Amber Rothwell Movies

Divorced architect Jonathan Rivers (Michael Keaton) seems to lead a pretty good life with partial custody of his young son and a happy second marriage to Anna (Chandra West), a best-selling author. Things take an ugly turn when Anna disappears during a thunderstorm, apparently the victim of a freak accident. Eventually, her body is found, and Jonathan sinks into despair. Then he meets Raymond (Ian McNeice), who claims that Anna has contacted him through EVP, or electronic voice phenomena. Raymond explains that the dead can communicate from beyond via static on common electronic equipment like radios and televisions. Jonathan is skeptical until he starts getting phone calls from Anna's inactive cell phone. He visits Raymond, whose home is filled with audio and video monitors and high-tech recording equipment. There he meets Sarah (Deborah Kara Unger), who has recently received a farewell message from her late fiancé. Jonathan eventually receives what appears to be a communication from Anna, but soon afterward, Raymond turns up dead. Obsessed with maintaining contact with his late wife, Jonathan visits a psychic (Connor Tracy) who warns him that he's going down a dangerous path, "meddling" in the affairs of the dead. Undaunted, Jonathan continues to study EVP and eventually finds that he's getting messages from people who haven't died...yet. White Noise was directed by Geoffrey Sax from an original script by Niall Johnson. ~ Josh Ralske, Rovi

Inspired by a play that has been presented dozens of times to middle- and high-school students throughout the United States, Bang, Bang, You're Dead ponders the possible reasons that outwardly "normal" teenagers periodically resort to Columbine-style violence. The focus here is on Trevor Adams (Ben Foster), an intelligent but hypersensitive high schooler whose troubled past has designated him "at risk." Feeling persecuted by those stronger and more popular than himself, Trevor has already run afoul of classmates and teachers alike by making death threats against the school football team. Now he has aligned himself with a group of fellow "outsiders" who call themselves the Trogs. Indulging in prankery that runs the gamut from merely irritating to potentially dangerous, Trevor and the Trogs plan an all-out deadly assault against their so-called enemies. Although the script points out that peer pressure and bullying has gone beyond the point of harmlessness in today's society, it is careful not to blame any one person or group for what ultimately happens to Trevor; even Trevor himself is shown to be comprised of equal parts villain and victim. First screened at the Seattle International Film Festival, Bang, Bang, You're Dead formally premiered October 13, 2002, over the Showtime cable network. ~ Hal Erickson, Rovi