Marco Hofschneider Movies

The life of one of the controversial figures in the history of modern religion is brought to the screen in this historical biography. Born in 1483, Martin Luther (Joseph Fiennes) was an intelligent and principled young man who was studying law in early 16th century Germany when a close brush with death led him to follow a spiritual path and join a Catholic monastery. Under the guidance of Johann von Staupitz (Bruno Ganz), Luther became a valued member of the monastery's hierarchy, and as a sign of his trust, von Staupitz asked Luther to join him for a voyage to Rome as part of church business. Luther was appalled by the corrupt practices of the leading church officials, in particular the sale of "indulgences," in which the wealthy could purchase forgiveness for a wide variety of sins. Luther left the monastery to study theology in Wittenberg; a keen student, he later became a professor and won the support of Frederick the Wise (Peter Ustinov), who also recognized the potential controversy of Luther's iron principles. When a new pope, Leo X, assumes the throne at the Vatican, he orders the construction of St. Peter's Basilica. To pay the costs, an ambitious monk, Johann Tetzel (Alfred Molina), was sent out to sell indulgences to both the wealthy and the poor, leaving his audiences with little doubt of the eternal consequences that awaited those who did not empty their purses. An infuriated Luther wrote an angry essay on the corruption of the church entitled "95 Theses," and thanks to the recent invention of the printing press, Luther's words were soon circulated throughout Europe, leading to an angry conflict with Catholic officials which threatened to tear the church in two. Luther also features supporting performances from Claire Cox as Katharina von Bora and Jonathan Firth as Girolamo Aleandro. ~ Mark Deming, Rovi

On a remote tropical island, Dr. Moreau has appointed himself ruler over a menagerie of genetic mutants fashioned in his gene-splicing chamber of horrors. The products of his misguided attempt to create a more "pure" human species, the man-beasts worship Moreau as their god and "father" and live by his code of law -- a code rigidly enforced by radio-operated implants in their bodies capable of inflicting pain and death. Into this surreal nightmare arrives UN negotiator Edward Douglas (David Thewlis), the sole survivor of an airplane crash. Douglas is brought ashore on Moreau's island -- against his better judgment -- by the doctor's insane, drug-addled assistant, Montgomery (Val Kilmer), and eventually becomes a prisoner. Horrified by the doctor's monstrous experiments and afraid for his own life, Douglas seeks the aid of Moreau's lovely daughter, Aissa (Fairuza Balk), in escaping the island, but is foiled at every turn by Montgomery and his armed man-beast lackeys. Eventually, the creatures discover the existence of their electronic implants and remove them, providing the opportunity for an armed rebellion -- but eventual regression into their original animal state causes their revolt to collapse into anarchy. ~ Cavett Binion, Rovi

This biography of Ludwig von Beethoven (played here by Gary Oldman) builds its narrative around an actual letter found after his death, addressed only to the composer's "immortal beloved." The responsibility of discovering this mysterious person's identity falls to Beethoven's friend and secretary (Jeroen Krabbé), who sets out on an investigation that soon becomes an exploration of the composer's life. Through recollections and scattered hints, we receive glimpses of Beethoven's relationships with women, particularly his close interaction with a pair of very different Countesses. The film also pays prominent attention to the composer's oddly obsessive relationship with the young nephew whom he attempted to mold in his own image, and Beethoven's eventual hearing loss and descent into emotional instability. ~ Judd Blaise, Rovi