Pearl Jones Movies

Documentary filmmaker Philip Haas made his dramatic feature film debut with The Music of Chance, adapted from Paul Auster's terse, existential novel. The film follows the plight of two hapless drifters -- Jim Nashe (Mandy Patinkin), who is escaping family and responsibility with an inheritance and a red BMW, and Jack Pozzi (James Spader), a down-on-his-luck gambler and world class manipulator. Pozzi convinces Nashe to shoot the works and put his remaining $10,000 into a high stakes poker game against two rich suckers -- reclusive lottery winners Willie Stone (Joel Grey) and Bill Flower (Charles Durning), who share a lavish but isolated country estate, using the remains of their lottery fortune to construct a self-contained world on the grounds of their mansion. Instead of bilking the two millionaires, however, Pozzi and Nashe lose their windfall and find themselves indebted to Stone and Flowers, who compel them to work off their losses by constructing a stone monument on their estate, a chore that results in deception, flight, and possibly murder. ~ Paul Brenner, All Movie Guide

Jonathan Kaplan directs this drama which grafts a nostalgic mood piece with a race-to-the-finish road movie. Lurene Hallett (Michelle Pfeiffer) is an insulated middle-class wife living in Texas in the early 1960s who adores the Kennedys, particularly Jackie, whom she feels is a kindred soul. When she finds out the President and First Lady will be in Dallas on November 22, 1963, she races to the airport to greet the couple. Just missing them, she drives through the Dallas streets and notices a quiet chaos developing. When she finds out John Kennedy has been assassinated, Lureen is determined to get to Washington to be with Jackie for the funeral. When her redneck husband Ray (Brian Kerwin) refuses to give her the car, she gets on a bus, where she meets a black man named Johnson (Dennis Haysbert), with his five-year-old daughter Jonell (Stephanie McFadden). Lureen speaks continually about Kennedy and the rest of the black occupants of the bus roll their eyes. But after an accident with the bus, Lureen uncovers the fact that Mr. Johnson's real name is Cater, and he has kidnapped his daughter from an orphanage and is heading to Philadelphia. With the cops on their tail, the trio steals a car and race northward with the police in pursuit, Lureen hoping to make to Washington in time for Kennedy's funeral. ~ Paul Brenner, All Movie Guide

In this thriller a married woman in an unhappy marriage takes off to get some time alone and finds herself entangled with professional killers. ~ Sandra Brennan, All Movie Guide

Director Bob Clark, whose previous cinematic endeavors ran the gamut from Porky's to A Christmas Story, called the shots on From the Hip. Fresh out of law school, Robin Weathers (Judd Nelson) is hired by a law firm not known for its ethics. Weathers' first client is a man who, up to trial time, was perfectly willing to cop a plea. Instead, the novice lawyer sharkishly secures a "not guilty" verdict--not to mention a public reputation as a live wire. His jealous older colleagues decide to get even with Weathers by assigning him a case that cannot possibly be won. Thus it is that Weathers is assigned to defend insufferable murder suspect Douglas Benoit (John Hurt), who refuses to cooperate with his attorney even though he's facing a death sentence. ~ Hal Erickson, All Movie Guide

In this undistinguished Stephen King horror adaptation, the good residents of Tarker's Mill are dense enough to ignore or explain away a series of violent deaths until a little boy is torn to pieces while flying his kite after dark. At that point, the men gang up and go into the fog-shrouded woods to hunt down whatever slasher is out there. The most they achieve is the sighting of one hairy arm and a few more sacrificial victims. But life goes on, and when the summer fireworks show is cancelled because people have deduced it might be fatal to stay out after dark, the Coslaw family's invalid, wheelchair-bound son Marty goes coasting off to the bridge to shoot his own fireworks. Needless to say, the hairy killer beast that is certain to be lurking there gets shot in the eyeball by one of Marty's rockets and is now an unhappy hairy killer beast. Even when a respected town biggie starts wearing an eyepatch, no one really takes notice. They must not watch many horror films. ~ Eleanor Mannikka, All Movie Guide