Andy Kaufman Movies

Andy Kaufman's performances were like no other. He not only pushed the boundaries of good taste and audience tolerance, he also created a myriad of strange, wonderful, and sometimes horrific characters, switching effortlessly from one to the other, effectively blurring the lines between Kaufman the man and Kaufman the artist. For many years, his fans argued whether or not obnoxious lounge singer Tony Clifton (whom Kaufman once hired to open for his live shows) was for real or whether he was an elaborate persona. Kaufman himself best summed up his art, stating, " I am not a comic, I have never told a joke....The comedian's promise is that he will go out there and make you laugh with him....My only promise is that I will try to entertain you as best I can. I can manipulate people's reactions. There are different kinds of laughter. Gut laughter is where you don't have a choice, you've got to laugh. Gut laughter doesn't come from the intellect. And it's much harder for me to evoke now, because I'm known. They say, 'Oh wow, Andy Kaufman, he's a really funny guy.' But I'm not trying to be funny. I just want to play with their heads."
Born and raised in the upper-class Long Island suburb of Great Neck, NY, Kaufman had a lifelong fascination with performing. At age nine, Kaufman was performing at children's parties and in 1963, he unsuccessfully tried out for a spot at Budd Friedman's improvisational comedy club. He discovered the joy of "being" Elvis Presley in 1964 and later in his career became so good at imitating the moves and physical presence of "The King," that Presley himself deemed Kaufman his favorite impersonator. A year after his high school graduation, Kaufman enrolled in the Television and Radio program at Grahm Junior College in Boston. While there, he started performing at local coffee houses and appearing in the campus-sponsored The Soul Time Review. Kaufman went to Spain in 1971 to study Transcendental Meditation and travel.
Later that year, he successfully auditioned for Budd Friedman and landed a standup gig at a Long Island club. More club dates followed and television appearances followed. In 1975, Kaufman appeared in the first broadcast of NBC's sketch comedy series Saturday Night Live. Through the decade up to the early '80s, Kaufman would periodically return to host the show. His comedy was typically extreme and sometimes unfathomable. In November 1982, the producers of SNL responded to a viewer telephone poll and asked Kaufman to never again host the show. In 1978, Kaufman took one of his most popular characters, the Foreign Man, an incomprehensible comic from Central Europe, and translated him into the delightful, sometimes poignant foreign auto mechanic Latka Gravas on the popular sitcom Taxi (1978-1983). Kaufman created his famed world Inter-Gender Wrestling matches in 1979. A longtime aficionado of professional wrestling but too small to beat men, he would wrestle with female audience members, offering a large cash prize if they could pin him. 400 tried, but none succeeded. In 1981, Kaufman hosted Fridays, an experimental comedy show in which his intentional line flubbing caused a fight between himself, the cast, and the crew. The following week, Kaufman aired a tearful taped apology that may or may not have been a put-on. More controversy followed when the performer got into an ugly row with professional wrestler Jerry "The King" Lawler that culminated in his throwing hot coffee on Lawler during a taping of the Late Night With David Letterman show in 1982. The fight was precipitated by an earlier wrestling match between Kaufman and Lawler in which the wrestler inflicted a serious head injury to the comic. This violent feud between the two is further detailed in the 1983 documentary chronicle of Kaufman's wrestling career, I'm From Hollywood.
Kaufman made his feature-film debut as an actor in Demon (1977) and afterward, only appeared in three more films. Kaufman developed a cough in late 1983 that was diagnosed as a rare form of lung cancer. Though only in his mid-thirties, a teetotaler, lifelong nonsmoker, and a vegetarian, Kaufman was only given a few months to live. He tried a variety of alternative healing therapies, as well as chemotherapy, but nothing worked and Kaufman died in 1984. Ironically, some fans believe the illness was all an elaborate hoax and maintain that Kaufman is still alive, waiting to come back in a couple decades. Though it is extremely doubtful that even Kaufman would be able to pull off such a hoax, the thought that others would think him capable of doing it would have pleased him. ~ Sandra Brennan, Rovi
1999  
 
This video profiles the life and comedic work of Andy Kaufman. From his early youth, Kaufman aspired to become a media star. His focus and ambition saw him through the hardships of his family life and obstacles in the entertainment industry. His personal saga, along with the heroes who inspired him, are part of the story. There are clips of some of Kaufman's best work, including the Friday skit with Michael Richards, the Carnegie Hall performance with "Grandma" Robin Williams, Dick Van Dyke, and the Foreign Man performing "Mighty Mouse." ~ Rose of Sharon Winter, Rovi

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Starring:
Andy Kaufman
 
1989  
 
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Performance footage and interviews combine to offer a hilarious look at controversial comedian Andy Kauffman's surreal journey into the world of professional wrestling. He had kept Americans in stitches as a featured player on the hit television sitcom Taxi, but Kaufman would single-handedly destroy his small-screen career when he went on television to taunt Memphis-based professional wrestler Jerry "The King" Lawler", and challenged females to fight him in the ring. As Kaufman put every ounce of his energy into taunting Lawler, his abrasive form of comedic performance art alienated the fan-base that had so ardently supported him during his days as lovable, squeaky-voiced cabbie Latka Gravas on the series that propelled him to stardom. In this documentary, fans are offered a rare glimpse into the genius of a comic who was so effective at duping the audience that many assumed his diagnoses with terminal cancer was just another warped gag. ~ Jason Buchanan, Rovi

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Starring:
Andy KaufmanJerry Lawler, (more)
 
1983  
 
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In this video release of a 1983 episode from the critically acclaimed PBS series Soundstage, oddball comedian and satirist Andy Kaufman is featured in one of the last performances before his untimely death in 1984. Considered by some critics and fans to be a Dadaist, and known for blurring the borders between his stage persona and his "true" personality, Kaufman inflicted a brand of humor that was unique, sometimes slipping beyond comedy into performance art -- or mental illness. Here his format is the late-night talk show, and his sidekick is a marionette of his alter ego, obnoxious dive-lounge comedian Tony Clifton. Also included in the show: Kaufman reprises his Foreign Man character, impersonates Elvis Presley, seems to expose guest Dr. Alex Schorr as a fraud, and apparently has a genuine argument with his former girlfriend Elayne Boosler. ~ Steve Blackburn, Rovi

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1983  
 
In essentially a two-man tour-de-force that parodies the better-known Dinner with Andre by Louis Malle, My Breakfast with Blassie features the late Andy Kaufman (he died from lung cancer soon after this film was released) and Freddie Blassie as two egocentric wrestlers -- roles they played in real life. As the two men display their egos like peacocks strutting their plumage, the reactions of people around them are as funny as the "breakfasting" duo. Kaufman announces "I'm a famous TV star" (he played Latka, the foreign mechanic on Taxi) and Blassie's open male chauvinism is so exaggerated as to be only humorous. The two also poke fun at banal table talk in-between their interchanges and develop a few other running gags. ~ Eleanor Mannikka, Rovi

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Starring:
Andy KaufmanFreddie Blassie, (more)
 
1982  
 
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Although Taxi had earned scores of industry awards and the unflagging loyalty of its fans during its four-year lifespan on ABC, the series had never posted the sort of ratings that would qualify it as a hit. Thus, ABC dropped the show at the end of season four -- but the song wasn't quite over yet. Responding to overwhelming public demand, rival network NBC picked up Taxi for its fifth season, retaining the same Thursday-night time slot the series had occupied the previous year -- or, as the trade ads put it, "Same time, better network." The first NBC episode was "The Shloogel Show," in which all the cabbies embarked upon a "group blind date" that would have long-ranging ramifications. The relationships inaugurated on this episode would be explored and occasionally resolved on three later fifth-season installments, "Louie and the Blind Girl," "Arnie Meets the Kids," and "Tony's Baby." In another development, Carol Kane graduated from recurring to regular status in her Emmy-winning role as Simka, the wife of the Sunshine Cab Company's sweet-tempered immigrant mechanic Latka Gravas (Andy Kaufman); the Latka-Simka marriage and its attendant old-world traditions (many of them bizarre in the extreme) would provide fodder for the two-part episode "Scenskees From a Marriage" and the season finale "Simka's Monthlies." Also providing material for several episodes was a huge inheritance bestowed upon "Reverend" Jim Ignatowski (Christopher Lloyd), the cab company's resident burned-out hippie; in fact, the last episode to be filmed, "A Grand Gesture," was entirely motivated by Jim's unexpected financial windfall. Additionally, we continued to learn more about the past lives of the various cabbies, notably the fact that Alex Rieger (Judd Hirsch) suffered from an addiction to gambling, and that the father of Tony Banta (Tony Danza) had run off to sea years earlier. Had the fans of the series and the stars had their way, Taxi would have run indefinitely on NBC. Alas, the ratings were no better than they'd been on ABC (though, ironically, the show managed to pick up three more Emmy Awards!) compelling the network to cancel the series -- permanently this time -- after its 114th episode. Happily, the series has since prospered in rerun syndication not only in local markets but also on basic cable. ~ Rovi

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1981  
 
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This video features rare footage from Andy Kaufman's 1981 television appearances, including Tony Clifton's famous Elvis impersonation. ~ Jonathan Crow, Rovi

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1981  
PG  
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Heartbeeps stars Andy Kaufman and Bernadette Peters as domestic robots who fall in love and run off together. ~ Jason Ankeny, Rovi

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Starring:
Andy KaufmanBernadette Peters, (more)
 
1981  
 
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Taxi remained a succès d'estime for ABC as it entered its fourth season, gathering scores of industry awards and garnering the love of its most loyal fans and the respect of Hollywood insiders, while still continuing to post lukewarm ratings. The series hadn't cracked the "Top 25" shows throughout the 1980-1981 season and failed to do so during 1981-1982 as well. ABC had seriously considered dropping the program after its third season, but the uproar of protest from its devotees moved the network to give the property another chance -- albeit in a new time slot on Thursday evening opposite NBC's Gimme a Break and CBS' Knots Landing. Two major developments marked the progression of events on season four. The first was the defection of Jeff Conaway in the role of part-time cabbie and would-be actor Bobby Wheeler, though Conaway would return for a guest appearance in the episode "Bobby Doesn't Live Here Any More." The second was the marriage between mild-mannered immigrant taxi mechanic Latka Gravas (Andy Kaufman) and his countrywoman Simka Dahblitz (Carol Kane in an Emmy-winning characterization) -- though the nuptials were postponed until Latka was able to divest himself of his slimy, womanizing "alter ego" Vic Ferrari (also played by Kaufman, who insisted that the series' producers sign "Vic Ferrari" to a separate contract!) As in previous seasons, Taxi offered a two-part episode in which the cabbies were forced to put their lives in perspective. On this occasion, the episode was the season finale "The Road Not Taken," wherein Elaine (Marilu Henner) mulled over the opportunity to leave New York for a new out-of-town job, prompting her fellow cabbies to reflect upon the various pivotal moments in their own lives. With the ratings continuing to sag, ABC reluctantly concluded that Taxi was expendable, and the series was canceled. For a while, it looked as if the property would be revived by the cable service HBO; but in the end, it was NBC that came to the rescue, picking up Taxi for its fifth (and as it turned out, its final) season. ~ Rovi

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1980  
 
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Although Taxi had built up a loyal band of followers and accumulated several industry awards during its first two seasons on ABC, the ratings had steadily declined, prompting the network to mark the series' third season by moving the show from Tuesdays at 9:30 to Wednesdays at 9:00, opposite NBC's Diff'rent Strokes and a weekly CBS movie. Developments during season three included another rift in the rocky relationship between Louie DePalma (Danny DeVito), the obnoxiously dictatorial dispatcher of the Sunshine Cab Company, and his erstwhile girlfriend Zena Sherman (played by DeVito's real-life Significant Other Rhea Perlman); an uncomfortable reunion between cabbie Alex Rieger (Judd Hirsch) and his oppressively neurotic ex-wife Phyllis (Louise Lasser); a hilarious romantic triangle involving cabbie Elaine Nardo (Marilu Henner), her co-worker Tony Banta (Tony Danza) and her new boyfriend Kirk (John David Carson) (it so happened that Kirk would rather have linked up with macho Tony than with flustered Elaine!); Tony's decision to retire from the ring (at least temporarily) after enduing one too many KOs; and a few surprising glimpses into the past of zoned-out former hippie "Reverend" Jim Ignatowski (Christopher Lloyd). Undoubtedly the most memorable plot twist involved Sunshine Cab's sweet-natured immigrant mechanic Latka Gravas (Andy Kaufman), who after undergoing a spectacular personality change re-emerged as slimy swinging bachelor-about-town Vic Ferrari! In a related development, Carol Kane made her first appearance as Simka Dahblitz, Latka's countrywoman and eventual sweetheart. Season three's by-now obligatory two-part "retrospection" episode was "On the Job," in which the cab company briefly closed shop, forcing the cabbies to look for "civilian" work. The fact that Taxi's overall ratings continued to decline during its third season was mitigated somewhat when the series took home six Emmy Awards in the spring of 1981. ~ Rovi

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1980  
PG  
Comedian Marty Feldman directed and co-wrote this satire of the less-scrupulous side of organized religion. Brother Ambrose (Marty Feldman) is a monk who has spent nearly his entire life within the walls of his monastery and knows little of the outside world. However, when he learns that the monastery has fallen on economic hard times and may be forced to close, he takes it upon himself to raise the funds to save his home. Ambrose ends up on Hollywood Boulevard, where he solicits donations from passers-by and gets a crash course in life in the fallen world from Mary (Louise Lasser), a smart-mouthed hooker. Ambrose and Mary soon encounter Armageddon T. Thunderbird (Andy Kaufman), a fire-and-brimstone televangelist who agrees to help Ambrose by making him a partner in his house of worship, The Church of the Divine Profit. However, Thunderbird's methods don't agree with Ambrose, and eventually he turns to God Himself (Richard Pryor) for help. In God We Trust was Feldman's second and last directorial assignment; the supporting cast also includes Peter Boyle, Wilfrid Hyde-White, and Severn Darden. ~ Mark Deming, Rovi

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Starring:
Marty FeldmanPeter Boyle, (more)
 
1979  
 
Andy Kaufman was as much a performance artist as he was a comedian, embracing eccentric and sometimes confrontational material that sometimes drew uncomfortable giggles or puzzled stares more often than belly laughs. But Kaufman's best stuff stretched the boundaries of comedy and was remarkably funny, and this video, recorded during Kaufman's 1979 show at New York City's Carnegie Hall, captures his oddball genius at its best. Watch as Kaufman imitates Elvis Presley, sings children's songs, using Native American healing techniques to raise the dead, defends his title as World's Intergender Wrestling Champion, and presents the world's most annoying lounge singer, Tony Clifton. ~ Mark Deming, Rovi

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1979  
 
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Securely imbedded as the ninth most popular program on American television, Taxi inaugurated its second season on the same network (ABC), but in a new timeslot (Wednesday rather than Thursday). A few changes had been made in the cast as well. Randall Carver, who spent all of season one playing cabdriving college student/newlywed John Burns, was suddenly written out of the series with no explanation as to where his character had gone. Filling the breach was Christopher Lloyd, repeating the role of burned-out hippie minister Reverend Jim Ignatowski that he'd originated in the first-season episode "Paper Marriage." Yanked off the streets by the compassionate cabbies of the Sunshine Cab Company, Reverend Jim himself became a driver -- and a permanent cast member -- in the third episode of season two. This was also the season that introduced a handful of semi-regulars. Rhea Perlman, longtime significant other (and later wife) of Taxi co-star Danny DeVito, made a brace of appearances as Zena Sherman, the deceptively sweet-natured girlfriend of the cab company's terrible-tempered dispatcher Louie DePalma (DeVito, of course). Also, Carol Kane was seen for the first time as Simka Dahblitz, countrywoman and sweetheart of Sunshine Cab's foreign-born mechanic Latka Gravas (Andy Kaufman), a relationship that would culminate in marriage at the end of season three.

In addition, Marc Anthony Danza, the son of Taxi regular Tony Danza, appeared twice as Brian Sims, a nine-year-old orphan who befriended kindhearted cabbie-cum-boxer Tony Banta (Danza). Basking in the success of the previous season's two-part episode "Memories of Cab 804," the producers of Taxi served up a couple of additional two-parters during the second season. The first, "Shut It Down," found the cabbies going on strike, a situation that could only be remedied if "shop steward" Elaine Nardo (Marilu Henner) made the supreme sacrifice and agree to date the despicable Louie (an earlier episode had intensified the relationship between Elaine and fellow cabbie Alex Rieger [Judd Hirsch], establishing a "will they or won't they?" situation that would permeate the remaining seasons). And in the season finale, "Fantasy Borough," the entire Taxi gang indulged in some elaborate wishful thinking prompted by a set of publicity photos left in one of the cabs by Fantasy Island star Herve Villechaize. Although Taxi would pick up two more Emmy Awards during the 1979-1980 season, the series' move to Wednesdays proved detrimental to the ratings -- which explains the shift to a new Thursday-night slot when the next season got under way. ~ Rovi

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Starring:
Judd HirschJeff Conaway, (more)
 
1979  
 
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This installment in the series of Christmas specials that, for a time, were a tradition for the legendary Man in Black features musician Johnny Cash performing songs such as "Five Feet High and Rising," and "If I Were a Carpenter." The special also features special appearances by his brother Roy Cash and father Ray Cash. ~ Cammila Albertson, Rovi

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Starring:
Ray CashRoy Cash, (more)
 
1978  
 
A true classic of the "ensemble sitcom" genre, Taxi ran for five years on two different networks, accumulating dozens of industry awards (including several Emmys) and a comparatively small but intensely vocal corps of loyal and loving viewers along the way. Most of the action took place in the garage of New York City's Sunshine Cab Company, a fiefdom ruled from his "cage" by tyrannical, short-tempered taxi dispatcher Louie DePalma (Danny DeVito, who also directed a handful of episodes). The unofficial spiritual leader and father confessors of the cabbies was Alex Rieger (Judd Hirsch), the only Sunshine driver who worked full-time and was not pursuing an outside career. The others included Elaine Nardo (Marilu Henner), whose great dream in life was to be a wealthy and influential patroness of the arts; Bobby Wheeler (Jeff Conaway, who left the series after season three), an aspiring actor; Tony Banta (Tony Danza), a would-be boxing champ; Ageing hippie "Reverend" Jim Ignatowski (Christopher Lloyd, who joined the series during its Second Season), a burned-out relic of the activist 1960s who ultimately (and amazingly) became the garage's wealthiest employee after inheriting a fortune from his father; and, during Season One only, John Burns (Randall Carver), a feckless college student. Also on the Sunshine staff was Latka Gravas (Andy Kaufman), a sweet-tempered immigrant from an indeterminate European country with an indecipherable language. During the series' fourth season, Latka married his countrywoman and sweetheart Simka Dahblitz (Carol Kane), who, beginning in season five, was listed among the regulars. (Another recurring character, assistant dispatcher Jeff was played on a sporadic basis by J. Allen Thomas, aka Jeff Thomas).

Debuting September 12, 1978, on ABC, Taxi opened to solid if not spectacular ratings, but its viewership dwindled as the network arbitrarily shifted its time slot (from Tuesday, to Wednesday, to Thursday) over the next four years. Although ABC intended to pull the plug on the program at the end of season four, popular demand from viewers and the industry alike kept the property alive -- albeit on a different network, NBC. Unfortunately, this move did not significantly improve the overall ratings, and as a result, Taxi ended its 114-episode run on July 27, 1983. (There had been an eleventh-hour attempt to revive the series on the cable service HBO, but this came to naught.) Since that time, the series has enjoyed a successful and profitable afterlife in local syndication and on basic cable. ~ Rovi

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1976  
 
This 1976 episode of Saturday Night Live is hosted by Jill Clayburgh and features musical guest Andy Kaufman. ~ Skyler Miller, Rovi

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Starring:
Jill ClayburghAndy Kaufman, (more)
 
1976  
R  
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Released theatrically as God Told Me To, this inventive film from "B"-movie auteur Larry Cohen was later re-named Demon after television distributors refused to air it under the original title. The convoluted, tabloid-flavored storyline (predating the kind of stories frequently featured on The X-Files) involves a series of motiveless murders committed by various New York residents: a sniper picks off targets from a water tower; a mild-mannered father murders his entire family; and a cop (Andy Kaufman, of all people) opens fire during a St. Patrick's Day parade. The only consistent pattern to the crimes involves the perpetrators' calm admissions of guilt, explaining, "God told me to." While investigating the murders, devoutly-Catholic police detective Peter Nicholas (Tony Lo Bianco) is increasingly troubled by evidence of a Christ-like figure named Bernard Phillips (Richard Lynch) who appeared to each of the killers and can't seem to shake the feeling that his own fate is inexplicably linked to this mysterious being. As he comes closer to the truth, his worst fears are confirmed -- particularly after a telling conversation with Bernard's tormented mother (Sylvia Sidney), who reveals the horrifying secret of her son's unnatural birth. Cohen has often used the "B"-movie format to address rather lofty concepts, and this is certainly no exception -- tackling no less than the existence of God and the nature of human beliefs -- but clumsy editing and an outrageous FX-heavy finale tend to obscure this film's unique vision. ~ Cavett Binion, Rovi

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1975  
 
The premiere episode of the long-running and influential sketch comedy series features host George Carlin and musical guests Janis Ian and Billy Preston. Most of the show's soon-to-be familiar elements are already in place, such as the announcement of "Live from New York, it's Saturday Night," the host monologue, Weekend Update news report, and parody commercials. Memorable moments include the first appearance of the Bees, guest star Andy Kaufman's "Mighty Mouse" routine, and the opening absurdist skit in which a professor (Michael O'Donaghue) teaches a non-English speaker (John Belushi) phrases such as, "I would like to feed your fingertips to the wolverines." Although the series would later be known as Saturday Night Live, this episode was introduced as NBC's Saturday Night, a moniker it would keep until the 14th episode, when the "NBC's" was dropped. The series would not actually be called Saturday Night Live until late in the second season. ~ Skyler Miller, Rovi

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Starring:
George CarlinJanis Ian, (more)