John Randolph Jones Movies

Thirty years after being convicted on a stabbing-and-rape charge, the accused may be able to get a new trial. This is the result of fresh evidence unearthed by diligent detectives Briscoe (Jerry Orbach) and Logan (Benjamin Bratt). But the good news for the accused rapist is devastatingly bad news for his alleged victim, Cookie Costello (Anita Gillette), who is terrified that she will again be targeted for assault -- and possibly murder. ~ Hal Erickson, All Movie Guide

Yes, there are commies under the bed. But are there Nazis there too? Emily Crane (Kelly McGillis) is a modestly successful Life photo editor living in 1950s New York, until she is called before the Senate Un-American Activities Committee to testify about her "communist" associations. When she refuses to divulge the names of friends in her civil liberties group, she loses her employment and her friends. In desperation, she takes a job reading books for Miss Venable, a somewhat crotchety lady (Jessica Tandy) who lives in a quiet residential neighborhood. Then, while taking a break in Miss Venable's back yard, Emily overhears something from the house behind that compels her to investigate and leads her eventually to conclude that it is the headquarters of a group smuggling in ex-Nazi scientists for some mysterious purpose. Meanwhile, she is being harassed by two FBI men, on behalf of the Senate Committee, as well as by a sinister, McCarthyite, Senate investigator named Salwen (Mandy Patinkin). One of the FBI men, Cochran (Jeff Daniels), takes a liking to Emily and humors her by agreeing to investigate her suspicions. This quiet mystery is a nostalgia piece. It's '50s backgrounds are authentic and the plot device -- an innocent becoming entangled in an unbelievable conspiracy -- is closer to one of Hitchcock's masterpieces of that period (e.g., North by Northwest) than to Reservoir Dogs or Speed. The people seem to be from a simpler time, too, when the distinction between good and evil was clearer. Emily shines with idealistic integrity and the naive Cochran is so honest that he finds it impossible to deceive the target of his investigation. There is even a terrifying, "acrophobe's nightmare" scene played out in a dome high above Grand Central Station. For those tired of endless shoot-em-ups and car chases, this is the mystery to choose. ~ Michael P. Rogers, All Movie Guide

In this comedy drama, three exuberant high-school graduates finally find a direction in life when they decide to fix-up a ramshackle Catskill resort and turn it into a little slice of rock & roll heaven for teens. They work hard to make the repairs and pay the over $8,000 in back taxes. When locals hear of their plans, they misunderstand and try to stop the young men as do wicked industrialists and the corrupt president of the town council who want to use the locale to dump toxic wastes. The lively soundtrack features songs by Phil Collins, Julian Lennon, Arcadia, and Pete Townshend. ~ Sandra Brennan, All Movie Guide

The final made-for-TV movie of the calendar year 1981 (it was originally telecast on December 30), Senior Trip combines music, comedy and pathos to tell the story of a group of graduates from a staid Ohio high school. Though tightly chaperoned on their titular trip to New York City, the kids intend to cut loose and go crazy, or at least to pursue their hearts' desires (in fact, the only two students who actually want to do some sightseeing before returning home are treated like social pariahs). Among the principal characters are would-be business tyro, Roger (Scott Baio); wannabe singer, David (Randy Brooks); aspiring actress, Judy (Liz Callaway); budding artist, Jon (Jeffrey Marcus); and self-styled Lothario, Fred (James Carroll). It takes a few run-ins with the seamier denizens of the Big Apple to convince the teens that maybe the old high school wasn't so bad. Part of the film is an extended plug for the then-current Broadway smash, Sugar Babies, with Mickey Rooney showing up as himself in one of the sequences. Buried among the minor players are two promising young actors named Jason Alexander and Robert Townsend. Senior Trip was a CBS presentation. ~ Hal Erickson, All Movie Guide

"His code name is Condor. In the next 24 hours, everyone he trusts will try to kill him." As the ads ominously announced, a low-level spook confronts the unfathomable in Sydney Pollack's 1975 political thriller, adapted from the James Grady novel Six Days of the Condor. CIA researcher Joe Turner (Robert Redford) returns from lunch to find the entire staff of his small New York office assassinated. When he meets his boss (Cliff Robertson) at another location to tell him what happened, someone tries to shoot Turner as well. On the run from the cops and his agency, a desperate Turner resorts to holing up with innocent civilian Kathy (Faye Dunaway), who becomes his only ally. Joe decides to save himself the only way possible: by going to The New York Times. But will it work? One of a cycle of conspiracy films from the 1970s that also included The Parallax View (1974) and Redford's All the President's Men (1976), Three Days of the Condor pits a working Everyman (albeit a CIA everyman) against a far-reaching conspiracy, as it also criticizes the CIA during a period of increasing publicity about federal wrongdoing, from the Pentagon Papers through Watergate and other congressional investigations; the challenge of negotiating New York City, shot on location, becomes one more sign of the forces that Joe must face. With its timely subject matter, taut suspense, and sympathetic Redford hero, Three Days of the Condor became a substantial hit. Balancing the conspiracy cycle's pessimism with a margin of attenuated hope, Three Days of the Condor suggests that one man can still discover the truth, but whether it helps him remains to be seen. ~ Lucia Bozzola, All Movie Guide