Ticky Holgado Movies

Gerard Depardieu and Jean Reno headline this comedic chase film about a pair of escaped convicts with two very different goals. Ruby (Reno) is a criminal with real gusto; in addition to stealing a crime boss' wife, he also made off with most of the gangster's cash. He almost got away with it, too. Now serving hard time for his bold crime, Ruby runs into Quentin (Depardieu), a desperate inmate with a brilliant escape plan. Before long, Ruby and Quentin are back on the outside. But they're hardly free; the cops are searching high and low for the fleeing convicts, and Ruby has a high price on his head. All Quentin wants is to maintain a low profile and open a coffee-house, but Ruby won't be happy until he's taken revenge on the criminal who had him incarcerated. Perhaps with a little look, both men will get what they're after. ~ Jason Buchanan, Rovi

Gerard Jugnot directs and stars in this comedy about a doting father and his daughter who managed to get cast in a film. Yvon Rance (Jugnot), who runs a hair salon in Brittany, only wants his beloved teenaged daughter Laetita (Berenice Bejo) to be happy, something he believes she'll be able to achieve by completing high school and then following in her father's professional footsteps. When Laetita tells him that she has been cast in the latest movie by renowned director Stephane (Antoine Dulery), he is initially unimpressed. He grudgingly relents when he learns that the money she will make for a couple months of work is twice what he makes in a year. This film was screened at the 2000 Cannes Film Festival. ~ Jonathan Crow, Rovi

Arthur Joffe directed this French comic fantasy, in French and English dialogue, about God (voice of Pierre Arditi), invisible and spinning through Heavenly space on an asteroid, along with his sidekick angel Rene (Ticky Holgado). God observes Earthly events on His television set. After hacking out a screenplay on the Hebrew keyboard of a manual typewriter, the Deity needs a director, lands as a burning bush in back of the Hollywood sign, finds Hollywood hostile, jumps to Paris, and travels from one body to another, eventually settling on tekkie Jeanne (Helene de Fougerolles), an employee at Harper Audiovisual. Faxes in Hebrew begin arriving, and Jeanne hears voices. With God's screenplay translated to French, it finally goes up to the 127th floor for an okay by Mr. Harper himself (Tcheky Karyo). But there's a problem -- God is not very happy about Mr. Harper's alterations, as he explains, "I wrote the Bible, the best-selling book of all time! Where do they get off editing my script?" ~ Bhob Stewart, Rovi

The title of this British-French production refers to the dream of the film's hero -- aka The Young Man (Glenn Fitzgerald) -- to hunt an African rhino. After a failed suicide, The Young Man treks across Europe in an effort to track the girlfriend who walked out on him. In Paris, he attempts to deliver a traveling child, but the boy's dad never arrives. Instead, the situation leads him to The Teen (Karine Adrover). In a New Age nod, The Young Man and The Teen make love in a chair with giant angel wings, but before their relationship can ripen, he gets a clue regarding his former girlfriend's whereabouts and takes off for Belgrade and more merry misadventures. Shown at the 1997 Sundance Film Festival. ~ Bhob Stewart, Rovi

A feather-light and funny musing on the nature of love, fate and starting over, Claude Lelouch's comedy begins with the meeting of Fabio Lini, an actor turned undercover Paris cop and the notorious lawyer-cum-businessman Benoit Blanc . Both have come to the same clinic to have their ulcers checked, and as they chit-chat, they realize that they have much in common. Relations with women have played big parts in their ulcers. Both freely acknowledge that male/female relations are always problematic, and yet, despite the hindrances the unions present, neither Claude nor Benoit is able to live without them. ~ Sandra Brennan, Rovi

This French WW II action-adventure is based on a fascinating footnote in history. Set just after the Franco-German armistice was signed in June 1940, it chronicles the courage of a compassionate French officer who defied his superiors and, acting alone, redirected a train full of German refugees to a neutral country thereby saving them from execution. Some of these refugees represented Germany and Austria's intellectual and artistic elite and included a Nobel-prize winner, the scientist who invented cortisone, and artist Max Ernst. The French officer was Charles Perrochon, a WWI veteran and military reservist who despite the fact that he had only one lung was suddenly called back to helm Les Milles, one of the camps where the refugees are to be interred. Among those distinguished prisoners is a famous soccer player and this thrills Perrochon, a pragmatic fellow not easily impressed by mere intellectuals. Visiting the camp is a female reporter for the Boston Globe, Mary Jane Cooper. At this point the armistice has not been signed. According to the treaty, these prisoners are to be returned to the Nazis. Knowing the fate that awaits them at home, the refugees send Perrochon a petition imploring him to allow them to save themselves. Perrochon tries to assure them that the French will not allow them to be killed, but deep down he knows the truth. Sure enough, as soon as the treaty is signed, Perrochon learns that his superiors care nothing for the refugees and are only too happy to send them back home to certain death. The refugees are placed upon a train. They do not want to go because they don't realize that Perrochon has taken over a train and paid the crew to take the prisoners safely to Casablanca. It is a dangerous 72-hour trip and the suspense lies in whether or not they reach their destination. ~ Sandra Brennan, Rovi

If this engaging costume adventure is perhaps just one notch shy of being a full-fledged swashbuckler, it is only because it so lovingly recreates the era in which its story takes place. In the film, it is 1685 and a baby is being left on the steps of a monastery, but not before the mysterious cloaked horseman who brings it bites off the infant's nose and leaves a coin in its swaddling clothes. The baby, a boy, is fortunate to be placed with a loving woman and her able husband, a former pirate who still retains a lively spirit. The cheerful and charming boy learns to fence, to read, and to joust, all the while sporting a wooden nose. Eventually a local nobleman deigns to notice his existence, and sends him to attend a seminary which is grim beyond all imagining. Rather than suffer endlessly in the study of material he already knows with no prospect of being ordained (he is, after all, mutilated), Justinian (Pierre-Oliviar Mornas) runs away, and thereafter has one dashing, hair-raising adventure after another, eventually discovering his parentage. The story is based on the novel Dieu et nous seuls pouvons by Michel Folco. ~ Clarke Fountain, Rovi

It is not necessary to know that this story is based on a true incident in order to enjoy it; in real life, a man landed in a major European airport without the necessary papers, and while authorities worked (slowly, ever-so slowly) to resolve his citizenship status, he lived and worked there, unable to leave either by air or by foot. This situation lasted for years. In the current movie, Arturo (Jean Rochefort) has flown into France from Montreal. He holds dual French and Canadian citizenship, but all his papers were stolen from him while he was at the Canadian airport without his knowledge. He is married to a Spanish woman and lives in Rome. This confusion of visas and nationalities is too great for the authorities to sort out quickly, and he settles into a behind-the-scenes existence at the airport while he awaits developments. There, he discovers a whole international community of the stranded, a nation-within-a-nation. ~ Clarke Fountain, Rovi

France, 1815. After his defeat at Waterloo, Napoleon heads for exile. Royalists occupy Paris and attempt to restore the monarchy. However, the battle doesn't seem to be over. On July 6, Talleyrand (Claude Rich), a shrewd politician of flexible convictions, invites chief of police and zealous revolutionary Fouché (Claude Brasseur) to supper and tries to convince him to serve the king. Over the meal they insult each other, accuse each other, and, at first sight, look like mortal enemies. But they definitely have one thing in common: they are both power-hungry. Basically a stage two-hander, the picture looks frustratingly uncinematic and static, despite the vigorous performances by the two leads. It will be enjoyed most by viewers with a good knowledge of the French Revolution and the Restoration who will understand the dialogue's subtle political details. ~ Yuri German, Rovi

Like the factory boss in The Full Monty, Berthier (Gérard Jugnot) is a former executive who finds it easier to pretend to his family that he wasn't fired than to suffer their concern and pity, and possibly the loss of their love. He goes off to "work" each day and returns home with presents for his family. Instead of a regular job, however, he has fallen in with an informal association of amateur thieves and con-men, led by the charming and even occasionally genuinely helpful Toubib (Richard Bohringher). Each of the men is touchy about something and may fly off the handle if not approached in the right way. Though the leader Toubib will double-cross any one of them for fun, when things get really serious, he exerts himself to help out. These lads are not sweethearts, and they do some pretty awful things, but there is a fundamental innocence about them which their unlawful and sometimes violent deeds cannot sully. Eventually, Berthier disappears into the streets for several months and must finally cope with his fears when he returns to his wife. ~ Clarke Fountain, Rovi

Mireille (Joisane Balasko) is a female cop who leads a crusade against the neighborhood pimp in this comedy drama. She falls for the black detective who is sent to investigate charges of corruption. Their relationship is adversarial before it becomes congenial. ~ Dan Pavlides, Rovi

Audrey Tautou, who rose to international stardom with the title role in Jean-Pierre Jeunet's worldwide smash Amélie, reunites with the director for this drama, set during the darkest days of World War I and its immediate aftermath. Mathilde (Tautou) is a pretty but frail young women who was left with a bad leg after a childhood bout with polio. Mathilde lives in a small French village with her Aunt Bénédicte (Chantal Neuwirth) and Uncle Sylvain (Dominique Pinon), and is engaged to marry Manech (Gaspard Ulliel), the son of a lighthouse keeper who is fighting with the army near the German front. Manech is one of five soldiers who have been accused of injuring themselves in order to be sent home; in order to discourage similar behavior among their comrades, Manech and the other soldiers are sentenced to death, and the condemned men are marched into the no man's land between the French and German lines, where they are certain to be killed. Mathilde receives word of Manech's death, but in her heart she believes that if the man she loved had been killed, she would know it and feel it. Convinced he's still alive somewhere, Mathilde hires a private detective (Ticky Holgado) shortly after the end of the war, and together they set out to find the missing Manech. Jodie Foster appears in a supporting role as a Polish expatriate living in France. ~ Mark Deming, Rovi