Jim Haynie Movies

A Los Angeles cafe is the setting for this ensemble piece performed largely by a group of San Francisco stage actors. Mark (Mark Boone Jr.) is the cafe's reigning caffeine king, churning out lattes for a group of customers that includes bag lady Ma (Tsai Chin), portly Jerry (Michael McShane), widowed mathematician Jack (Jim Haynie), and on-again, off-again lovers Maria (Regina Byrd Smith) and Hank (Richmond Arquette). Another regular is Clayton (Wood Harris), a part-time delivery man who has abandoned a promising career as an artist. One day, while on his delivery rounds, Clayton discovers a strange young woman cowering in a mud puddle; stopping to help her, he learns that she has been residing there since getting dumped from a car by a callous boyfriend. After getting herself cleaned up, the woman, named Precious (Sarah Lassez), takes up with Clayton, and the two start living together. Meanwhile, back at the cafe, other unlikely romances form, Ma tosses off holy-fool wisdom, and Hank and Maria wallow in lusty indecisiveness. ~ Rebecca Flint Marx, Rovi

While Neal Cassady never gained fame as a writer, he was a pivotal figure among the Beat poets and novelists of the 1950s. A close friend of most of the seminal figures in the Beat movement, Cassady's free-wheeling, larger-than-life personality was a major influence on Jack Kerouac, who used him as the inspiration for the character Dean Moriarity in On the Road, and he was a founding member of Ken Kesey's post-Beat, pre-hippie "Merry Pranksters," driving their now-famous psychedelic bus (whose destination, then as now, was "Furthur"). The Last Time I Committed Suicide is loosely based on several incidents from Cassady's life, as well as an eight-page letter that he wrote to Kerouac about some complicated events in his love life. In the late 1940s, 20-year-old Cassady (Thomas Jane) was living in Denver and working the late shift at a tire factory when he became involved with Joan (Claire Forlani), a sad young woman with a suicidal bent, and befriended Harry (Keanu Reeves), a cheerful but past-his-prime alcoholic. Cassady also found himself the target of the affections of Cherry Mary (Gretchen Mol), a sexy 16-year-old whose mother, Mrs. Greenway (Christine Rose), doesn't much care for him; he also encountered Ben (Adrien Brody), a shy young poet whose interest in Cassady seemed to be more than just literary. Footage of the real Neal Cassady can be found in the documentary on the Beat Movement, The Source. ~ Mark Deming, Rovi

Mare Winningham stars as a sister determined to find out the truth in this fact-based made-for-television drama. Patricia Arquette stars as an FBI informant who has a secret affair with a married agent (Stephen Webber). When her older sister Dana (Winningham) admonishes her to be careful, she refuses to heed the warning and plunges deeper into the relationship, which unfortunately has deadly consequences. TV-movie veteran Winningham is good as always and Arquette and Webber are a believable duo. ~ Bernadette McCallion, Rovi

In this made-for-TV thriller, Annette O'Toole stars as a woman whose secret life forces her to flee from a killer. ~ Jason Ankeny, Rovi

An innkeeper in a small Midwestern town is concerned about strange boarders, whom he believes are visitors from the future. He struggles to save his daughter from being taken by the aliens and to keep the town from being destroyed. ~ Rovi

Joan Micklin Silver tries her mighty best to wring something substantial out of Frank Mugavero's banal sit-com screenplay concerning the effect of divorce on the divorced parents' off-spring. Hillary Wolf stars as Laura Chartoff, a lonely thirteen-year-old girl who is the victim of multiple parental divorces and remarriages. She lives with her current stepfather Keith Powers (David Strathairn), a cool businessman, and her flighty, self-absorbed mother Melinda (Margaret Whitton). Her biological father David (Griffin Dunne) is a struggling artist separated from his second wife Barb (Patricia Kalember) and is now living with a younger woman Stephanie (Adrienne Shelley), who is pregnant with twins. After a fight with her mother and stepfather, Laura runs away to a rustic cabin in the woods being built by her older stepbrother Josh (Dan Futterman). When she spots Keith and Melinda walking up the road to the cabin, Laura dashes off into the forest. Reported missing, all of the members of Laura's extended family converge at the cabin to try to find her. ~ Paul Brenner, Rovi

I Come in Peace is a silly, derivative science fiction exploitation thriller which is a triumph of style and skillful direction, despite a plot that steals elements from numerous good films and mixes them with some appallingly bad acting. Jack Caine (Dolph Lundgren) is a not-by-the books police officer investigating the death of several people, including his partner, by a gang called the "White Boys." All the victims seemed to have died of drug overdoses, but Jack thinks that there is something more sinister afoot. His investigation reveals a plot by aliens who use the bodies to extract a chemical that is sold to addicts on their home planet. Originally entitled Dark Angel, I Come in Peace, while silly and confusing, has great production values and some excellent special effects. The main reason to see this film is because of the expert direction by former stunt-man Craig Baxley who manages to keep the action moving at a fast pace and tie up the loose ends of the threadbare story. The cinematography by Mark Irwin is outstanding and shows that imagination and a good visual sense can overcome a limited budget and a bad plot. ~ Linda Rasmussen, Rovi

From Hollywood to Deadwood is an agreeable private-eye yarn, at once a spoof and a tribute to the film noir output of the 1940s. Detectives Savage and Haines (Scott Paulin, Jim Haynes) are hired to locate Lana Dark (Barbara Schock), a movie actress whose absence is costing her studio tons of money. The two Sherlocks follow the evidence trail to Deadwood, South Dakota. Here, Savage begins a one-sided romance with the restless Lana. He learns that her disappearance was all part of an insurance scam. He further learns that now that he knows all, his life, not to mention the lives of Haines and Lana, aren't worth a plug nickel. Though the film wastes no time with inessentials, we learn a lot more about the emotional and psychological makeup of the three protagonists than is customary for films of this nature. ~ Hal Erickson, Rovi

Based on a true story, the two-part TV movie I Know My First Name Is Steven tells the tragic story of Steven Stayner. At age seven, Steven was kidnapped by two men who held him captive in a tiny shed for seven years. One of the men, a habitual child abuser named Kenneth Parnell, sexually assaulted Steven on an almost daily basis during the boy's ordeal. At age 14, Steven finally was able to escape and return to his family. But we are shown that Steven's safe return was far from the happy ending it appeared to be. He's forced to adjust to a family he'd never really known, to convince himself that his parents had never forgotten him, and to put his seven-year hell behind him. While I Know My First Name Is Steven ends on an upbeat note, the real Stayner died in a motorcycle accident only a few months after this film was first telecast in May 1989. ~ Hal Erickson, Rovi

Albert Finney stars as a TV-news anchorman who wrongly implicates a good friend in a savings-and-loan scandal; when the friend commits suicide, Finney must question his ethics and obsession with high Nielsen ratings. ~ Jason Ankeny, Rovi

The "Jack" who's "back" in this contemporary chiller is none other than Jack the Ripper. The scene is Los Angeles: the time is August of 1988, exactly 100 years after the Ripper's original reign of terror in Whitechapel. When several LA prostitutes turn up murdered and disemboweled, young physician James Spader is accused of emulating Spring Heel'd Jack. Before the film is half over, Spader is killed, and so far as the police are concerned, the case is closed. But then, Spader's twin brother appears on the scene, determined to track down the genuine culprit (if it doesn't turn out to be him, that is!). Handled with restraint, Jack's Back covers much of the same ground as the classic Robert Bloch tale Yours Truly, Jack the Ripper," though its crucial plot twist is a tad more clever (if a bit silly out of context). ~ Hal Erickson, Rovi

This 2-hour revival of the old David Carradine TV series was originally titled simply Kung Fu. Set in the west of the late 19th century, the film stars Carradine as Caine, the mystical Chinese-American priest who wanders the countryside seeking spiritual fulfillment-and occasionally busting a few bad-guy heads. Stopping over in a small town, Caine learns that an opium ring holds the townsfolk in thrall. Before the sun sets, Caine is engaged in a fierce martial-arts duel with a mysterious young man (played by Brandon Lee, son of Bruce). It comes as quite a jolt to Caine when he learns that his opponent is his own flesh and blood. Though Kung Fu: The Movie, originally telecast February 1, 1986, did not immediately result in a series, David Carradine would star in an updated version of the property, Kung Fu: The Legend Continues, in 1992. ~ Hal Erickson, Rovi

The spotlight in this episode is not on detectives David (Bruce Willis) and Maddie (Cybill Shepherd),but instead on their mousy, poetry-spouting secretary Agnes Dipesto (Allyce Beasley). Yearning for some excitement in her life, Ms. Dipesto gets more than she bargained for when a mysterious man slips her a piece of paper, then dashes off for parts unknown. The delighted Agnes thinks that the paper contains the man's phone number--but it doesn't, not by a long shot. Before the story plays itself out, Agnes has been injected with truth serum and sent on a wild cab ride, and a man is murdered (or appears to be murdered) in a bowling alley. As indicated by its title, this episode owes more than a little to the cinematic oeuvre of Alfred Hitchcock. ~ Hal Erickson, Rovi