Keith Johnson Movies
An orphaned boy is thrown head-first into a new and different life in this drama. Twelve-year-old Hector (Jacob Kiron Shalov), who has lived all his life in New Jersey, is riding in the car with his mother when they're struck by another driver; Hector receives only minor injuries, but his mother is killed. With nowhere else to go, Hector is forced to take up an offer to stay with his grandmother, who lives in the Philippines and has never met him. Hector can't speak Tagalog and his grandmother Lita (Angie Ferro) knows no English; not only can't they communicate, but Hector and Lita soon discover they don't much like one another. The teeming slums of Manila are like no place Hector has ever seen, and with few other options he falls in with a gang of teenage thugs led by Miguel (Pierro Rodriguez), who goads him into breaking into a house in a well-to-do neighborhood. Hector is caught red-handed by the owner of the house, Jose (Jaime Tirelli), a photographer who speaks fluent English. Jose insists that Hector work off the damage he's done, but he soon takes the boy under his wing, teaching him a bit about photography and giving him chores to keep him out of trouble. Hector also attracts the attention of a pretty girl, Sel (Maria Lopez), but while they're clearly fond of one another, Hector soon discovers Sel already has a boyfriend -- Miguel. Santa Mesa was the first feature film from writer and director Ron Morales. ~ Mark Deming, Rovi
- Starring:
- Jacob Kiron Shalov, Angie Ferro, (more)
Director Tim Hunter (The River's Edge) and screenwriter Nicholas Pileggi (Casino) join forces for this fact-based crime thriller detailing the downfall of Miami's hottest nightclub. Chris Troiano (Jason Gedrick) owns the trendiest nightclub in all of South Beach; a place where the line always winds down the block and only the most beautiful people make it past the velvet rope. Andy (Donnie Walhberg) is Troiano's right-hand man, and whatever the boss says, goes. Lately, the local law enforcement has been snooping around the club, an unsettling fact that doesn't set well with the steroid shooting club owner. The cops know that Troiano is crooked, and it's only a matter of time before he slips. When he does, the storm that follows will blow in from a direction Troiano never anticipated. ~ Jason Buchanan, Rovi
This follow-up to 1989's unexpected comedy hit Major League continues the broadly humorous adventures of the misfit Cleveland Indians. No longer the scrappy survivors who pulled off an upset championship victory, the Indians have let success go to their heads, accepting movie roles and hefty endorsement deals. Unfortunately, with success comes complacency, and the Indians soon wind up back in last place. When this poor performance winds up threatening the franchise, the team rediscovers its roots and again achieves unlikely success. Original director David S. Ward brings back most of the first film's memorable characters, including unconventional pitcher Rick "Wild Thing" Vaughn (Charlie Sheen), voodoo practitioner-turned-Buddhist Pedro Cerrano (Dennis Haysbert), and base stealer-turned-movie star Willie Mays Hayes (Omar Epps, replacing Wesley Snipes). ~ Judd Blaise, Rovi
- Starring:
- Charlie Sheen, Tom Berenger, (more)
Spike Lee and his siblings Cinque Lee and Joie Lee co-wrote this nostalgic but unglamorized look at a family growing up in Brooklyn in the 1970s, inspired by their own childhood. Woody Carmichael (Delroy Lindo) is a jazz musician whose career is in a slump; he once made a good living as a session musician, but he has moved away from it to devote himself to more serious music, a choice that has not worked out well from a financial standpoint. His wife Carolyn (Alfre Woodard) works as a school teacher to keep food on the table. The Carmichaels have five children, a bright and introspective daughter named Troy (Zelda Harris) and four sons with a habit of causing trouble, and they all share an apartment in a brownstone in Brooklyn. Crooklyn follows the Carmichaels as the kids learn the funny and painful lessons of growing up, Mom and Dad balance their love for each other against the financial and personal difficulties of the creative life, and they all try to get along with the often eccentric neighbors on their block. Crooklyn's soundtrack is enlivened by classic 70s R&B hits, including selections by Sly and the Family Stone, The Jackson Five, Curtis Mayfield, The Staple Singers, and The Chambers Brothers. ~ Mark Deming, Rovi
- Starring:
- Alfre Woodard, Delroy Lindo, (more)
- 1993
Originally telecast in the prime time slot following the 1993 Super Bowl, episode one of Homicide: Life on the Street wastes no time getting started, introducing the viewer to a myriad of characters and no fewer than three murder cases. Newly arrived at the Baltimore PD homicide division from the mayor's office, rookie detective Tim Bayliss (Kyle Secor) is assigned by Lt. Al Giardello (Yaphet Kotto) to investigate a brutal strangulation. Bayliss is teamed with Frank Pembleton (Andre Braugher), the division's prickly lone wolf who balks at working with a partner. Other cases on the "board" involve a woman who has evidently murdered several husbands for the insurance, an assignment given to detectives Medrick Lewis (Clark Johnson) and Steve Crosetti (Jon Polito); the hit-and-run killing of Jenny Goode, a three-month-old case reopened by detectives Stan Bolander (Ned Beatty) and John Munch (Richard Belzer); and a fourth murder, one which Sgt. Kay Howard (Melissa Leo) would rather handle on her own so as not to jeopardize her winning "cases solved" streak, but one for which Howard is reluctantly teamed with Detective Beau Felton (Daniel Baldwin). Barry Levinson won an Emmy award for his direction of this episode. ~ Hal Erickson, Rovi
- Starring:
- Daniel Baldwin, Ned Beatty, (more)
The third film written and directed by playwright David Mamet, this combination of crime drama and character study stars several of Mamet's stock players. Joe Mantegna stars as Bobby Gold, a detective with a gift for negotiation who, along with his partner Tim Sullivan (William H. Macy), accidentally stumbles upon a crime scene -- the murder of an elderly Jewish woman in her corner store. When it turns out that the victim was politically well-connected and Jewish, Bobby's superiors assign him the case because he's also Jewish. The problem is that Bobby isn't very religious and he resents being taken off a higher profile drug investigation involving a dealer, Randolph (Ving Rhames). Bobby's also highly skeptical when the murdered woman's family claims that her death was not a simple robbery but an anti-Semitic hate crime. As he gets deeper into his case, however, Bobby discovers that a larger conspiracy may be afoot, and he begins to question his own ethnic roots. ~ Karl Williams, Rovi
- Starring:
- Joe Mantegna, William H. Macy, (more)
This uproariously bad sci-fi horror oddity plays like a modern version of a cheesy '50s alien invasion flick, only not as clever. The filmmakers deserve some credit for throwing everything but the kitchen sink into the plot (and perhaps even the sink's in there somewhere), which involves the diabolical plans of three silver-suited aliens, played by -- ready for this? -- John Carradine, Julie Newmar (TV's Catwoman), and Tina Louise (Ginger from Gilligan's Island), who hire a couple of drunken wrench jockeys (Neville Brand and Aldo Ray) to help them abduct a bunch of lame-brained teenage campers for use in the production of a youth-restoring serum. This allows for endless riffing on the Friday the 13th scenario, as over-sexed teens are stalked by ski-masked Brand and Ray. B-movie fans should be forewarned that this film's once-in-a-lifetime acting ensemble does virtually nothing to enhance the negligible entertainment value. ~ Cavett Binion, Rovi
Directed by Willie Hodges, Keith Wonderboy Johnson and the Spiritual Vocies: Send a Revival features the inspirational gospel music ensemble performing several of their greatest hits, as well as a passionate rendition of their latest single, "Send a Revival". The group itself formed within The Harlem Boys Choir of New York, where they joined hands and voices with the goal of preserving as well as spreading the traditional gospel movement. ~ Tracie Cooper, Rovi
