Ariyan Johnson Movies
A murder on a military base unearths a netherworld of corruption in this thriller based on the novel by Nelson DeMille. General Joe Campbell (James Cromwell) is a respected military leader with a flawless reputation; he's due to retire from the Army soon and is headed for a Vice-Presidential nomination. However, Campbell finds himself in both a personal and political crisis when his daughter is brutally murdered. Captain Elizabeth Campbell (Leslie Stefanson) was beautiful, intelligent, disciplined, and well-regarded, the very model of an ideal female officer; she was also stationed at the same base as her father. Paul Brenner (John Travolta), a warrant officer of the Army's Criminal Investigation Division, is assigned to look into the case alongside CID officer Sara Sunhill (Madeleine Stowe). Brenner and Sunhill were once romantically involved, complicating an assignment that soon offers more than enough complications of its own. Brenner and Sunhill come to realize that, for all her accomplishments, Elizabeth carried a lifetime of emotional scars from emotional abuse and sexual harassment, and that, despite the General's reputation, his relationship with his daughter was not always a happy or healthy one. It also seems possible that the General's second-in-command, General George Fowler (Clarence Williams III), a likely candidate for the Joint Chiefs of Staff, may also be implicated in the crime. The General's Daughter was the second feature film for director Simon West; his full-length debut was Con Air (1997), after a long string of successful television commercials and music videos. ~ Mark Deming, Rovi
- Starring:
- John Travolta, Madeleine Stowe, (more)
Warren Beatty directed, co-produced (with Pieter Jan Brugge), co-scripted (with Jeremy Pikser), and stars in this political satire, a comedy drama about a U.S. senator who decides to start speaking the truth. Despondent California senator Jay Bulworth (Beatty), up for re-election, is disillusioned by the usual campaign banalities; his marriage to Constance (Christine Baranski) seems equally hollow. In the midst of a nervous breakdown, Bulworth goes without sleep or food for three days and takes out a ten-million-dollar insurance policy on himself while arranging his own assassination. Drinking during a return to Los Angeles, Bulworth is scheduled to speak at an African-American church in South Central L.A. Once there, he tosses aside his prepared speech, startling both the audience and his campaign manager, Murphy (Oliver Platt), by improvising truthful remarks instead of the familiar rhetoric. These loose-cannon salvos gain the attention of an attractive young woman, Nina (Halle Berry). Bulworth finds an exhilaration with this new freestyle approach, and after shocking a gathering in Beverly Hills with further fulminations, Bulworth invites Nina and her girlfriends into his limo. During a spaced-out sojourn at one of South Central's more frenzied after-hours clubs, Bulworth gains respect for hip-hop culture.
Still reeling from insights gained by this nightlife, he arrives the next day for a fundraising function at the Beverly Wilshire, startling everyone with a diatribe delivered in the intonations of a rap artist. His interest in Nina and his new optimistic outlook on life give Bulworth a sense of elation and a will to live. He phones to call off the hit, but the gears have been set in motion. After an assumed hitman turns up during a church appearance, Bulworth flees, and Nina offers him a safe-house hideout at the home of her family, veterans of the civil rights movement. Here Bulworth goes through the final steps in his transformation -- making a Kennedy-styled connection with the disenfranchised as he tunes in to forgotten memories of the '60s. Outfitted in homeboy clothing, the born-again Bulworth heads for a TV station to unleash even more caustic comments on the American political scene. ~ Bhob Stewart, Rovi
Still reeling from insights gained by this nightlife, he arrives the next day for a fundraising function at the Beverly Wilshire, startling everyone with a diatribe delivered in the intonations of a rap artist. His interest in Nina and his new optimistic outlook on life give Bulworth a sense of elation and a will to live. He phones to call off the hit, but the gears have been set in motion. After an assumed hitman turns up during a church appearance, Bulworth flees, and Nina offers him a safe-house hideout at the home of her family, veterans of the civil rights movement. Here Bulworth goes through the final steps in his transformation -- making a Kennedy-styled connection with the disenfranchised as he tunes in to forgotten memories of the '60s. Outfitted in homeboy clothing, the born-again Bulworth heads for a TV station to unleash even more caustic comments on the American political scene. ~ Bhob Stewart, Rovi
- Starring:
- Warren Beatty, Halle Berry, (more)
- 1995
Memories of the Patty Hearst affair are invoked in this episode, in which detectives Briscoe (Jerry Orbach) and Curtis (Benjamin Bratt) investigate a series of murders committed by a ski mask-wearing holdup team. After the criminals are captured in a deli, it turns out that one member of the team, Leslie Harlin (Amanda Peet), was allegedly kidnapped by the others. Did she willingly participate in the crime spree, or was she acting against her will? ~ Hal Erickson, Rovi
- 1993
- R
- Add Just Another Girl on the I.R.T. to QueueAdd Just Another Girl on the I.R.T. to top of Queue
A teen girl struggles to reconcile her desire for self-improvement with her rebellious nature and her lack of maturity in this coming-of-age drama, which won first-time director Leslie Harris a special jury prize at the 1993 Sundance Film Festival. Chantel (Ariyan Johnson), the self-possessed eldest child of hard-working parents in a Brooklyn housing project, hangs with her homegirls, helps out at home, studies hard, and holds down a part-time job. Stymied by teachers whose lessons she doesn't find relevant, Chantel asks her guidance counselor to let her graduate early so she can get a jump on college and eventually medical school; he declines, telling her that her explosive temper proves she lacks the necessary maturity. Meanwhile, frustrated by her responsibilities at home, Chantel begins making time with boys -- first with her broke but sweet neighbor, Gerard (Jerard Washington), then with the financially well-off, parentally unsupervised Tyrone (Kevin Thigpen), who refuses to wear a condom when Chantel begins having sex with him. When she becomes pregnant, Tyrone flips out and tries to pressure her into having an abortion; Chantel refuses, goes deep into denial, hides her pregnancy, and alienates even her best friend, Natete (Ebony Jerido). Reportedly shot for 100,000 dollars in just 17 days, Just Another Girl was billed as the first film ever written, directed, and produced by an African-American woman. The actors are mostly unknowns, although star Johnson would go on to appear in Hollywood features such as Bulworth and The General's Daughter. The hip-hop-heavy soundtrack made prominent and repeated use of rapper Nikki D's "Daddy's Little Girl," whose lyrics echo the film's story line and whose chorus samples "Tom's Diner" by Suzanne Vega. ~ Brian J. Dillard, Rovi
- Starring:
- Tony Wilkes, Ariyan Johnson, (more)
