David Healy Movies

In this low-budget comedy, stand-up comedian Luis Caballero offers biting insight into the realities of being a Puerto Rican in New York. ~ Sandra Brennan, Rovi

Writer-director Hal Hartley's first feature -- shot in less than 12 days in his backyard for a mere $200,000 -- is a dry and dark comedy about the dangerous undercurrents that exist below the surface of normal middle class existence. Over the credits, Josh (Robert Burke), a man garbed in black, is seen hitch-hiking back to his Long Island home. People ask him, "Are you a priest?" and Josh responds, "No. I'm a mechanic." Back in Long Island in the town of Lindenhurst, beautiful and somber 17-year-old Audry (Adrienne Shelly) is busy worrying about the forthcoming apocalypse. Josh arrives in Lindenhurst and is hired by Audry's father (Chris Cooke) as a mechanic at his garage. But Audry's father worries about him, particularly when he falls in love with Audry. Her father's problems compound when Audry dumps her old boyfriend and rejects an invitation to attend Harvard. The whole town is now gossiping about Audry's new boyfriend, with rumors spreading that Josh is a mass murderer who killed two members of the family of local waitress Pearl (Julia McNeal). Pearl tells Audry, "He seems like a nice man." Audry responds, "Even though he killed your father and your sister?" Audry finally makes her father happy when she tells him she won't see Josh again, but dad's relief is short-lived when Audry informs him she's moving to New York to become an underwear model. ~ Paul Brenner, Rovi

Three Wishes for Jamie was adapted from a bestseller by Charles O'Neal. The film is set in Ireland at the turn of the century. Lovelorn Hibernian youth Stevan Rimkus is granted three wishes by a fairy queen; will he choose wisely, or....? Jack Warden does the "faith 'n' begorrah" bit as a twinkly old matchmaker. The storyline of Three Wishes for Jamie previously saw service as a Broadway musical in 1952. This made-for-TV version was first syndicated to local stations in early 1987. ~ Hal Erickson, Rovi

Gene Wilder directed and wrote (along with Terence Marsh) this mild farce which is a pale reminder of Wilder's glory days in Mel Brooks' Young Frankenstein. Wilder plays ham radio actor Larry Abbot, who takes his fiancee Vickie Pearle (Gilda Radner) out to meet his relations on a gloomy country estate before they are married. The creepy clan is lorded over by the bizarre Aunt Kate (Dom DeLuise), who keeps babbling about a local rampaging werewolf. As Larry and Vickie try to spend a quiet weekend in the mansion, they are assaulted with all manners of spooky goings-on -- the kind of routines that were already growing whiskers when Abbott and Costello first dusted them off over fifty years ago. ~ Paul Brenner, Rovi

A big-budget spin-off from the series of three successful Superman movies, this film stars Helen Slater as the counterpart to the famous comic-book superhero. Supergirl is Kara, Superman's young cousin. She is sent to Earth is search of a Krypton power source, a lost ring that has been turned into a paperweight. She disguises herself as Linda Lee, a meek high-school student. Peter O'Toole is Zaltar, a mad villain who wants to use the power of the ring to take over the world. Faye Dunaway plays the evil sorceress Selena, who is also plotting to get the gem and uses her incredible powers of black magic in service of her scheme. Linda Lee meets Ethan (Hart Bochner), who is under a spell cast by Selena, which causes him to fall in love with the first person he sees. Selena had intended to use the spell to make Ethan fall in love with her, and she is furious when his affections are directed toward Supergirl. ~ Michael Betzold, Rovi

From the opening notes of John Cameron's bluesy musical score, we know we're in for an authentic recreation of the 1940s milieu inhabited by Raymond Chandler's hard-boiled private eye Philip Marlowe. Powers Boothe stars as Marlowe in "The Pencil," the first of five hour-long mysteries produced for the HBO cable service. The detective must fend off a steady stream of syndicate hit men to protect a racketeer "pencilled" for extinction by the mob. William Kearns plays the marked man, evocatively nicknamed "Violets." Also on hand is Kathryn Leigh Scott as the requisite Mysterious Lady. Though the first Marlowe installment to be filmed, "The Pencil" was the third to be telecast; it debuted on April 30, 1983. ~ Hal Erickson, Rovi

Soured on America by his experiences as a POW in Vietnam, General Lawrence Dell (Burt Lancaster) hopes that his government will someday tell the truth about the Southeast Asian debacle, thereby allowing his country to embark upon a healing process. Regarded as a dangerous embarrassment by the higher-ups, Dell is framed on a manslaughter charge and sent to prison. Escaping with three hardened convicts (Paul Winfield, Burt Young, and William Smith), Dell takes over an SAC base, threatening to launch nine Titan missiles if his demands that top-secret Vietnam files be made public are not met. Thus, the fate of the world rests in the hands of the mentally unbalanced Dell, his former superior General MacKenzie (Richard Widmark), and U.S. president David Stevens (Charles Durning). For this picture, Edward Huebach and Ronald M. Cohen adapted Walter Wager's novel Viper Three. ~ Hal Erickson, Rovi

First aired March 13, 1977, Eleanor and Franklin: The White House Years was the brilliant follow-up to the equally praiseworthy 1976 TV movie Eleanor and Franklin: The Early Years. The film is framed in a flashback experienced by first lady Eleanor Roosevelt (Jane Alexander) while accompanying the casket carrying the body of her husband Franklin Delano Roosevelt (Edward Herrmann) to its final resting place in Hyde Park. Elected in 1933, FDR endeavors to pull the country out of the Depression with the New Deal during his first term, while Eleanor emerges as a formidable public figure in her own right during the second term, tirelessly working on behalf of social change and reforms. Ever under the baleful eye of his mother Sara (Rosemary Murphy), Roosevelt tries to maintain family equilibrium in the White House as he seeks an unprecedented third term. Sara dies in December of 1941, two days before Roosevelt, in his "Day of Infamy" speech, declares war on Japan. Despite health problems, FDR successfully pursues a fourth term in 1944; he dies in office in April of 1945, a scant few months before the end of World War II. Despite her long-standing displeasure over her husband's long-ago affair with artist Lucy Mercer (Linda Kelsey), a stiff-lipped Eleanor puts on a brave front when Roosevelt dies in the company of Deakins at a health spa in Georgia. Based on Joseph P. Lash's Pulitzer prize-winning biography, Eleanor and Franklin: The White House Years earned Emmies for "Outstanding Special" and for director Daniel Petrie. ~ Hal Erickson, Rovi

This TV adaptation of Tennessee Williams' prize-winning play stars Robert Wagner as Brick, a college sports champion who hasn't made it in the real world, and Natalie Wood as Brick's wife Maggie, the sexually frustrated "cat" of the title. Brick and Maggie are staying at the home of Brick's wealthy parents, Big Daddy and Big Mama, as are Brick's successful brother Gooper and Gooper's eternally pregnant wife Mae. Big Daddy (Laurence Olivier) has been seriously ill, thus his offspring are concerned over the size of their inheritance. It has been hinted that Big Daddy will leave his fortune to Brick provided Maggie produces a child, but the marriage has been plagued by Brick's refusal to sleep with his wife, and by a dark secret in Brick's past life that has brought about impotence and alcoholism. The reason for Brick's insecurity is his past friendship with school buddy Skipper, a homosexual who'd committed suicide. Brick believes that Big Daddy is convinced that Brick and Skipper "had sodomy together", and Gooper delights in taunting Brick over this. Big Mama learns that Big Daddy has inoperable cancer, and determines to keep the truth from her husband. She also knows that Brick is Big Daddy's favorite son, thus rejects Gooper's cold-blooded attempts to set up a trusteeship for Big Daddy's estate. In the final scene, Maggie lies to Big Daddy that she is pregnant, and Big Daddy (unaware of his imminent doom) chooses to believe her. Brick will get the estate, and Maggie will hopefully convince her husband to makes theirs a "real" marriage. A made-for-TV production, the 1976 Cat on a Hot Tin Roof is more sexually explicit than the censor-ridden 1958 Hollywood version, but isn't quite as strong dramatically despite its powerhouse cast. ~ Hal Erickson, Rovi

Producer/director Melvin Frank struck box-office gold when he teamed George Segal with Glenda Jackson in A Touch of Class. Segal plays married insurance executive Steve Blackburn, who can't seem to avoid bumping into divorced fashion designer Vicki Allessio (Glenda Jackson) wherever he goes. Finally bowing to the inevitable, Steve and Vicki fall in love. He suggests a romantic rendezvous in Spain...but nothing, absolutely nothing, goes as planned. A comedy of errors ending on an unexpected note of pathos, A Touch of Class was nominated for four Academy Awards, and earned Glenda Jackson a Best Actress Oscar. ~ Hal Erickson, Rovi

The first appearance of Bette Davis in a made-for-television film has an evil mastermind (Davis) plotting against a CIA agent (Robert Wagner) for control of a deadly submarine. Aired in 1971, Madame Sin was the most expensive TV movie of the time. ~ John Bush, Rovi

After George Lazenby portrayed James Bond in On Her Majesty's Secret Service, Sean Connery returned to the tux, gimmicks, and catchphrases of Secret Agent 007 in his penultimate Bond outing, Diamonds Are Forever. Fragments of Ian Fleming's original 1954 novel remain, including the characters of the alluring Tiffany Case (Jill St. John) and fey hitmen Wint (Bruce Glover) and Mr. Kidd (Putter Smith). The remainder of Richard Maibaum and Tom Mankiewicz's script diverges dramatically from the novel, involving Bond in a scheme by the insidious Ernst Blofeld (Charles Gray) to force the world powers to disarm so that he can take over the globe. Folksinger Jimmy Dean shows up briefly as a Howard Hughes-like reclusive billionaire, while Lana Wood (Natalie's sister) participates in one of the film's edgiest cliffhangers. Agreeing to make Diamonds Are Forever only because of the money offered him, Sean Connery parted company with the role for 12 years after this film; he returned to the role once more in 1983, for Irvin Kershner's Thunderball remake Never Say Never Again. ~ Hal Erickson, Rovi