Basil Hoffman Movies

Edward Albert stars as American spy Jeremy West, who is sentenced to twelve years in a Soviet prison as a result of U.S. government duplicity. ~ Jason Ankeny, All Movie Guide

Ellen Barkin stars in this mystical comedy about a detestable male chauvinist temporarily reincarnated into the body of a woman. Steve Brooks (Perry King) foolishly accepts an invite for an evening of debauchery from three former girlfriends, and thinks he's got it made when he shows up to find them waiting for him in a hot tub. Eager to exact revenge on the scoundrel, the women proceed to drown him, and Steve is cast into a purgatory in which two unseen voices are deciding whether to send him to heaven or hell. Steve is given one chance to save himself from damnation -- if he can find a woman alive who actually liked him. To complicate his task and teach him a lesson, Steve is reincarnated as a sexy woman (Barkin), just the type who would have been the target of his cheesy advances. Sloppily adjusting to his new body, Steve (now Barkin) tells people he is the sister of the missing Steve Brooks, and begins working at his old advertising agency as a means toward completing his arduous task. As Steve's sister, he also enlists the help of his best friend, Walter (Jimmy Smits), despite the complication that Walter is noticeably attracted to the woman he has become. Steve's homophobia -- and several of his other hateful traits -- are put to the test. ~ Derek Armstrong, All Movie Guide

Adapted by Whitley Strieber from his book about his alleged contacts with aliens, Communion dramatizes a story all the more compelling for the author's insistence that it is true, complemented by Christopher Walken's enigmatic performance as Strieber. The film begins in October 1985, as Strieber is living in New York City with his wife Anne (Lindsay Crouse) and son Andrew (Joel Carlson). He is hunting for new book ideas without making much headway. He spends his days pacing around his apartment, thinking out loud or videotaping himself as he improvises bits of dialogue. It is soon decided that a vacation is in order, so, with their friends Alex (Andreas Katsulas) and Sara (Terri Hanauer), the Striebers head for their cabin in Upstate New York. In the middle of the night, an illumination descends on the cabin and surrounding forest, causing Strieber to wake up abruptly. In the semi-darkness of the cabin, he is able to make out a long face with narrow, tear-shaped eyes quietly observing him from a corner of the room. The next morning, he has forgotten -- or been made to forget -- the whole experience. He even shrugs off Alex's and Sarah's concern about "seeing lights" outside their bedroom window, claiming to have slept through the event. Back in New York, it becomes evident to Strieber and his family that something unusual did happen. He begins to have powerful hallucinations, and, after an inconclusive medical examination, he is encouraged by his wife to seek professional help from psychiatrist Janet Duffy (Frances Sternhagen). During hypnotic regression therapy, Strieber's lifelong contact with the "visitors" is brought to light, as well as the details of his more recent encounters. Still unable to accept these revelations, he returns to the cabin alone and finally communicates with the visitors, discovering that, although they are unable to reveal their true identity, their purpose may be to act as agents of personal transformation for himself and for others. An interesting and uneven film, Communion is bolstered considerably by Christopher Walken, whose role in the film, though appropriate for the subject matter, quickly transforms into a thesis on his own eccentricities as an actor. ~ Anthony Reed, All Movie Guide

It's advisable to know from the beginning of The Milagro Beanfield War that "milagro" is the Spanish word for "miracle". The scene is a rundown Hispanic community in New Mexico, bordering a posh housing development. In full control of the local water rights, the powers-that-be are secure in the belief that they'll be able to expand their development without resistance from the locals. No one can foresee that impoverished farmer Chick Vennera, during a burst of frustrated rage, will accidentally open a heretofore hidden sluice, thereby providing free water for his beanfield. At first, the locals are against Vennera's "insurrection", reasoning that the new housing development will provide jobs. But with the help of John Heard, a burned-out 60s activist who now runs the community newspaper, Vennera becomes the hero of the hour, the spiritual leader of an ever-growing "no development" movement. The evil land developers send their minions to intimidate or coerce Vennera; each time, however, he is seemingly protected from harm by Divine intervention. When Vennera is forced to shoot a trespasser on his land, it looks as though his luck has run out. Chased into the hills by private detective Christopher Walken, Vennera is once more rescued in the nick of time by what appears to be a miracle. And there are more wonders to behold before fadeout time! Whimsical yes, but thanks to its hand-picked ensemble cast (including Sonia Braga, Ruben Blades, James Gammon, Daniel Stern, Freddy Fender, M. Emmett Walsh and Melanie Griffith) the film remains totally credible throughout. Adapted by John Nichols and David Ward from Nichols' own novel, Milagro Beanfield War may be the most likeable "liberal-tract" film of the 1980s. Robert Redford's appropriately Capraesque direction is matched by Dave Grusin's vibrant Oscar-winning musical score. ~ Hal Erickson, All Movie Guide

It's up to Harry (Harry Anderson) to sort out a truly messy situation when a woman (Marcia Rodd) who has recently married for a second time is confronted with Husband Number One, who'd been erroneously reported killed in Vietnam. D.D. Howard makes her second and final appearance as Charly Tracy, temporary replacement for departed court clerk Lana Wagner (Karen Austin). This is the last episode of Night Court's first season, and the last to feature Paula Kelly as public defender Liz Williams. ~ Hal Erickson, All Movie Guide

Prominently displaying red-white-and-blue title colors, this subtly patriotic fact-based movie about kids who succeed is dated by the fact that all these daring youngsters are white, without any discernible ethnicity. Dickie (Scott Schwartz) is an enterprising kid on a ranch in southern California who puts his business tendencies to practical use in several successful ventures, aided and abetted by his siblings and other friends. When Dickie & Co. become too successful, they are taken to court by their adult business rivals, but they refuse a lawyer and defend themselves. The kids win their case against their adult competitors and their lawyers, leaving the courtroom to cheers and upraised fists from a sea of youngsters outside. Three years of law school at exorbitant costs, plus a two-year internship and years of moving up a densely-runged ladder -- just to lose to an 11-year old, amazing. ~ Eleanor Mannikka, All Movie Guide

Straight-laced Henry Winkler takes a night-shift job as a morgue attendant. Winkler falls under the spell of wheeler-dealer coworker Michael Keaton, whose catchphrase "Is this a great country or what?" is the clarion call for his many get-rich-quick schemes. His latest plan is to turn the morgue into a nocturnal brothel, for the benefit of anything-goes hooker Shelley Long-and incidentally, to line their own pockets. Director Ron Howard and his frequent scripters Lowell Ganz and Babaloo Mandel turn the potentially lurid story material of Night Shift into an endearing comedy, with winning performances from its three often miscast stars. Keep an eye out during one of the party sequences for Kevin Costner as a carousing college boy. ~ Hal Erickson, All Movie Guide

Robert Redford's directorial debut ended up the 1980 Oscar winner for Best Picture. It is a simple but painfully emotional story of the disintegration of a "perfect" family. Teenager Conrad (Timothy Hutton) lives under a cloud of guilt after his brother drowns after their boat capsizes in Lake Michigan. Despite intensive therapy sessions with his psychiatrist (Judd Hirsch), Conrad can't shake the belief that he should have died instead of his brother; nor do his preoccupied parents (Donald Sutherland and Mary Tyler Moore) offer much in the way of solace. The boy is brought out of his doldrums through his romance with Jeannine (Elizabeth McGovern). A winner in every respect, Ordinary People (adapted from the novel by Judith Guest) scores highest in the scenes with Mary Tyler Moore, who superbly and perceptively portrays a blinkered, ever-smiling suburban wife and mother for whom outward appearance is all that matters. ~ Hal Erickson, All Movie Guide

Apparently weary of playing victim-of-the-week, Elizabeth Montgomery goes the Joan Crawford route playing a fabulously wealthy and stupendously bored matron who is about to be divorced by her wealthy husband. Hubby conveniently expires while dallying with his mistress. The upshot is that Ms. Montgomery is made executive vice president of the boat-building business that she'd helped her husband establish. Moral: Marry well, ladies, and you too can become a CEO. Basically a very slight TV movie, Jennifer: A Woman's Story is bloated way beyond its worth into a Ross Hunter-type sudser; the British TV series upon which it was based, The Foundation, was more austere, and frankly more enjoyable. ~ Hal Erickson, All Movie Guide

George Hamilton confounded his detractors by turning in a first-rate comic performance in Love at First Bite. Hamilton plays Count Dracula, who is evicted from his Transylvanian domicile when the Communist government decides to nationalize his castle. With faithful toady Renfield (Arte Johnson) at his side, Dracula heads for the Big Apple, where he finds the vampire pickings radically different from those on his home turf: for example, ol' Drac suffers the mother of all hangovers when his sinks his fangs into the neck of a wino. Klutzy Cindy Sondheim (Susan Saint James) falls in love with Dracula, not fully aware of his colorful background. But Cindy's stuffy fiance Dr. Jeff Rosenberg (Richard Benjamin), a descendant of Dracula's perennial foe Professor Van Helsing, knows what Dracula's up to and does his best to thwart the vampire's plan. This proves very difficult, since such time-honored remedies as the stake through the heart are frowned upon by the New York City authorities. So successful was Love at First Bite that Hamilton was encouraged to have a satiric go at another literary icon in 1982's Zorro, the Gay Blade. ~ Hal Erickson, All Movie Guide

Old man Ewing (Jason Robards) owns a ranch right next to the ranch of Ella (Jane Fonda). This is a source of two problems: Ewing wants to gobble up most of the land around the two ranches and also wants Ella's ranch; secondly, when Ella was too young to know better, she went to bed with the man, which, many years later, she considers to have been a grievous error on her part. A third problem arises when oil companies begin pressuring both of them to allow drilling on their land, and Ewing won't allow it -- on his or anyone else's land. Before long, war-veteran Frank (James Caan) enters Ella's life and helps her fight to save her land and her sanity, with added assistance from Dodger (Richard Farnsworth), an old local who knows the score. ~ Clarke Fountain, All Movie Guide

Although he passes on performing songs written by Fred (Redd Foxx), the great B.B. King (playing himself) gives Fred a book, which explains why King starting singing the blues. Turns out that King has been nursing a broken heart ever since he lost his sweetheart to another man. According to the book, King's lost love was someone with the initials E.W. -- the same as Fred's late lamented wife Elizabeth. ~ Hal Erickson, All Movie Guide