Sam Hoffman Movies

A man struggles to keep his family and himself together under trying circumstances in this independent drama from writer and director Richard Levine. Ned (Liev Schreiber) works as a writer for a television series, "Mercy Medical," and his job has become increasingly difficult as his producer Garrett (Eddie Izzard) demands increasingly outlandish storylines; Ned objects, but the new guy on the staff, Brian (David Harbour), is more than happy to deliver. At home, Ned's wife, Jeannie (Helen Hunt), is dividing her time between running a business and looking after her elderly father, Ernie (Brian Dennehy), whose uncertain temper is all the more precarious as his ill health has pushed him into suicidal depression. With Helen occupied with her dad's problems, Ned has to deal with their two sons, teenage Jonah (Ezra Miller), who has recently acknowledged his homosexuality, and younger Ethan (Skyler Fortgang), a talented musician deeply troubled by his grandfather's ill health. Meanwhile, as his home life becomes more chaotic, Ned is given a new writing partner, Robin (Carla Gugino), who is smart, sexy, and clearly attracted to him. Every Day received its world premiere at the 2010 Tribeca Film Festival. ~ Mark Deming, Rovi

Adapted from the novel by Robert Cormier, this psychological crime drama tells the tense story of an obsessed police lieutenant who's on the hunt for a dangerous young killer. The first thing most people notice about handsome high school student Eric Komenko (Jon Foster) is his easy charm. But that charm doesn't run deep, because a closer look reveals a cold-blooded killer. When Eric's devoutly religious mother discovers that her son has been sleeping around, the teen responds to her maternal scolding by viciously slaughtering both she and his father. The man assigned to Eric's case, Lt. Cristofuoro (Russell Crowe), believes that the young psychopath will kill again if given the opportunity. Lt. Cristofuoro knows that Eric has had a rough life, but he's determined to catch him before his murderous impulses once again take over. As Eric hits the road to Syracuse in search of a girl he met in juvenile detention, he is surprised to find Lori Cranston hiding in his truck. A tragic victim of sexual abuse, Lori knows what Eric is capable of, yet remains steadfast in her devotion to him. The crueler Eric is to Lori, the more she desires him. Later, as Lt. Cristofuoro closes in on the pair, Lori embraces her fate as Eric's next victim, and gives herself to him without struggle. But Eric is more interested in the girl from juvenile detention than he is with Lori. Little does the young killer realize that he's walking straight into a carefully set trap. ~ Jason Buchanan, Rovi

After transforming his first motion picture into a smash Broadway musical, Mel Brooks brings the story of two would-be theatrical moguls turned con men back to the screen in this musical comedy. Max Bialystock (Nathan Lane) was once one of Broadway's most successful producers, but a string of flops has thrown his career into a tailspin, and now he struggles to raise the cash to stage new shows by playing gigolo to lonely old ladies. While going over his books, accountant Leo Bloom (Matthew Broderick) notices that Bialystock raised more money than he spent for one show, and points out that if one raised enough money for a show that closed in one night, you could make more off a flop than a hit. This strikes Bialystock as a brilliant scheme, and he decides to give it a try, persuading Bloom to join him in staging the world's greatest flop. After discovering a truly vile script -- "Springtime for Hitler," a musical set in the Third Reich written by neo-Nazi pigeon fancier Franz Liebkind (Will Ferrell) -- and giving a key role to the secretary Ulla (Uma Thurman), a drop-dead gorgeous blonde with only a tenuous understanding of the English language, Bialystock and Bloom are certain they have the disaster they need for their plan to work. But the scheme unexpectedly goes wrong when "Springtime for Hitler" becomes a "so bad it's good" hit. Mel Brooks co-wrote the screenplay for The Producers as well as producing it, but directorial chores were handed over to Susan Stroman, who also directed the Broadway show; Nathan Lane and Matthew Broderick also repeated their roles from the Broadway production. ~ Mark Deming, Rovi

The world's least-employable heavy metal guitarist is entrusted with the minds of upstate New York's best and brightest in this fish-out-of-water comedy. Jack Black plays Dewey Finn, axe-bearer for a fitfully successful bar band determined to win a regional battle-of-the-bands competition. There's only one thing standing in their way: the self-indulgent solos and crowd-diving antics of their "embarrassing" lead guitarist. When his band votes him out in favor of a would-be rock god, Dewey has to make the rent somehow, and after intercepting a call for his substitute-teacher roomie Ned (Mike White), the pot-bellied slacker finds himself in front of a class of elite elementary school students. At a loss for a lesson plan, Dewey takes offense at the pre-teen prodigies' staid musical regimen and makes it his goal to preach them the gospel of The Who, Led Zeppelin, and AC/DC -- with the ulterior motive of getting them to compete against his former band for a cash prize. But no matter how willing his pupils, Dewey runs up against the consternation of the school's stern headmistress Principal Mullins (Joan Cusack), the battle-of-the-bands' promoter (Frank Whaley), and not least, his identity-deprived roomie Ned. ~ Michael Hastings, Rovi

This historical comedy-drama is based on the true story of Joe Gould, a bohemian eccentric who was a fixture in New York's Greenwich Village from his arrival in 1916 to his death in 1964. Gould, who claimed to be a graduate of Harvard, would cadge drinks and subsist on catsup as he regaled patrons of neighborhood saloons with stories, poems, opinions, and his imitation of a seagull. In a 1942 New Yorker profile by journalist Joseph Mitchell, Gould spoke of his life's work, a book entitled An Oral History of Our Times, which he claimed would be eleven times longer than the Bible, contain a variety of overheard conversations from throughout the years, and document the decline of 20th century culture. Mitchell kept tabs on Gould, and tried to introduce him to publishers who might put his work into print, but nothing ever came of it, and it wasn't until Gould's death that Mitchell discovered the surprising truth about his friend. Directed by Stanley Tucci, Joe Gould's Secret stars Tucci as Mitchell and Ian Holm as Gould; Hope Davis, Steve Martin, Susan Sarandon, and Patricia Clarkson highlight the supporting cast. ~ Mark Deming, Rovi

Carl Franklin directed this family drama adapted from the 1995 novel by former New York Times columnist Anna Quindlen about a young woman who goes back home to take care of her dying mother. In 1987-88, independent Ellen Gulden (Renee Zellweger), a Harvard grad, is working on a New York Magazine investigative article when she hears from her father, George (William Hurt), a literary critic and university professor. He tells Ellen she's needed at home to care for her mother, Kate (Meryl Streep), who's due for surgery. Ellen needs to get away from the problems of her relationship with her boyfriend Jordan (Nicky Katt), but she plans to continue work on the magazine article from home. In truth, Ellen is uncomfortable with her mother's various ladies club lunches, and holiday preparations, and she finds communication with her mother awkward. Once Ellen arrives back home, she's dismayed to find herself caught in the web of her mother's Middle America activities. Ellen's attitude changes when it becomes apparent this probably will be the final Thanksgiving and Christmas with all family members present. But tensions erupt as long-buried family secrets emerge. Locations in New Jersey were used to create the film's Eastern coastal college town. Shown at the 1998 Montreal Film Festival. ~ Bhob Stewart, Rovi

Four women look back at the girls they used to be in this warm comedy-drama. Author Samantha Albertson (Demi Moore), actress Tina Tercell (Melanie Griffith), gynecologist Roberta Martin (Rosie O'Donnell), and housewife Christina DeWitt (Rita Wilson) are friends from childhood who get together for the first time in years when Christina is about to have a baby. Seeing the old gang sends Samantha down memory lane, as she recalls the summer of 1970, when the girls were 12-years-old and edging into womanhood. Samantha (Gaby Hoffmann) is struggling with the collapse of her parent's marriage, Roberta (Christina Ricci) must deal with the death of her mother, Tina (Thora Birch) is upset over her folks' apparent disinterest in her, and Christina (Ashleigh Aston Moore) is trying to overcome her mother's disinformation campaign about sex. Together, they discuss boys and first kisses, compare notes on the physical and emotional changes they're going through, and have seances where they try to communicate with a boy who died tragically 30 years earlier. Demi Moore, whose character narrates the film, also served as producer. ~ Mark Deming, Rovi