Lucy Davenport Movies

Director Tim Burton and screenwriter Linda Woolverton (Beauty and the Beast, The Lion King) team up to deliver this visually dazzling take on the classic Lewis Carroll tale. Nineteen-year-old Alice (Mia Wasikowska) is attending party at a lavish country estate when she sees a white rabbit with a pocket watch dart into the bushes. Curious, she follows the rabbit to an enormous tree, and tumbles down a hole that takes her to Underland, a strange world inhabited by anthropomorphic creatures in search of someone to save them from the dreaded Red Queen (Helena Bonham Carter), who has assumed control of the kingdom by decapitating anyone who dares disagree with her. According to a scroll detailing a historical timeline of Underland -- including events that have not yet taken place -- it is Alice who will set the kingdom free by defeating the Jabberwocky, a powerful dragon-like creature under the control of the Red Queen. But is this Alice the same Alice who appears in the scroll? While some of the creatures of Underland have their doubts, the Mad Hatter (Johnny Depp) and his friends are certain she's the same girl who previously visited them years ago. When the Red Queen kidnaps the Mad Hatter, Alice attempts to free her friend and locate the one weapon with the power to slay the Jabberwocky, thereby restoring the White Queen (Anne Hathaway) to the throne, and bringing peace back to Underland. ~ Jason Buchanan, All Movie Guide

Director Tim Burton and screenwriter Linda Woolverton (Beauty and the Beast, The Lion King) team up to deliver this visually dazzling take on the classic Lewis Carroll tale. Nineteen-year-old Alice (Mia Wasikowska) is attending party at a lavish country estate when she sees a white rabbit with a pocket watch dart into the bushes. Curious, she follows the rabbit to an enormous tree, and tumbles down a hole that takes her to Underland, a strange world inhabited by anthropomorphic creatures in search of someone to save them from the dreaded Red Queen (Helena Bonham Carter), who has assumed control of the kingdom by decapitating anyone who dares disagree with her. According to a scroll detailing a historical timeline of Underland -- including events that have not yet taken place -- it is Alice who will set the kingdom free by defeating the Jabberwocky, a powerful dragon-like creature under the control of the Red Queen. But is this Alice the same Alice who appears in the scroll? While some of the creatures of Underland have their doubts, the Mad Hatter (Johnny Depp) and his friends are certain she's the same girl who previously visited them years ago. When the Red Queen kidnaps the Mad Hatter, Alice attempts to free her friend and locate the one weapon with the power to slay the Jabberwocky, thereby restoring the White Queen (Anne Hathaway) to the throne, and bringing peace back to Underland. ~ Jason Buchanan, Rovi

The life of poet and novelist Sylvia Plath -- one of the most celebrated literary figures of her generation -- is brought to the screen in this controversial screen adaptation. Born in Boston, MA, in 1932, Plath (played by Gwyneth Paltrow) developed a precocious talent as a writer and published her first poem when she was only eight years old. That same year, tragedy introduced itself into her life as Plath was forced to confront the unexpected death of her father. In 1950, she began studying at Smith College on a literary scholarship, and while she was an outstanding student, she also began suffering from bouts of extreme depression; following her junior year, she attempted suicide for the first time. Plath survived, and, in 1955, she was granted a Fulbright Scholarship to study in England at Cambridge. While in Great Britain, Plath met Ted Hughes (Daniel Craig), a respected author who would later become the British Poet Laureate; the two fell in love, and married in 1958. However, marriage, family, and a growing reputation as an important poet failed to bring Plath happiness, and as she became increasingly fascinated with death in her later poetry and her sole novel, The Bell Jar, and after Hughes left her for another woman, her depression went into a tailspin from which she would never fully recover. Sylvia was adapted in part from Birthday Letters, a collection of poems Ted Hughes published in 1998, in which he dealt with his marriage to Plath in print for the first time. ~ Mark Deming, Rovi