James Earl Jones Movies
Possessing one of the most instantly recognizable voices in entertainment history,
James Earl Jones is one of America's most distinguished and versatile actors. Although best-known to many people as the voice of Darth Vader in
Star Wars or as the booming "Voice of CNN," Jones has led a decades-old career encompassing film, television, and the stage.
Born Todd Jones on January 17, 1931, in Arkabutla, Mississippi, Jones was the son of prize-fighter-turned-actor
Robert Earl Jones, whom he would not know for many years. At a young age, he moved to Dublin, Michigan, where he was raised on the farm of his mother's parents. Ironically enough, given that his voice would one day make him famous, Jones suffered from a severe stutter as a child, and he seldom spoke as a result. It was with the help of a high school teacher that he began to use his voice to its full potential. After entering the University of Michigan, where he went to study medicine, Jones continued to develop his voice with acting lessons. The lessons gave Jones an appetite for further theatrical experience, and he quit medicine to devote his attentions to drama study. He made his stage debut in a community theatre production in Manistee, Michigan, his last appearance for a while, as he subsequently served time in the military.
After his discharge, Jones moved to New York, where he attended the American Theatre Wing to further his training and worked as a janitor to earn a living. In 1957, he made his Broadway debut, and during the subsequent decade, he became one of the stage's most in-demand African-American actors. His best-known stage role was as a boxing champion in The Great White Hope, which in 1969 won him the first of two Tony Awards (the second was for August Wilson's Fences in 1987). During this time, Jones began working on television, appearing as a doctor on the daytime dramas Guiding Light and As the World Turns. In doing so, he became one of the first black actors to perform regularly on soaps. Jones also crossed over to the big screen, making his film debut as one of
Slim Pickens' flight crew in
Stanley Kubrick's Dr. Strangelove or How I Learned to Stop Worrying and Love the Bomb (1964). In 1970, he reprised his role in
The Great White Hope for the screen, earning Best Actor Oscar and Golden Globe nominations for his portrayal of the proud yet conflicted boxer.
Jones continued to work on the stage, screen, and television throughout the '70s, appearing in everything from documentaries about
Martin Luther King, Jr. to the 1974 comedy
Claudine to
King Lear (1977). In 1977, a few days of uncredited voiceover work for the character of Darth Vader led to a measure of screen immortality, as part of the enormous success of
Star Wars was the iconic menace of the screen villain's voice. Jones also gave life to Vader's vocal chords for the next two films in the
Star Wars trilogy.
During the '80s and '90s, Jones continued to work steadily on the stage, screen, and television. For the latter, he found particular acclaim in 1991, winning both a Best Actor Emmy for his work in Gabriel's Fire and a Best Supporting Actor Emmy for his role in
Heat Wave. The acclaim he earned on TV was ably complemented by that he found in film, as he appeared in an impressive scope of work by diverse directors in disparate genres. In the late '80s, he could be seen doing some of the best work in his film career, first as an oppressed coal miner in
John Sayles'
Matewan (1987), then as an embittered, Salinger-like author in
Field of Dreams (1989). Jones spent the next decade branching out into the blockbuster action genre with his work in
The Hunt for Red October (1990) and its two sequels,
Patriot Games (1992) and
Clear and Present Danger (1994). He also did strong dramatic work in such films as
Cry, the Beloved Country (1995) and
A Family Thing (1996), the latter of which cast him as
Robert Duvall's estranged half-brother. Somewhat ironically, it was the actor's voice that endeared him to a new generation when he voiced the character of lion patriarch Mufasa in Disney's
The Lion King (1994).
Though Jones continued to act in film and television throughout the late nineties and early 2000s, it was his voice that kept him in the spotlight. Jones reprised his role of the voice of Darth Vader in Star Wars: Episode III - Revenge of the Sith (2005), and voiced parts in films including Robots (2005), The Benchwarmers (2006), and Scary Movie 4 (2006). In 2007, Jones co-narrated the thought-provoking documentary Earth.
In addition to the entertainment industry awards he has received over the course of his career, Jones has been the recipient of a number of other honors, including The National Medal of Arts (awarded to him by President George Bush in 1992) and honorary doctorates from Yale, Princeton, and Columbia Universities. ~ Rebecca Flint Marx, Rovi

- 1975
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The UFO Incident is a TV movie based on the true-life story of Betty and Barney Hill, the biracial married couple whose alleged abduction by extraterrestrials made headlines. The film is careful not to present the Hills' reminiscences as cold facts; both "remember" the ordeal only when probed under hypnosis by doctor Barnard Hughes. The alien abduction is presented in flashback form, adhering strictly to the Hills' description of the space vessel and crew. Essentially a dual monologue, The UFO Incident is kept alive by the virtuoso performances of stars James Earl Jones and Estelle Parsons. Particularly compelling is the fact that Jones' character resists the memory of his experience because he is afraid of suffering a fatal heart attack--which, we are informed in the epilogue, was indeed the ultimate fate of Barney Hill. ~ Hal Erickson, Rovi
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- 1974
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Martin Luther King Jr.: Legacy of a Dream discusses the life and times of Dr. King, the pioneer of nonviolent protest and brilliant orator for public good. It also explores the power of his enduring legacy. From the successful 1955 city bus boycott in Montgomery, AL, to the victorious enactment of the Voting Rights Act of 1965, the documentary examines the civil rights struggle and looks optimistically to the future for continued change. James Earl Jones narrates. ~ Betsy Boyd, Rovi
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- 1974
- PG
- Add Claudine to Queue
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Claudine (Diahann Carroll) is an impoverished African-American Harlem resident. Unmarried, Claudine supports herself and her six children by working as a maid--albeit secretly, so she can still qualify for welfare. Garbageman James Earl Jones falls in love with Claudine, and after strenuous effort manages to win the affections of her suspicious kids. Just when it seems as though there's a marriage in the offing, Jones runs off. Claudine's kids hunt him down and shame him into returning to their mother. ~ Hal Erickson, Rovi
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- Starring:
- Diahann Carroll, James Earl Jones, (more)

- 1974
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- Add King Lear to Queue
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James Earl Jones gave one of his finest performances in the title role of Joseph Papp's acclaimed New York Shakespeare Festival production of the Bard's tragedy, putting a new spin on this classic story of one family's vainglorious battle over the affections and favor of an aging monarch. Jones and the production's original cast re-created their roles for this 1974 television special; the supporting cast includes Raul Julia, Rosiland Cash, Paul Sorvino, René Auberjonois, and Lee Chamberlin. ~ Mark Deming, Rovi
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- 1974
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- 1974
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- 1972
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Rod Serling, a master of speculative scriptwriting, penned the screenplay of The Man. Set a few days into the future, the story contrives to kill off the President, the vice president, and virtually everyone in line of succession in a bizarre accident. This turn of events elevates African-American senator James Earl Jones directly into the Oval Office. Based on a novel by Irving Wallace, The Man was originally intended as TV movie, but released theatrically because most sponsors were afraid of its supposed controversial content. ~ Hal Erickson, Rovi
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- Starring:
- James Earl Jones, Martin Balsam, (more)

- 1972
- PG
This 1972 documentary tribute to the life and work of the assassinated Black Muslim leader Malcolm X was poorly received at the time of its release. However, it has grown in importance as Malcolm's place in African American history has grown. The backbone of the documentary is based on The Autobiography of Malcolm X. This documentary, made with the help of the Malcolm's wife Betty Shabazz, recounts the life and ideas of this controversial man. James Earl Jones, Ossie Davis and Steve Benderoth provide the narration. In addition to clips of Malcolm X in public interviews and speeches, numerous important civil rights figures are featured, as well as important public officials from the period. In 1992, director Spike Lee released another major film biography of Malcolm X, called Malcolm X. ~ Clarke Fountain, Rovi
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- 1970
- PG13
- Add The Great White Hope to Queue
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Although the characters' names were changed, The Great White Hope was a thinly veiled account of the trials and tribulations of boxer Jack Johnson, based on the play by Howard Sackler and directed by Martin Ritt. James Earl Jones stars as boxing great Jack Jefferson, who defeats Frank Bardy Larry Pennell in a Reno, Nevada bout to become the world's first black heavyweight champion. After crossing a state line with his white girlfriend Eleanor (Jane Alexander in her feature debut), however, Jack is arrested and tried under the miscegenation-barring Mann Act. Found guilty and sentenced to three years in prison, Jack escapes and leaves the U.S., but he's dogged by his now bad reputation and can't get honest work as a fighter. Offered his freedom from criminal charges if he'll agree to a fixed fight in Cuba that will restore the title to a white contender, Jack refuses and Eleanor commits suicide, their life on the run overwhelming her. Jack finally accepts the bout in Havana, but he fights his opponent with everything he's got. ~ Karl Williams, Rovi
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- Starring:
- James Earl Jones, Jane Alexander, (more)

- 1970
- R
Stacy Keach stars in this picture as Jake Horner, a college professor beset with a wide variety of emotional problems. He seeks out help in therapy, conducted by unorthodox psychologist Dr. D (James Earl Jones). The bizarre treatment leads Horner into the arms of Rennie Morgan (Dorothy Tristan), the wife of a fellow teacher; their affair ugly has disastrous consequences for all concerned. End of the Road was adapted from a novella by John Barth. The film was originally rated X by the MPAA in 1970, but then re-rated R (sans edits) for its 2012 DVD premiere. ~ Hal Erickson, Rovi
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- Starring:
- Stacy Keach, Harris Yulin, (more)

- 1967
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The humorous title of this story taken from the novel by Graham Greene gives the viewer the wrong impression. The story concerns the residents of a once-posh hotel in Haiti and the fate of the country's people under the despotic dictator Papa Doc Duvalier. Martha (Elizabeth Taylor) is the philandering wife of a South American ambassador Peter Ustinov. She seeks solace in the arms of hotel-owner Brown (Richard Burton), whose main focus is to keep making improvements on his crumbling building. Alec Guinness plays Jones, the suave charlatan who claims to be a retired military officer to hide his vocation as a shadowy weapons dealer. Brown later gets a sudden twinge of morality and decides to go off to the mountains to help the rebels in their heroic cause. Watch for silent film great Lillian Gish as Mrs. Smith in this plodding drama. ~ Dan Pavlides, Rovi
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- Starring:
- Richard Burton, Elizabeth Taylor, (more)

- 1964
- NR
- Add Dr. Strangelove or How I Learned to Stop Worrying and Love the Bomb to Queue
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In 1964, with the Cuban Missile Crisis fresh in viewers' minds, the Cold War at its frostiest, and the hydrogen bomb relatively new and frightening, Stanley Kubrick dared to make a film about what could happen if the wrong person pushed the wrong button -- and played the situation for laughs. Dr. Strangelove's jet-black satire (from a script by director Stanley Kubrick, Peter George, and Terry Southern) and a host of superb comic performances (including three from Peter Sellers) have kept the film fresh and entertaining, even as its issues have become (slightly) less timely. Loaded with thermonuclear weapons, a U.S. bomber piloted by Maj. T.J. "King" Kong (Slim Pickens) is on a routine flight pattern near the Soviet Union when they receive orders to commence Wing Attack Plan R, best summarized by Maj. Kong as "Nuclear combat! Toe to toe with the Russkies!" On the ground at Burpleson Air Force Base, Group Capt. Lionel Mandrake (Peter Sellers) notices nothing on the news about America being at war. Gen. Jack D. Ripper (Sterling Hayden) calmly informs him that he gave the command to attack the Soviet Union because it was high time someone did something about fluoridation, which is sapping Americans' bodily fluids (and apparently has something to do with Ripper's sexual dysfunction). Meanwhile, President Merkin Muffley (Sellers again) meets with his top Pentagon advisors, including super-hawk Gen. Buck Turgidson (George C. Scott), who sees this as an opportunity to do something about Communism in general and Russians in particular. However, the ante is upped considerably when Soviet ambassador de Sadesky (Peter Bull) informs Muffley and his staff of the latest innovation in Soviet weapons technology: a "Doomsday Machine" that will destroy the entire world if the Russians are attacked. ~ Mark Deming, Rovi
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- Starring:
- Peter Sellers, George C. Scott, (more)

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Discover the eco-system and its participants. ~ Rovi
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Learn about the humpback whale. ~ Rovi
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