Saeed Jaffrey Movies

Pigs from another world are ready to destroy the Earth, and only one mental patient can stop them in this absurdist comedy. Robert (Ian Fraiser) is an eccentric man living in a small British community, who after a stint of psychotherapy begins hearing voices in his head. This in itself is disturbing enough for Robert, but what really troubles him is what the voices are saying -- it seems he's being told about a band of alien invaders who resemble pigs and have a plan to destroy the world as we know it unless the United States stops its research in interstellar weaponry. Robert tries to tell the world about this dire news, but he soon proves to be a less-than-ideal cosmic messenger, and the only people believe he's serious are his on-and-off girlfriend Narendra (Indira Varma) and would-be musician Jimmy (Paul Barber). As Robert faces this unusual crisis, England reels from the effects of a strange plague that is apparently being spread by the nation's canines. ~ Mark Deming, Rovi

This arty Canadian drama centers on a young Vietnamese woman who marries a petty thief she does not love so she can emigrate to Canada. The rest of her family moves there too, but none of them find a particularly happy life, though Lucky, Lulu's husband, would do anything to insure his wife's happiness, even if it is self-destructive. ~ Sandra Brennan, Rovi

The Indian film industry, which claims to be the largest producer of films in the world, is parodied in this movie. It is based on Shashi Tharoor's book Show Business. The film follows the many exploits of Ashok, a serious stage actor, who after deciding that money is more important than art, becomes a movie star. His first role is in the action movie "Godambo." To get good reviews, he cozies up to a nymphomanical gossip columnist. He also has many other affairs. His wife bears him triplets. He is part of a political scandal. This is but a sampling of the trouble Ashok gets into. ~ Sandra Brennan, Rovi

Director Subhash Ghai also dreamed up the story of the Indian Ram Lakhan. Raakhee plays a widowed mother who lives for revenge. She raises her sons Ram (Jacki Shroff) and Lakhan (Anil Kapoor) with hatred in their hearts. It is her wish that her sons avenge the murder of their father. To that end, both boys become police officers, though one is far more committed to honesty than the other. Like most Indian films, Ram Lakhan is something of an endurance test for western audiences, unfolding its simple tale in an epic 186 minutes. ~ Hal Erickson, Rovi

Nick Diamond (Colin Dale) is a private detective hired by a South American midget to guard a box containing a rare treasure. When Nick is jailed, his kid brother Tim (Dursley McLinden) is called on to take the case. Tim dodges bullets and escapes from being bound and gagged while battling hard-nosed cop Boyle (Jimmy Nail) and the shadowy thugs out to get the treasure. Susanna York plays the chanteuse Lauren Bacardi in this film-noir styled children's crime drama. ~ Dan Pavlides, Rovi

An embittered policeman pushed far beyond the brink of tolerance, Officer Kapil (Naseeruddin Shah) grows not simply disgusted with the Indian drug trade (and the burgeoning problem of drug abuse in Indian society) but hell-bent on cleaning it up, as a one-man vigilante. So begins Pankaj Prasar's ultra-violent action opus Jalwa (1987). Kapil hits the inner city, arsenal in tow, and vows to exterminate the one drug lord whom he pinpoints as responsible for the slew of recreational drugs plaguing the Indian streets. ~ Nathan Southern, Rovi

A Passage to India, director David Lean's final film (for which he also received editing credit), breaks no new ground cinematically, but remains an exquisitely assembled harkback to such earlier Lean epics as Doctor Zhivago and Ryan's Daughter. Based on the novel by E. M. Forster, the film is set in colonial India in 1924. Adela Quested (Judy Davis), a sheltered, well-educated British woman, arrives in the town of Chandrapore, where she hopes to experience "the real India". Here she meets and befriends Dr. Aziz (Victor Banerjee), who, despite longstanding racial and social taboos, moves with relative ease and freedom amongst highborn British circles. Feeling comfortable with Adela, Aziz invites her to accompany him on a visit to the Marabar caves. Adela has previously exhibited bizarre, almost mystical behavior during other ventures into the Indian wilderness: this time, she emerges from the caves showing signs of injury and ill usage. To Aziz' horror, he is accused by Adela of raping her. Typically, the British ruling class rallies to Adela's defense, virtually convicting Aziz before the trial ever begins. Though he is eventually acquitted due to lack of evidence (in fact, director Lean never shows us what really happened), Aziz is ruined in the eyes of both the British and his own people-as is Adela. Woven into these proceedings is a subplot involving Adela's elderly travelling companion Mrs. Moore (Peggy Ashcroft), who through a series of plot twists too complex to describe here becomes a heroine of the Indian Independence movement. A Passage to India was nominated for several Academy Awards, scoring wins in the categories of Best Supporting Actress (Peggy Ashcroft) and Best Original Score (Maurice Jarre). A theatrical version of A Passage to India, written by Santha Rama Rau, was previously adapted for television by the BBC in the mid-1970s. ~ Hal Erickson, Rovi

With songs and musical numbers that are woven through the storyline, this unevenly-paced drama is about a brothel that has been an institution in a small town for a very long time. The women entertain the local clients with suggestive songs and dances and are not the type of prostitutes that ply their trade in New York City, for example. Unfortunately for the business of the brothel, a developer wants to schedule some new buildings for the town, so the madam is forced to move her women to the outskirts, and things will just never be the same again. ~ Eleanor Mannikka, Rovi