Daniel Evans Movies

Produced for British television, Daniel Deronda was adapted from George Eliot's final novel, written in 1874 (and first filmed in 1921). As was her habit, Eliot laid bare the hypocrisy and venality of Victorian-era "class culture," at the same time admitting that a certain amount of conformity was necessary if one hoped to survive in a world where nonconformity was not only looked down upon but actively suppressed. Essentially, both the novel and the TV presentation are comprised of two separate stories, linked together by the titular Daniel Deronda (Hugh Dancy), a young man of Jewish heritage. In the main narrative, Daniel is attracted to the spoiled, headstrong Gwendolen Harleth (Romola Garai), who is reluctantly poised to enter into a marriage of convenience with the wealthy, snobbish, and intensely anti-Semitic Henleigh Grancourt (Hugh Bonneville). This romantic intrigue is played against the curious relationship between Daniel and the Zionist visionary Mordecai (Daniel Evans), who tirelessly proselytizes in favor of a permanent homeland for the Jewish people. Things come to a head when Daniel finds himself falling in love with Mordecai's sister Mirah (Jodhi May). Originally telecast in three parts on the BBC beginning December 7, 2002, Daniel Deronda was re-edited as a two-parter for the PBS anthology Masterpiece Theatre, where it first aired on March 30, 2003. ~ Hal Erickson, All Movie Guide

Love blooms amidst the backdrop of czarist Russia in Nikita Mikhalkov's The Barber of Siberia. The story opens in 1905 Springfield, MA, when a woman writes a letter to a young man in a military summer-training camp. He is currently being punished by one of his superiors, who forces him to wear a gas mask until he acknowledges that Mozart was a worthless composer. The woman has an important story to tell her addressee, and our story flashes back 20 years to Russia, where American Jane Callahan (Julia Ormond) is traveling to Moscow. A man who may or may not be Jane's father, Douglas McCracken (Richard Harris), is trying to perfect a machine, christened "The Barber of Siberia," that will harvest trees from the vast Siberian forests. Douglas hopes Jane can charm Gen. Radlov (Alexei Petrenko), the head of a Russian military academy, into arranging the financing that will enable him to complete his work on the harvester. En route, Jane meets a friendly Russian soldier, Andrei Tolstoy (Oleg Menshikov), and the two soon fall in love. Jane then meets and flirts with Radlov, who grows reciprocally fond of her -- enough so that he asks her to marry him. When it becomes evident she'd rather be with Tolstoy, he finds himself shipped off to Siberia after allegedly attacking a grand duke. Merging romance, costume drama, and slapstick comedy, The Barber of Siberia was screened at the 1999 Cannes Film Festival. ~ Mark Deming, All Movie Guide

Renowned theatrical director Adrian Noble directed the Royal Shakespeare Company's mid-'90s stage production and helmed this film adaptation of that version. Its 1999 video release was apparently to coincide with Michael Hoffman's higher-profile feature of the same year. The setting is very theatrical in nature, with nearly all of the scenes taking place on a theater stage. The story is also bookmarked by a child (Osheen Jones), who is apparently dreaming all of the events, and also appears frequently in most of the scenes. Hyppolyta/Titania (Lindsey Duncan) and Theseus/Oberon (Alex Jennings) drive the plot with their romantic bickering, which stems from the romantic foursome of Demetrius (Kevin Doyle), Hermia (Monica Dolan), Lysander (Daniel Evans), and Helena (Emily Raymond). Lysander and Hermia are in love, but Hermia is promised to Demetrius by Hermia's father, Egeus. Helena, who is Hermia's best friend, is in love with Demetrius, but Demetrius loathes her. As one would expect, Lysander and Demetrius are very hostile towards one another. Hyppolyta feels strongly for Hermia and Lysander' case and becomes angry with Theseus when he takes Egeus' part in the predicament. Lysander and Hermia flee, Demetrius pursues, and is, in turn, pursued by Helena. The foursome then encounter the fairy kingdom, led by Oberon and Titania. Oberon orders his lackey, Puck (Barry Lynch), to cast a spell on Titania as a form of retribution for an argument the royal pair are currently having. Oberon also commands Puck to place the same spell on Demetrius, whom he has witnessed scorning Helena. However, due to miscommunication, Puck enchants Lysander instead. The scene becomes hectic, with enchantments and miscommunication abounding. At one point, Helena becomes the focus of love from both Demetrius and Lysander, while Hermia assumes the scorned woman role. Meanwhile, Titania has been forced to become infatuated with a mortal named Bottom (Desmond Barrit), whom Puck has enchanted with an ass head. By movie's end, however, all is straightened out. The fairy rulers reconcile and the mortal couples are united in marriage. At the wedding party, Theseus and his minions are entertained by the Pyramus and Thisbe play as performed by the rude mechanicals headed by Bottom. The Pyramus and Thisbe play-within-a-play is traditionally one of the highlights of the piece, but seems to lack some focus in this treatment. As films go, this is standard fare, technically speaking. In relation to other filmed versions of A Midsummer Night's Dream, however, few are more enjoyable. ~ Ryan Shriver, All Movie Guide