is preparing a spectacular robbery in Kojak's former jurisdiction--and have set up plenty of diversions to keep the cops from nipping at their heels. This episode features a rare TV appearance by former film star Karen Morley, whose career was all but destroyed by the Hollywood Blacklist. ~ Hal Erickson, Rovi

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1972  
 
The well-known short-story writer Ring Lardner, Jr. wrote the screenplay for La Mortadella, an Italian/French production with mostly English dialogue. The story concerns the difficulties and reactions of Madelena (Sophia Loren), an Italian visitor to New York City. She has come to the country carrying a huge mortadella sausage which she intends as a gift for her fiancé. U.S. Customs has other ideas, however, and she is detained until she hits upon the idea of sharing the offending foodstuff with the customs officers. Finally allowed entry into the U.S., she grows disenchanted with her fiancé and other men she meets and is only with difficulty able to make her escape to a more agreeable location. ~ Clarke Fountain, Rovi

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1971  
PG13  
In this semi-autobiographical romantic comedy starring Joseph Bologna and Renee Taylor (who also wrote the script together) two lonely hearts find each other in group therapy. ~ Sandra Brennan, Rovi

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