Dan Wilcox Movies

A new production staff is at the helm as Growing Pains launches its seventh and final season. The most significant development this year occurs when aspiring actor Mike Seaver (Kirk Cameron) returns to his family's Long Island home accompanied by 15-year-old homeless youngster Luke Brower, played by none other than Leonardo DiCaprio). Mike had met Luke while temporarily teaching at the inner-city Community Health Center, and felt that the boy could benefit by living in a loving and supportive family situation. Luke does his best to fit in with the Seavers, but he has serious honesty and behavior issues to deal with -- not to mention the unexpected return of his irresponsible father, George (Gary Grubbs). Mike himself has managed to land a role on the daytime soap opera "Big City Secrets," somewhat justifying his decision to pursue a show-business career to his doubting parents Jason (Alan Thicke and Maggie (Joanna Kerns) -- even though his TV character, "Strong Waverly," spends most of his time in a coma with no lines to speak. As for the other Seaver youngsters, 7-year-old Chrissy (Ashley Johnson) is now regularly attending school, making an effort to follow the rather dubious social and academic advice dispensed by her 16-year-old brother Ben (Jeremy Miller). Meanwhile, oldest daughter Carol takes leave of Columbia University to study abroad in London. This plot development was necessitated by the ongoing serious health problems of actress Tracey Gold, whose battle with anorexia had forced her to drop out of the series. Both Carol and Gold's absence were touchingly acknowledged in an episode wherein Ben cheers up his absent sister by sending her a family video that he has filmed. Of the season's guest stars, special attention should be paid to the actress playing the haughty Sasha Serotsky in the episode "Menage a Luke." Yes, it is Hilary Swank, long before either one of her two Oscar-winning film performances. The series ends with the two-part "The Last Picture Show," as the Seaver family prepares to move to Washington so that Maggie can accept a job as media-relations director for a prominent senator -- and in what is almost an afterthought, Mike finally proposes to his erstwhile girlfriend Kate Malone. ~ Hal Erickson, All Movie Guide

The civilian and military press make a media circus out of the 4077th when famous prizefighter Gentleman Joe Cavanaugh (Pat McNamara) suffers a stroke while touring the camp. After saving Cavanaugh's life, Hawkeye (Alan Alda) is lauded as a hero--an appellation he quickly comes to resent. And speaking of heroes, the usually unflappable Father Mulcahy (William Christopher) is distraught over the plight of his longtime idol Gentleman Joe. ~ Hal Erickson, All Movie Guide

Hawkeye (Alan Alda) receives a letter from Mildred Potter, the wife of the 4077's commanding officer Col. Potter (Harry Morgan). Sworn to secrecy, Hawk refuses to divulge the contents of the letter to Potter, despite intense pressure on the part of the curious Colonel. The next assignment on Hawkeye's agenda is to organize a surprise party for Potter--and we aren't about to tell anyone the reason, either. ~ Hal Erickson, All Movie Guide

Its ninth season shortened to a mere 20 episodes thanks to a Hollywood writers' strike, M*A*S*H returned to a full 24-episode manifest for its tenth season, which began in October of 1981. With the defection of series regular Gary Burghoff two seasons earlier, the starring-cast lineup was now firmly "set" at seven actors--Alan Alda, Mike Farrell, Harry Morgan, Loretta Swit, David Ogden Stiers, Jamie Farr and William Christopher--and would remain so until its 11th and final season one year later. Although there were signs of fatigue and repetition during season 10, for the most part M*A*S*H managed to remain fresh and surprising with the occasional "gimmick" episode. The most noteworthy of these was the program's only foray into the paranormal, "ollies of the Living--Concerns of the Dead", in which the ghost of a dead GI looked on as the surgeons of the 4077th saved the life of his wounded buddy--and also occasionally carried on other-worldy conversations with a feverish Cpl. Klinger (Jamie Farr). M*A*S*H's ratings continued to be impressive during the 1981-82 season, though its drop from fourth to ninth place indicated that viewers might have been taking the decade-old series for granted. The same could not be said of the people responsible for the Emmy awards, who bestowed upon M*A*S*H its tenth and eleventh Emmys, with costars Alan Alda and Loretta Swit as the lucky recipients. ~ Hal Erickson, All Movie Guide

A young corporal who swapped his dog tags with a friend is consumed by guilt when that friend dies in battle. As the doctors of the 4077th wrestle with this problem, they must also deal with the crestfallen recipient of a "Dear John" letter. And friendly enemies B.J. (Mike Farrell) and Charles (David Ogden Stiers) joins forces to challenge a wheeler-dealer GI securities salesman who threatens to bankrupt the camp. ~ Hal Erickson, All Movie Guide

500,000 tongue depressors are mistakenly delivered to the 4077th. Outraged at this spectacular blunder--especially since several more necessary supplies are still missing--Hawkeye (Alan Alda) decides to use the wooden stick to erect a "monument to stupidity." This proves to be a hot scoop for Klinger (Jamie Farr), who has just launched his own camp newspaper. ~ Hal Erickson, All Movie Guide

Doing some creative math in his off-hours, Hawkeye (Alan Alda) figures out how much money he would have made during the Korean war if he'd been a civilian doctor. Dutifully annotating the results, Hawk presents the Army with a bill for services rendered. And on another front, Charles (David Ogden Stiers) arrogantly demonstrates the latest American doctoral techniques to three Korean medics--and thereby sets himself up for another generous serving of Humble Pie. ~ Hal Erickson, All Movie Guide

Hawkeye (Alan Alda) and psychiatrist Sidney (Allan Arbus)tackle the problem of Sgt. Yee (Clyde Kusatsu), a much-decorated war hero. It seems that Yee's fearlessness on the battlefield is a direct result of his trying to kill himself. Meanwhile, Klinger (Jamie Farr) begins to wonder if it was such a good idea to forge Colonel Potter's name on a set of discharge papers. ~ Hal Erickson, All Movie Guide

Will Father Mulcahy (William Christopher) finally get the promotion that has so long been denied him? Though sympathetic to Mulcahy's plight, the doctors of the 4077th have got problems of their own. A big brawl at Rosie's bar has sent the proprietor to a hospital bed and placed the doctors in charge of dispensing liquor to the customers. ~ Hal Erickson, All Movie Guide

The phenomenal success of the 1977 ABC miniseries Roots all but demanded a sequel to writer Alex Haley's epic story of his African and African-American forebears. Debuting February 18, 1979, Roots: The Next Generations picked up where its predecessor left off, with Haley's slave ancestors winning their freedom in the aftermath of the Civil War. Even so, life for black Americans was wrought with hardship and oppression thanks to the rise of the Ku Klux Klan, the staunch refusal of the white power structure to pass anti-lynching laws, and the formation of the dreaded Jim Crow laws which legalized racial segregation in the South (and much of the North). Covering the period from 1882 to the mid-1970s, the miniseries first focuses on blacksmith Tom Harvey (Georg Stanford Brown), great-grandson of Kunta Kinte (the protagonist of the original Roots), and his family. Meanwhile, reacting to the marriage of his son to a black woman, anal-retentive Southern colonel Warner (Henry Fonda) begins setting the legal wheels in motion to deny blacks like Tom the right to vote and to hold "white" jobs. A few decades later, Tom's son-in-law encourages his fellow blacks to stand firm against the KKK's reign of terror. His labors on behalf of his race are rewarded when his daughter Bertha (Irene Cara) becomes the first descendant of Kunta Kinte to receive a college education. It is Bertha Palmer who weds the equally ambitious Simon Haley (Dorian Harewood), who goes on to serve in WWI and to organize farmers and sharecroppers during the Depression. Simon's son Alex (played at various ages by Kristoff St. John, Damon Evans, and finally James Earl Jones) is just as determined to succeed in a white man's world as his father, and to that end becomes a professional writer after his own service stint in the Coast Guard during WWII. At the height of his professional success (largely due to his having ghost-written the autobiography of Muslim activist Malcolm X), Alex Haley pays a visit to his boyhood hometown -- where, almost by accident, he receives the first clue to his heritage, a clue that will lead him on an odyssey of self-discovery, arriving full circle at Kunta Kinte's birthplace in Africa. Although the miniseries' "money scene" was Haley's nervous interview with American Nazi Party leader George Lincoln Rockwell (Marlon Brando in a superb cameo turn), the climactic episode, in which Haley tearfully embraces the living African descendants of Kunta Kinte, is one of the most unforgettable moments in the history of network television. Running 12 episodes and 14 hours, Roots: The Next Generations concluded on February 25, 1979, playing to huge ratings all along the way and ultimately garnering several Emmy nominations (and one win). ~ Hal Erickson, All Movie Guide

It probably seemed like a good idea at the time when Mel (Vic Tayback), Marie (Victoria Carroll), Alice (Linda Lavin), Flo (Polly Holliday) and Vera (Beth Howland) decided to go off together on a weekend fishing trip. Unfortunately, circumstances dictate that the five would-be anglers must spend all their time packed like sardines in the same tiny cabin. Ultimately, even the cabin isn't big enough for everyone, resulting in a mass migration to the bathtub! ~ Hal Erickson, All Movie Guide

Now in its seventh season on the air, the irreverent military comedy series M*A*S*H continued to roll along like a well-oiled machine. The most significant change during season six, the introduction of the insufferable but brilliant surgeon Maj. Charles Emerson Winchester (David Ogden Stiers), had registered quite well with viewers and fellow cast members alike. Less successful had been the scripting decision of marrying off the 4077th's head nurse Margaret Houlihan (Loretta Swit) (who out of respect for changing attitudes toward gender stereotyping no longer bore the demeaning nickname "Hot Lips") to the handsome Lt. Col. Donald Penobscott, especially since viewers seldom saw Margaret's elusive husband. Thus, Penobscott was written out of the show via a quickie divorce at the end of the 1978-79 season. The season itself was distinguished by a number of memorable episodes, as well as a welcome revival of a "gimmick" that had registered well during season four: A "documentary"-style installment, filmed in black-and-white in the manner of a 1950s documentary, wherein TV correspondent Clete Roberts interviewed the men and women of the 4077th. This episode, "Our Finest Hour", was expanded to a full hour, the better to accommodate "flashback" excerpts featuring such long-departed M*A*S*H regulars as Wayne Rogers, Maclean Stevenson and Larry Linville. In another, even more ambitious "gimmick" episode, "Point of View," the action was seen entirely through the eyes of a seriously wounded GI. It was also during this season that reruns of M*A*S*H were telecast on CBS' daytime lineup. The following year, the series would enter local syndication, where it continued to run until well into the 21st century. ~ Hal Erickson, All Movie Guide