Joanna Johnson Movies

An elderly community handyman and notorious curmudgeon effectively isolates himself from his friends and neighbors by suing his lifelong best friend over a minor transgression in director Neal Miller's character-driven comedy drama. Flagg Purdy (Alan Arkin) is a cantankerous old coot who prides himself on principle. Despite Flagg's gruff exterior, his longtime wife, Ada (Barbara Dana), still cherishes her husband, and knows that his heart has always been in the right place. The pair's six grown children know too that their father has always meant well, even in times when his questionable parenting skills may have fallen a little on the heavy-handed side. One day, while playing his weekly game of checkers with friend and neighbor Gus Falk (Austin Pendleton), Flagg angrily accuses his nonplussed opponent of cheating. Though Gus is initially able to laugh off the accusation, the conflict soon escalates when Flagg storms into Gus' general store complaining that his friend's sheep have been relieving themselves a little too close to the well that supplies the Purdys' drinking water. When Gus retorts by pointing out that it is his well, and that the sheep are also his, the enraged Flagg responds by suing his neighbor. Though a surprise witness nets Flagg an unexpected win in the courtroom, the resulting effect that his litigious actions have on the family's already tenuous community relations soon leave his family in the lurch. Subsequently retiring to his "deathbed" and requesting the presence of his children before he bids the cruel and uncaring world a final farewell, Flagg is forced to consider that he may be more like his stubborn father than he would care to admit as, one by one, his offspring fail to bring their father back from the "brink." ~ Jason Buchanan, Rovi

This made-for-cable biopic is a slightly campy recounting of the lives, careers, and inbred rivalry between twin-sister gossip columnists Ann Landers and Abigail Van Buren -- both characters played by Wendie Malick, in what one critic described as "a weird tour de force." Covering a period between the early '50s and the late '90s, the film begins with the childhood of Ann and Abby (née Esther and Pauline Friedman), growing up Jewish in the heart of WASP country (namely, Sioux City, IA). Their subsequent lives develop in an eerily simultaneous fashion, as both are married in a dual ceremony, both launch their journalistic careers, and both achieve national success at almost exactly the same time. Fiercely competitive, the two women strive gallantly to be as "different" as possible, yet the vast reading public continues to refer to them both in the same breath, though those same readers are almost evenly divided in following the advice dispensed individually by Ann and Abby. As it turns out, the rift between the sisters can only be repaired when they learn to follow their own advice. With so much attention lavished on the two protagonists, it is nothing short of amazing that the ladies' husbands and children are given any screen time at all. Covering its four-decade time period in typical movie-shorthand fashion (virtually every scene takes place during a famous historical event), the film leaves the viewer breathless, though probably no more knowledgeable about what really made Ann and Abby tick than when the story began. Take My Advice: The Ann and Abby Story first aired July 19, 1999, on the Lifetime channel. ~ Hal Erickson, Rovi

Once again, it's horror on a college campus. The difference between this and other entries in the slice-n-dice genre is that bloodflow is minimal and most of the horror occurs off-screen. That is not to say that there are no queasy acts of violence though. Set just before April Fools Day, the story centers on a trio of sorority pledges who attend a dance held at a haunted frat house where two decades before a pledge lost his head in a hazing gone awry. During the party, the dead frat boy rises up from his gravesite (located in the backyard), takes over the body of one of the girl pledges and embarks upon an evening of bloody, inventive revenge using a variety of tools that include but are not limited too garden utensils, electric wires and even a guillotine. ~ Sandra Brennan, Rovi