Sarah Gudgeon Movies
This adaptation of three stories from Irvine Welsh's short-story collection of the same name reunites Annie Louise Ross, Kevin McKidd, and Ewen Bremner from the author's previous cinematic success, Trainspotting, which was also set in the author's native North Edinburgh. In the Kafka-esque "The Granton Star Cause," a lazy amateur footballer (Stephen McCole) has a very, very bad day that culminates in God (Maurice Roeves) turning him into an insect. In "A Soft Touch," a young husband and father (McKidd) finds his life disrupted when a psychotic neighbor (Gary McCormack) takes up with his wife (Michelle Gomez) and invades his wretched tenement. And in "The Acid House," a druggie low-life (Bremner) experiences a Freaky Friday-style body switch with the infant son of a pair of self-involved yuppies. After "The Granton Star Cause" was screened separately at the Edinburgh Film Festival, the completed film was shown at Cannes in 1998. The title is a play on the term "acid house," a form of sinister dance music that emerged in Chicago in the mid-'80s and helped fuel the formative years of England's rave culture. Former Doctor Who actor Maurice Roeves, who plays God in "The Granton Star Cause," also has cameos in the other two segments. Jemma Redgrave, niece of Lynn and Vanessa Redgrave and cousin of Natasha and Joely Richardon, appears in the title segment and lends her Bjork-haired visage to the film's poster. ~ Brian J. Dillard, Rovi
- Starring:
- Stephen McCole, Maurice Roeves, (more)
With Breaking The Waves, director Lars von Trier fashions an often disturbing tale of the singular power of love. Bess (the Oscar-nominated Emily Watson) is a naïve, borderline simple young woman who lives in a Scottish coastal town ruled by the religious doctrine of its council of elders. Recovering from a mental breakdown caused by the death of her brother, Bess marries a rough yet compassionate and attentive oil rig worker named Jan (Stellan Skarsgård). For a brief time, the couple enjoys peaceful wedded bliss, with the worldly Jan introducing Bess to the mysteries of sex. Jan must soon return to his job on the rig, however, where he is paralyzed from the neck down in a freak accident. Bess' emotional trauma over Jan's injury turns into obsession as she prays to God for his recovery and offers to do anything to have her husband back whole. Jan, constantly medicated and profoundly depressed, asks Bess to have sex with other men and tell him about it, thinking this will allow her to return to a normal life. Bess, on the other hand, sees it as an expression of her devotion to Jan that even God won't be able to ignore. Bess's resultant downward spiral leads to a finale of both tragedy and spirituality. Breaking the Waves is widely regarded as one of the most distinctive European movies of the 1990s, marking von Trier's movement toward his influential Dogma 95 school of filmmaking, which emphasizes realistic situations of contemporary life, filmed without background music and with a hand-held, restlessly moving camera. ~ Don Kaye, Rovi
- Starring:
- Emily Watson, Stellan Skarsgård, (more)
