Brian Geraghty Movies

Based on the personal wartime experiences of journalist Mark Boal (who adapted his experiences with a bomb squad into a fact-based, yet fictional story), director Kathryn Bigelow's Iraq War-set action thriller The Hurt Locker presents the conflict in the Middle East from the perspective of those who witnessed the fighting firsthand -- the soldiers. As an elite Army Explosive Ordnance Disposal team tactfully navigates the streets of present-day Iraq, they face the constant threat of death from incoming bombs and sharp-shooting snipers. In Baghdad, roadside bombs are a common danger. The Army is working to make the city a safer place for Americans and Iraqis, so when it comes to dismantling IEDs (improvised explosive devices) the Explosive Ordnance Disposal (EOD) crew is always on their game. But protecting the public isn't easy when there's no room for error, and every second spent dismantling a bomb is another second spent flirting with death. Now, as three fearless bomb technicians take on the most dangerous job in Baghdad, it's only a matter of time before one of them gets sent to "the hurt locker." Jeremy Renner, Guy Pearce, and Ralph Fiennes star. ~ Jason Buchanan, All Movie Guide

Lindsay Lohan stars in the mind-bending psychological thriller I Know Who Killed Me. She plays Aubrey Fleming, an unfortunate young woman whose life -- and body -- are irreparably damaged following an abduction by a heinous serial killer. Though Aubrey pulls off a miraculous escape from the clutches of the madman, she does so with deep-seated psychological scars, plus the loss of a hand, a leg, and untold amounts of blood. While Aubrey's parents view her return as a veritable answer to their prayers, they must soon confront an outrageous and seemingly inexplicable twist: the girl who returned claims another identity -- that of a young woman named Dakota. She also exhibits a wholly different personality and mannerisms than Aubrey did, and -- frighteningly -- insists that Aubrey is still very much alive, in the throes of the maniac's grip, and only inches away from death. ~ Nathan Southern, All Movie Guide

A teenage girl becomes a demented serial killer's prey in this big-budget remake of the 1979 thriller that became a TV late-show favorite. When a Stranger Calls takes its title and basic premise from the original, which -- for its first 15 minutes or so -- featured Carol Kane as a frazzled babysitter plagued by creepy, invasive phone calls. This time around, the doe-eyed Camilla Belle plays Jill Johnson, a high-schooler dealing with the usual set of crises: an unfaithful boyfriend, a bitchy best friend, and an over-the-limit cell phone bill. In order to pay for the latter, her father (Clark Gregg) has committed her to a babysitting gig with a wealthy family. At the isolated, palatial house, Jill settles in for a night of no-stress kid-watching. But it isn't long before someone starts anonymously calling the house with creepy, increasingly specific messages. Jill doesn't rule out anyone, but it becomes clear that whomever it is, he or she is watching her, and may be closer than she even suspects. ~ Michael Hastings, All Movie Guide

Twenty-two people become unwitting participants in a tragic and defining moment of the 1960's in this period drama from actor and director Emilio Estevez. It's early June in 1968, and the California presidential primary elections are occupying the minds of many in the Golden State, with Robert F. Kennedy in a close race against Eugene McCarthy and Hubert Humphrey. The Kennedy campaign staff has set up camp at the Ambassador Hotel in Los Angeles, while the staff and guests become observers as the brother of fallen president John F. Kennedy sets out to pick up where his sibling left off. Paul (William H. Macy) is the manager of the Ambassador, and his wife Miriam (Sharon Stone) is a hairdresser who runs's the hotel's beauty salon. Angela (Heather Graham) is a receptionist working the hotel's switchboard who has been sleeping with Paul behind Miriam's back. Timmons (Christian Slater) is in charge of the hotel's restaurant and catering department, and makes no secret of his dislike of the African-Americans and Latinos under his employ. Miguel (Jacob Vargas) and Jose (Freddy Rodriguez) are two young Chicanos on the kitchen staff who have it in for Timmons, while Robinson (Laurence Fishburne) is an older black man who counsels them on dealing with their rage. Virginia Fallon (Demi Moore) sings in the hotel's cocktail lounge and has a serious problem with alcohol; her husband Tim (Emilio Estevez) is a Kennedy supporter and also her manager, and he's nearing the end of his rope in dealing with her problem. William (Elijah Wood) is a young man desperate to avoid being drafted and sent to Vietnam; Diane (Lindsay Lohan) is a pretty young woman dating William's brother who agrees to marry him so William can avoid being drafted, though William is clearly infatuated with her while she considers this a marriage in name only. John Casey (Anthony Hopkins) is one of the owners of the Ambassador, and Nelson (Harry Belafonte) is an old friend who works at the hotel. And Jack (Martin Sheen) is a wealthy Kennedy campaign financier who is married to Samantha (Helen Hunt), an attractive but much younger woman. Bobby also features Joshua Jackson, Nick Cannon and Shia LaBeouf as young Kennedy campaign volunteers, while Ashton Kutcher, Joy Bryant, Kip Pardue and Mary Elizabeth Winstead also highlight the supporting cast. ~ Mark Deming, All Movie Guide

An encounter between two people with a shared past and conflicting futures is played out on a split-image screen in this offbeat drama. An unnamed man (Aaron Eckhart) and woman (Helena Bonham Carter) are enjoying drinks and cigarettes in a hotel room after attending a wedding reception. At first, the two seem to be playing a flirtatious game, as he cheerfully but confidently advances toward her, and she seems at once attracted and put off by his bravado. Their pas de deux is shot and edited in split screen, with his image appearing in one half of the divided frame and hers appearing in the other. As time wears on, the man and woman begin crossing their appointed boundaries, and in some sequences one half of the frame represents the present while the other shows us events in the past. We learn that the man and woman had a tempestuous affair when they were in their late teens, and both are now committed to other people -- she has a husband, while he has a steady girl. How will the experiences of their past affect their present, and are they willing to betray their lovers for an evening's pleasure? Conversations With Other Women was the first feature film from director Hans Canosa. ~ Mark Deming, All Movie Guide

A high school girl is beaten to death, and it looks as if a neo-fascist youth group is responsible. Conventional wisdom is to prosecute the teens who actually committed the crime. But assistant D.A. McCoy (Sam Waterston) aims his sights a bit higher (or, perhaps, lower) by going after Tom Willis (Michael Cumptsy), the adult white supremacist who fomented the violence. ~ Hal Erickson, All Movie Guide