Peter Hooten Movies

Blood and gore abound as good takes on evil in this futuristic sci-fi actioner that is basically a knock-off of the Mad Max series with a low-budget Italian twist. The year is 2020 and the setting is post-nuclear holocaust Texas. It's a dusty, nasty world now as can be seen in the opening scenes when a band of drunken outlaws viciously rape and murder innocent nuns at a mission. They then crucify the priest. Their debauched reveling is interrupted by roving rangers who engage the villains in a blood-soaked, bone crunching fight. The rangers manage to save a terrified young woman from the melee, and the heroic leader and she fall in love and head for the peaceful land she describes to him. Years pass. The hero and the girl are married and she is pregnant. He is working at a refinery. Trouble erupts when a meglomaniacal Neo-Nazi dictator and his cruel minions attack the heavily fortified refinery and begin trying to convert the hapless workers to his insane idea of the New Order. Of course, the hero, after witnessing the rape of his wife, decides to get revenge. Unfortunately, the dictator blows the hero away with a machine gun. More time passes and the workers have become slaves to their new leader, but fortunately at this point, the story is far from over and eventually after considerably more blood is graphically spilled, the forces of good inevitably triumph. ~ Sandra Brennan, Rovi

"Thou shalt not kill" is the fifth of the ten commandments handed down to Moses on Mount Sinai. In this movie, Bernhard and Leo Redder (Helmut Berger and Peter Hooten), who have grown up in an abusive family, escape into the streets at the earliest opportunity. In the Germany of the 1920s, especially in the Ruhr valley, the people they wind up hanging out with are members of radical political groups, especially the Nazi Stahlhelm and Freikorps organizations. They become involved in Nazi excursions and become wanted men for their involvement in robberies and murder. ~ Clarke Fountain, Rovi

Dr. Steven Strange, the Marvel Comics magician/superhero created in 1963 by Stan Lee and Steve Ditko, made his long-awaited screen debut in this 1978 TV pilot film. Peter Hooten plays Strange, while Sir John Mills portrays the doctor's sorcerer shaman, "The Ancient One." The Ancient One (whose real name is Lindmer) allows Strange access to the "Hermedic Arts," which enables him to control the elements. In the pilot, Strange's origin is retraced, then the story segues into a titanic battle between Strange and Camelot-era villainess Morgan LeFay (Jessica Walter), who has come back to life in order to collect human souls. Stan Lee reportedly disowned the video version of Dr. Strange, perhaps because one of his beloved characters was "camped up" for TV consumption. ~ Hal Erickson, Rovi

Another big-budget monster movie from producer Dino de Laurentiis, Orca concerns the mutual revenge pact between an obsessive whaler (Richard Harris) and an angry killer whale, whose pregnant mate Harris killed. The whale strikes back by biting off Bo Derek's leg, so Harris and concerned biologist Charlotte Rampling follow it to frozen northern waters for the climactic showdown. Just in case you like Jaws better than Moby Dick, there's a killer shark thrown in for good measure. Ponderous, pretentious, and dull, this opportunistic disaster fittingly sank at the box office. ~ Robert Firsching, Rovi

In this drama, a greedy millionaire takes a Las Vegas showgirl for his new bride and no one in his family is terribly pleased. ~ Sandra Brennan, Rovi

In this violent drama, two hippies head for the wilds of California to find a good buddy and end up assaulted and raped by two terrifying woodsmen. ~ Sandra Brennan, Rovi

Feeling cut off from the outside world, Mary Ellen (Judy Norton-Taylor) is quite receptive to the attentions paid her by wandering folksinger Jamie (Peter Hooten), who has come to the Mountain in hopes of gleaning song material from elderly Maude Gormley (Merie Earle). Mary Ellen spends so much time with Jamie that she begins neglecting her family responsibilities, causing considerable friction between herself, her parents and her siblings. When Jamie rejects Mary Ellen as being "just a kid" and unworthy of his affections, the disillusioned girl is more determined than ever to escape her "repressive" surroundings--sparking another of those famous Walton family rallies to set things right. ~ Hal Erickson, Rovi