Janet Julian Movies

Set in Chicago, Heaven is a Playground is about an inner-city basketball coach and a young lawyer who set out to save a group of teen-aged boys from crime and drugs by giving them athletic scholarships and teaching them basketball. ~ Stephen Thomas Erlewine, Rovi

The gritty underbelly of New York's complex, ethnically divided criminal world is exposed in this dark drama from director Abel Ferrara. Christopher Walken stars as Frank White, a drug lord who's just been released from a long stint in prison. Aware that feeding off of society's depravity has made him a wealthy man, Frank has become determined to give something back to the city, and he hatches a scheme to build a multimillion-dollar public hospital in one of Brooklyn's worst ghetto neighborhoods. Needing the assistance of his fellow criminals to pull it off, Frank and his adjutant Jimmy Jump (Laurence Fishburne) encounter a wall of resistance from every faction, including drug-trade partner Lance Wong (Joey Chin) and temperamental cop Dennis Gilley (David Caruso). Frank's do-gooder efforts ultimately result in a Mob war and in a bloody showdown between the city's various ethnic criminal actions. Ferrara followed King of New York with a similarly themed film that many critics considered his masterpiece, Bad Lieutenant (1992). ~ Karl Williams, Rovi

This inventive low-budget action-fantasy from producer Charles Band was released briefly as Swordkill before undergoing a title change for home video. Basically a samurai variant on Iceman, the story involves the discovery of 400-year-old Japanese warrior Yoshimita (Hiroshi Fujioka) encased in glacial ice in the hills of Motosuka, Japan. Revived at a high-tech cryogenics facility in Los Angeles by scientist Dr. Chris Welles (Janet Julian), Yoshimita is forced to acclimate himself to the modern age, but his samurai code of honor compels him to continue the quest for his long-lost bride that he began in his own time. The standard fish-out-of-water premise is helped along considerably by the appealing Fujioka, who exhibits an appropriately stoic demeanor amid a blur of computerized, MTV-styled culture shock, and some well-handled action sequences. ~ Cavett Binion, Rovi

To paraphrase 1930s wit Wilson Mizner, Fear City is like a trip through a sewer in a glass-bottom boat. In exploitation-flick fashion, the film exposes the seedy "nether world" of contemporary Manhattan. Unsavory Matt (Tom Berenger) and Nick (Jack Scalia) run a topless bar/booking agency, in direct competition with equally scuzzy Goldstein (Jan Murray). It's hard to imagine anyone lower than these low-lives until we're apprised of a serial killer who dutifully keeps a record of his murders in a diary. The killer's victims are all exotic dancers and hookers, prompting Matt to suspect that Goldstein is behind the crimes, and vice versa. Once they've decided that it's better to unite against a common enemy than to throw volleys at each other, Matt and Goldstein arrange between themselves to insure the safety of the women in their employ. Meanwhile, Matt's ex-girlfriend Loretta (Melanie Griffith), saddened by the murder of her lesbian lover Leila (Rae Dawn Chong), resumes her drug habit, while a dispirited Matt begins harking back to his own sordid past. The one redeeming aspect of Fear City is the ultimate triumph over the odds by Loretta, who by process of elimination emerges as the most likeable character in the bunch. For a film of this nature, Fear City boasts an unexpectedly strong cast, including the aforementioned actors and Billy Dee Williams, Rosanno Brazzi, Joe Santos and Michael V. Gazzo. ~ Hal Erickson, Rovi

Car chases abound in this youthful, comedy action outing that centers on the rivalry between a small-town Southern sheriff and a mischievous, but basically good-hearted kid who bedevils him by joy riding in stolen cars and then destroying them. As added insult, the sheriff's daughter, the boy's steady, is frequently involved. ~ Sandra Brennan, Rovi