Marceline Hugot Movies

The uncomfortable merger of art and commerce leads to an unstable romantic triangle in this satiric comedy from director Jonathan Parker. Madeleine (Marley Shelton) is a beautiful young woman who runs an upscale art gallery in New York City. While Madeleine prides herself on exhibiting the most daring and cutting-edge work on the East Coast, her dirty little secret is that she's able to keep the place open by selling the bland but accessible work of her boyfriend (Eion Bailey), whose paintings are quite popular with corporate clients. However, Madeleine is drawn to moody creative types, and her boyfriend makes the mistake of introducing her to his bother (Adam Goldberg), an avant-garde composer whose music is built around breaking glass and the clatter of metal objects. Before long, Madeleine has fallen for the pretentious composer and has to choose between him and the man who can keep her gallery in the black. Also starring Vinnie Jones and Zak Orth, (Untitled) received its world premiere at the 2009 Palm Springs International Film Festival. ~ Mark Deming, All Movie Guide

Nora Ephron adapts Julie Powell's autobiographical book Julie and Julia: 365 Days, 524 Recipes, 1 Tiny Apartment Kitchen with this Columbia Pictures production starring Amy Adams as an amateur chef who decides to cook every recipe in a cookbook from acclaimed celebrity chef Julia Child (played by Meryl Streep) in order to chronicle it in a blog over the course of a year. Streep's Devil Wears Prada co-star Stanley Tucci re-teams with the actress as Child's husband. ~ Jeremy Wheeler, All Movie Guide

Bloody Sunday director Paul Greengrass marks the five-year anniversary on the September 11, 2001, terrorist attacks on the United States with this speculative meditation on the events that took place onboard the fourth hijacked plane, and the actions of the passengers who gave their lives to ensure the safety of others. Told in real time and acted out by a cast of unknowns who were provided with detailed studies of their real-life counterparts, United 93 attempts to reconstruct the airborne tragedy from the view of the ground and flight controllers, the passengers, and their nervous families awaiting word on the fate of their loved ones. As the terrified travelers and crew gradually become aware of the historical events taking place on the ground so far beneath them, the 90 minutes in which a random collection of strangers realized their fate and came together to confront an unthinkable threat are re-created. ~ Jason Buchanan, All Movie Guide

Three women whose lives have followed very different paths ponder their pasts and their futures in this omnibus film from second-time director Rebecca Miller, adapted from her acclaimed short story collection of the same name. Delia (Kyra Sedgwick) grew up in a fractured household; her mother abandoned the family when Delia was a child, and her father (Brian Tarantina) was a drug-addled loser who could barely be prodded off the couch. When she entered adolescence, Delia realized that she could use her body to get men to do as she pleased. While this gained her a feeling of power and self-sufficiency, it also earned her a reputation as the "class slut," and the end product was her marriage to Kurt (David Warshofsky). Greta (Parker Posey) is the daughter of a successful lawyer (Ron Leibman) who left her mother when she was young and offered Greta criticism rather than affection. Plagued with self-doubt, Greta is squandering her literary talents editing cookbooks and is married to Lee (Tim Guinee. When Thavi (Joel de la Fuente), a respected and successful young novelist, asks Greta to edit his next novel, it forces her to reassess herself on a number of levels. Finally, Paula (Fairuza Balk), yet another product of a fractured family, ran away from her mother and was homeless until she met Vincent (Seth Gilliam), who took her in and became her boyfriend. A year later, Paula is uncertain in her feelings about Vincent, unsettled to learn that she's pregnant, and startled after witnessing a murder while out clubbing with a friend; she hits the road again, and soon picks up a fellow alienated teen, Kevin (Lou Taylor Pucci), who bears the scars of a recent -- and very brutal -- beating. Personal Velocity: Three Portraits was honored with the Grand Jury Prize at the 2002 Sundance Film Festival. ~ Mark Deming, All Movie Guide

A nervous hotel manager has all sorts of monkey business to deal with (actually orangutan business, but you get the idea) in this comedy for the family. Robert Grant (Jason Alexander) is the manager of The Majestic Hotel, a large and highly luxurious five-star facility. Grant is harried, overworked, and wants to take his two sons, Kyle (Eric Lloyd) and Brian (Graham Sack), on a well-deserved vacation, but when the owner of the Majestic, Mrs. Dubrow (Faye Dunnaway), hears that the hotel is being considered for the newly-minted and very prestigious six-star rating by the Le Monde Guide, it falls on Robert to make sure that everything is perfect when the guide's staff arrives. Since the inspectors will arrive unannounced, Robert has to chase after anyone who looks like they could be a VIP, so he finds himself giving the star treatment to new guest Lord Rutledge (Rupert Everett) when he spots Rutledge using a pocket camera to snap pictures in the lobby. However, Rutledge is actually a skilled jewel thief who has come to the Majestic to take advantage of its wealthy clientele, and he's arrived with his pet orangutan, Dunston, who has been trained to be Rutledge's partner in crime. Dunston gets lost in the hotel's air duct system; Kyle finds the friendly ape and discovers he makes a great playmate, which makes things all the more difficult for Robert. Paul Reubens (aka Pee Wee Herman) also appears as a trigger-happy animal control officer. ~ Mark Deming, All Movie Guide

The wedding of Carol Hathaway (Julianna Margulies) and John Taglieri (Rick Rossovich) is complicated by the fact that bridesmaid Susan Lewis (Sherry Stringfield) is called away to care for the baby of her missing sister, Chloe (Kathleen Wilhoite). This minor crisis, however, is supplanted by a major one when Taglieri seemingly disappears from the face of the earth. And back at the ER, Carter (Noah Wyle) celebrates his last day at County General with some harsh words aimed at Benton (Eriq La Salle) -- words that Carter is forced to eat after a sudden change in the scheme of things. This was the final episode of ER's first season. ~ Hal Erickson, All Movie Guide

Woody Allen's character study of a well-kept, upscale Manhattan woman (Mia Farrow) takes the title character on a journey through a Wonderland of her own making, in which she learns some truths about herself, her relationships, and the universe in general. Alice leads a comfortable life, except for some nagging aches and pains, but when she visits the mysterious Dr. Yang (Keye Luke), he discovers that what really ails Alice is her own lack of true human experience. Alice has been married for sixteen years to Doug (William Hurt), an emotionally detached stockbroker, and she lives a perfectly maintained life in a perfectly maintained apartment, with a pair of children and the requisite support staff. All that changes when a chance meeting with a neighbor (Joe Mantegna) leads Alice to consider an affair. Dr. Yang, seizing the opportunity, gives Alice herbal potions that make her both invisible and seductive, allowing her to free herself from her inhibitions. Plunging into her new fantasy world, Alice ultimately comes to terms with her family, her husband, and her life. ~ Don Kaye, All Movie Guide

Unhappy with her job and her loser boyfriend, Melanie Griffith takes a secretarial post at a major Wall Street firm. Her boss is Sigourney Weaver, an outwardly affable yuppie whose grinning visage hides a wicked and larcenous propensity for exploiting the ideas of her employees. While Weaver is incapacitated, Griffith is compelled by circumstances to pose as her boss. Her inborn business acumen and common sense enable Griffith to rise to the top of New York's financial circles, and along the way she wins the love of executive (Harrison Ford). Things threaten to take a sorry turn when Weaver returns, but it is she who suffers from the consequences of her own past duplicity. Working Girl was Melanie Griffith's breakthrough film, proving than she was more than just the off-and-on "significant other" of Don Johnson. The film was later adapted into a brief TV series, starring a pre-Speed Sandra Bullock. ~ Hal Erickson, All Movie Guide