Patti Jerome Movies

As if in some way Billy Wilder sensed that Buddy Buddy would ultimately turn out to be his final feature film, Wilder lets loose scatter-shot stingers at a wide range of pop-culture targets -- from sex clinics, to 60 Minutes, to movie references, to disco, to Betamax video recorders. Based on Francis Veber and Edouard Molinaro's L'emmerdeur (known in the United States as A Pain in the A. . .), Buddy Buddy concerns the unlikely pairing of a gruff hitman and a suicidal klutz. Walter Matthau plays a professional killer going by the name of Trabucco, who is on his way to rub out gangster Rudy "Disco" Gambola (Fil Formicola), set to testify against the mob. As Trabucco heads off to a hotel across the street from the courthouse where he plans to set his hit, he runs into the depressed Victor Clooney (Jack Lemmon), who laments the fact that his wife has left him for the head of a weird Californian sex clinic. Trabucco keeps walking and sets up his rifle in a hotel room. He is disturbed by Victor trying to hang himself in the adjoining hotel room and tries to prevent him from killing himself by restraining him, but Victor breaks loose and climbs onto the ledge of the hotel window. To get Victor to come back in, he agrees to drive him to the clinic to see his wife. The two go to the clinic where Victor's wife Celia (Paula Prentiss) informs Victor that she is in love in the head of the clinic, quack Dr. Zuckerbrot (Klaus Kinski). When Victor finds out that Celia is filing for divorce, he heads back to the hotel to kill himself, with Celia and Dr. Zuckerbrot in pursuit. Arriving at the hotel, they plan to inject Victor with a sedative but stick Trabucco with the needle instead. Trabucco reveals to Victor his assignment to kill Rudy, and Victor tries to help him with the killing. ~ Paul Brenner, All Movie Guide

Lewis Teague directed this sly horror-comedy from a script by John Sayles, which plays off the old urban legend about the dangers of flushing one's pet alligator down the toilet. One such unlucky reptile is "Ramon," who survives in the subterranean cesspool by feeding on the steroid-saturated carcasses of dogs dumped there by chemical company researchers and eventually bulks up to the size of a Winnebago. When assorted sewage workers start disappearing into Ramon's massive maw, hard-boiled cop David Madison (Robert Forster), who has a history of unlucky partners, reveals a strong personal interest in the case. Deemed a jinx and a nutcase by his superiors, he's kicked off the force and must go underground (literally) to destroy the beast with the help of young reptile-expert Marion (Robin Riker). The witty screenplay is filled with clever references, eccentric characters and in-jokes aplenty (a style reflective of Joe Dante's Piranha and The Howling, both of which Sayles also scripted), which combines with decent effects and a good amount of suspense (particularly in the sewer scenes) to make this an entertaining romp overall. Highlights include Henry Silva's over-the-top performance as a misplaced big-game hunter who recruits urban "native guides" in his back-alley search for the elusive Ramon. ~ Cavett Binion, All Movie Guide

Bill Bixby earned an Emmy nomination for his chilling yet pathetic performance as Eric Doyle, a mild-mannered loser who is fascinated by police procedure. Rejected when he tries to join the San Francisco police force, Doyle vows to prove his worth by turning vigilante. Donning an authentic-looking cop's uniform, Doyle sets about to methodically--and savagely--wipe out all criminals who have managed to slip through the fingers of the legal system. ~ Hal Erickson, All Movie Guide

Funnyman Steve Friedman stars in this satiric comedy that pokes not-so-gentle fun at the political and personal foibles of Richard M. Nixon in the wake of the Watergate scandal. Nixon finds his administration crumbling around him, his allies turning against him, the courts beginning to hound him, and an exorcist is even called in to drive the demons from his soul -- all to no avail. White House Madness wasn't director Mark L. Lester's first onscreen stab at Nixon; in 1972, he made a short comedy, Tricia's Wedding, spoofing the nuptials of the then-president's daughter which starred the notorious San Francisco drag troupe The Cockettes. White House Madness also generated controversy of its own some years later when it was discovered that one of the investors was Texas Senator Phil Gramm, who had originally put money into another of Lester's productions (a comedy poking fun at beauty pageants), only to have those funds rolled into the Nixon satire when the other project collapsed. Al Lewis and Patti Jerome highlight the supporting cast. ~ Mark Deming, All Movie Guide