David Ilku Movies

The youthful delusions of a wistful husband and father prompt him to seek out a childhood friend and embark on a soul-searching journey of self discovery to the one place where no adult demands will be made of him in director David Munro's surreal second coming-of-age comedy. Alby (Matt McGrath) is having an early midlife crisis. Convinced that the only way to overcome his current malaise is to seek out his childhood pal Elias (Judah Friedlander) and set out on the open road, Alby leaves behind his wife and son in hopes of recapturing the glory of his youth. Unfortunately for Alby, Elias is all grown up now, and isn't exactly overjoyed to see the "best friend" whose rosy vision of childhood largely came from the fact that he made Elias the unwitting butt of his every joke. When Alby learns that Elias is taking a group of disabled drama students on a trip to the local amusement park, Elias has no choice but to let his pushy pal come along for the ride. What follows is a pensively hilarious look life as seen through the eyes of a man who can't seem to move past his youth, and the effect that a student-clown bartender (Amy Sedaris), a disgruntled former amusement park employee (Alan Cumming), a retired water-park mermaid (Debbie Harry), and a whole host of colorful characters have in helping Alby to bridge the gap between the glory days of his past and an uncertain future. ~ Jason Buchanan, Rovi

Writer/director Deidre Fishel's debut film is a powerful drama about an artist who enters into a turbulent love affair with a troubled and unpredictable young man. ~ Nicole Gagne, Rovi

Megan Turner (Jamie Lee Curtis) is a rookie cop who witnesses a robbery in progress on her first night on the job. With her more experienced partner using the men's room, Megan decides to take action on her own. She creeps into the supermarket where a man (Tom Sizemore in a small role) is holding the clerk at gunpoint. Megan gets close enough to shoot the gunman, and calls out for him to drop his weapon. He spins the gun toward her, and she unloads her service revolver into his chest. His gun goes flying, and a bystander, Eugene Hunt (Ron Silver), surreptitiously picks it up and takes it home. Megan's superiors, unable to confirm that the man she shot was armed, suspend her. Eugene, a wealthy commodities broker, becomes obsessed with Megan. He sets up an "accidental" meeting between them and begins dating her, romancing her with fancy restaurants and helicopter rides over Manhattan. He also carves her name into the bullets he uses to gun down strangers in the street. A tough homicide detective, Nick Mann (Clancy Brown of The Shawshank Redemption), gets Megan's gun and badge back so she can help him track down the psycho killer. Eventually, Megan realizes that Eugene is the killer, but he uses his money and influence to elude the law, and he starts coming after Megan's friends and family. Megan's determination to bring Eugene to justice quickly becomes a very personal obsession. This intense cop drama, Blue Steel, was director Kathryn Bigelow's major studio follow-up to her well-received indie vampire flick, Near Dark. Bigelow co-wrote both films with Eric Red (The Hitcher). ~ Josh Ralske, Rovi

A countrified musician (Gary Knox) cultivates a new, sophisticated image in the Big City. One thing he hasn't refined from his system is the urge to kill. Thus, he's open to the proposition made by the wife (Zoe Tamerlaine Lund) of a very wealthy man (Daniel Chapman). The woman suggests organizing a murder-for-hire operation...and further suggests that her relationship with the country boy need not be confined to office hours. This is certainly a far cry from Double Indemnity. ~ Hal Erickson, Rovi